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The University of North Carolina Press

The University of North Carolina Press

Website: http://uncpress.unc.edu

The University of North Carolina Press is the oldest university press in the South and one of the oldest in the country. Founded in 1922, the Press is the creation of that same distinguished group of educators and civic leaders who were instrumental in transforming the University of North Carolina from a struggling college with a few associated professional schools into a major university. The purpose of the Press, as stated in its charter, is "to promote generally, by publishing deserving works, the advancement of the arts and sciences and the development of literature." The Press achieved this goal early on, and the excellence of its publishing program has been recognized for more than eight decades by scholars throughout the world. UNC Press publishes journals in a variety of fields including Early American Literature, education, southern studies, and more. Many of our journal issues are also available as ebooks. UNC Press publishes over 100 new books annually, in a variety of disciplines, in a variety of formats, both print and electronic. UNC Press is also the proud publisher for the Omohundro Institute of Early American History and Culture in Williamsburg, Virginia. More information can be found about the Omohundro Institute and its books at the Institute's website: http://oieahc.wm.edu/ Special Offer from UNC Press: Shop the new 2014 UNC Press Religious Studies Catalog. Save 40 percent off all books, and if you spend $75.00, the shipping is free. Click here: http://www.uncpress.unc.edu/browse/search?promo_code=01REL40


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The University of North Carolina Press

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Art of Forgetting Cover

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Art of Forgetting

Disgrace and Oblivion in Roman Political Culture

Harriet I. Flower

Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D.

Ask and Tell Cover

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Ask and Tell

Gay and Lesbian Veterans Speak Out

Steve Estes

Drawing on more than 50 interviews with gay and lesbian veterans, Steve Estes charts the evolution of policy toward homosexuals in the military over the past 65 years, uncovering the ways that silence about sexuality and military service has affected the identities of gay veterans. These veteran voices--harrowing, heroic, and on the record--reveal the extraordinary stories of ordinary Americans, men and women who simply did their duty and served their country in the face of homophobia, prejudice, and enemy fire. Far from undermining national security, unit cohesion, or troop morale, Estes demonstrates, these veterans strengthened the U.S. military in times of war and peace. He also examines challenges to the ban on homosexual service, placing them in the context of the wider movement for gay rights and gay liberation. ###Ask and Tell# is an important compilation of unheard voices, offering Americans a new understanding of the value of ###all# the men and women who serve and protect them.

At the Precipice Cover

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At the Precipice

Americans North and South during the Secession Crisis

Shearer Davis Bowman

The third volume in the Littlefield series, this manuscript by Dave Bowman follows (chronologically) Liz Varon's Disunion!, which dealt with the long process of separation of the two regions and its roots in the Constitutional and Federal periods. Bowman's study takes readers into the secession crisis itself, examining the thoughts and actions of key individuals including Lincoln, Buchanan, Davis, Tyler, Van Buren and others. In focusing on major figures from the period and their interactions, Bowman sets his work apart from those that view the crisis through the lenses of major forces, events, and developments. This approach provides especially keen insight into what Americans North and South on the eve of the Civil War believed and thought about themselves and the political, social, and cultural worlds in which they lived, and how their assumptions and thoughts informed their actions and decisions.

Back Channel to Cuba Cover

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Back Channel to Cuba

The Hidden History of Negotiations between Washington and Havana

William M. LeoGrande and Peter Kornbluh

Challenging the conventional wisdom of perpetual hostility between the United States and Cuba--beyond invasions, covert operations, assassination plots using poison pens and exploding seashells, and a grinding economic embargo--this fascinating book chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. Since 1959, conflict and aggression have dominated the story of U.S.-Cuban relations. Now, LeoGrande and Kornbluh present a new and increasingly more relevant account. From Kennedy's offering of an olive branch to Castro after the missile crisis, to Kissinger's top secret quest for normalization, to Obama's promise of a "new approach," LeoGrande and Kornbluh reveal a fifty-year record of dialogue and negotiations, both open and furtive, indicating a path toward better relations in the future.

Battle Hymns Cover

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Battle Hymns

Music and the American Civil War

Christian McWhirter

In “Liberty’s Great Auxiliary,” Christian McWhirter explores the role of music in Civil War America. McWhirter explains that although music was a significant part of American culture in the antebellum period, the explosion of amateur and professional music during the Civil War was unparalleled, and its popularization during the war had a lasting impact throughout the decades that followed. Drawing on an extensive array of published and archival resources, McWhirter examines how music influenced the popular culture surrounding and supporting the war and makes broad statements about the place Civil War music in American society, north and south (and with attention to the music of African Americans). Finally, McWhirter goes on to examine a resurgence of popularity of Civil War songs during the late nineteenth century and discusses the implications of their continued resonance in the twentieth century.

