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The University of North Carolina Press

The University of North Carolina