Battling the Plantation Mentality Cover

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Battling the Plantation Mentality

Memphis and the Black Freedom Struggle

Laurie B. Green

African American freedom is often defined in terms of emancipation and civil rights legislation, but it did not arrive with the stroke of a pen or the rap of a gavel. No single event makes this more plain, Laurie Green argues, than the 1968 Memphis sanitation workers' strike, which culminated in the assassination of Martin Luther King Jr. Exploring the notion of "freedom" in postwar Memphis, Green demonstrates that the civil rights movement was battling an ongoing "plantation mentality" based on race, gender, and power that permeated southern culture long before--and even after--the groundbreaking legislation of the mid-1960s. With its slogan "I AM a Man!" the Memphis strike provides a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights but also social and human rights. As the sharecropping system crumbled and migrants streamed to the cities during and after World War II, the struggle for black freedom touched all aspects of daily life. Green traces the movement to new locations, from protests against police brutality and racist movie censorship policies to innovations in mass culture, such as black-oriented radio stations. Incorporating scores of oral histories, Green demonstrates that the interplay of politics, culture, and consciousness is critical to truly understanding freedom and the black struggle for it. Green explores the notion of “freedom” among working-class African Americans in southern cities (specifically, Memphis) during the post-WWII Black Freedom Movement. She argues that although the meaning of freedom is often neglected outside the realm of slavery and emancipation, the civil rights movement indeed was still battling an ongoing “plantation mentality” based on race, gender, and power, which permeated southern culture even after the groudbreaking legislation of the mid 1960s. She examines the Memphis sanitation strike of 1968 (which took the slogan “I AM a Man!” and culminated in the assassination of MLK) as a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights, but also social and human rights. In her exploration of the “freedom” mentality in Memphis, she looks at aspects of daily life such as protests against police brutality and racist movie censorship policies and innovations in mass culture, such as black-oriented radio stations, that accompanied the crumbling of the sharecropping system and the rise of urban migration. Exploring the notion of African American “freedom” in postwar Memphis, Green demonstrates that the civil rights movement was battling an ongoing “plantation mentality” based on race, gender, and power that permeated southern culture long before--and even after--the groundbreaking legislation of the mid-1960s. She points to the Memphis sanitation workers strike as a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights but also social and human rights. African American freedom is often defined in terms of emancipation and civil rights legislation, but it did not arrive with the stroke of a pen or the rap of a gavel. No single event makes this more plain, Laurie Green argues, than the 1968 Memphis sanitation workers' strike, which culminated in the assassination of Martin Luther King Jr. Exploring the notion of "freedom" in postwar Memphis, Green demonstrates that the civil rights movement was battling an ongoing "plantation mentality" based on race, gender, and power that permeated southern culture long before--and even after--the groundbreaking legislation of the mid-1960s. With its slogan "I AM a Man!" the Memphis strike provides a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights but also social and human rights. As the sharecropping system crumbled and migrants streamed to the cities during and after World War II, the struggle for black freedom touched all aspects of daily life. Green traces the movement to new locations, from protests against police brutality and racist movie censorship policies to innovations in mass culture, such as black-oriented radio stations. Incorporating scores of oral histories, Green demonstrates that the interplay of politics, culture, and consciousness is critical to truly understanding freedom and the black struggle for it.

The Beauty of Holiness Cover

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The Beauty of Holiness

Anglicanism and Architecture in Colonial South Carolina

Louis P. Nelson

Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In ###The Beauty of Holiness#, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s. Louis Nelson's PULPITS, PIETY, AND POWER tells the story of the Church of England in colonial South Carolina and examines how the colony's Anglicans negotiated the tensions between the fervency of seventeenth-century doctrinal rhetoric and the rising tide of Enlightenment thought and sentimentality. Nelson traces Anglican experience from its early years of ambivalent standing within the colony, through its years of crisis in the Stono Rebellion, the great fire of Charleston in 1740, and the influence of George Whitefield, to the second wave of Anglicanism beginning in the early 1750s. Weaving evidence from architecture, religious objects, and other material expressions of religious culture together with the documentary record, this book offers a unique look at a complex world of overlapping spheres of knowledge and experience. The first section situates Anglican churches in the tensions between the local and the cosmopolitan that shaped so much of colonial life in the South Carolina Lowcountry. Turning to the religious functions of the Anglican churches, the second section examines Anglican belief and practice by exploring the ways early eighteenth-century Anglican architecture perpetuated seventeenth-century theologies and ways of knowing. The final section looks at the ways Anglicans used their material environment to shape and control their social, economic, and political landscapes. Intermingling architectural, cultural, and religious history, Nelson reads Anglican architecture and decorative arts as documents of 18th-century religious practice and belief. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s. Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In ###The Beauty of Holiness#, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, ###The Beauty of Holiness# depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s.

Before Eminent Domain Cover

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Before Eminent Domain

Toward a History of Expropriation of Land for the Common Good

Susan Reynolds

Opening with allusions to a few suggestive examples from non-European societies and ancient Greece and Rome, the book concentrates on western Europe and the English colonies in America. As Reynolds argues, expropriation was a common legal practice in many societies in which individuals had rights to land. It was generally accepted that land could be taken from them, with compensation, when the community, however defined, needed it. She demonstrates that land has been taken, with compensation, for what has been perceived to be the public good at least since the early Middle Ages in England, France, Germany, Italy, and Spain, and since the seventeenth century in America.

Before Jim Crow Cover

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Before Jim Crow

The Politics of Race in Postemancipation Virginia

Jane Dailey

Long before the Montgomery bus boycott ushered in the modern civil rights movement, black and white southerners struggled to forge interracial democracy in America. This innovative book examines the most successful interracial coalition in the nineteenth-century South, Virginia's Readjuster Party, and uncovers a surprising degree of fluidity in postemancipation southern politics. Melding social, cultural, and political history, Jane Dailey chronicles the Readjusters' efforts to foster political cooperation across the color line. She demonstrates that the power of racial rhetoric, and the divisiveness of racial politics, derived from the everyday experiences of individual Virginians--from their local encounters on the sidewalk, before the magistrate's bench, in the schoolroom. In the process, she reveals the power of black and white southerners to both create and resist new systems of racial discrimination. The story of the Readjusters shows how hard white southerners had to work to establish racial domination after emancipation, and how passionately black southerners fought each and every infringement of their rights as Americans. This innovative book examines the most successful interracial coalition in the nineteenth-century South, Virginia's Readjuster Party, and uncovers a surprising degree of fluidity in postemancipation southern politics. Long before the Montgomery bus boycott ushered in the modern civil rights movement, black and white southerners struggled to forge interracial democracy in America. This innovative book examines the most successful interracial coalition in the nineteenth-century South, Virginia's Readjuster Party, and uncovers a surprising degree of fluidity in postemancipation southern politics. Melding social, cultural, and political history, Jane Dailey chronicles the Readjusters' efforts to foster political cooperation across the color line. She demonstrates that the power of racial rhetoric, and the divisiveness of racial politics, derived from the everyday experiences of individual Virginians--from their local encounters on the sidewalk, before the magistrate's bench, in the schoolroom. In the process, she reveals the power of black and white southerners to both create and resist new systems of racial discrimination. The story of the Readjusters shows how hard white southerners had to work to establish racial domination after emancipation, and how passionately black southerners fought each and every infringement of their rights as Americans.

Behind the Scenes, or, Thirty Years a Slave, and Four Years in the White House Cover

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Behind the Scenes, or, Thirty Years a Slave, and Four Years in the White House

Elizabeth Keckley

###Behind the Scenes# is the life story of Elizabeth Keckley, a shrewd entrepreneur who, while enslaved, raised enough money to purchase freedom for herself and her son. Keckley moved to Washington, D.C., where she worked as a seamstress and dressmaker for the wives of influential politicians. She eventually became a close confidante of Mary Todd Lincoln. Several years after President Lincoln's assassination, when Mrs. Lincoln's financial situation had worsened, Keckley helped organize an auction of the former first lady's dresses, eliciting strong criticism from members of the Washington elite. ###Behind the Scenes# is, therefore, both a slave narrative and Keckley's attempt to defend the motives behind the auction. However, the book's publication prompted an even greater public outcry, with the added racial subtext of white society's disdain for Keckley's audacity in publishing details of the Lincolns' private lives. Keckley's dressmaking business failed, the Lincoln family cut all ties with her, and she lived out her final days in a home for the indigent. Scholars have acknowledged the book's valuable account of slave life as well as its intimate view into the Lincoln White House. Biographers of the Lincolns have quoted extensively from Keckley's text.

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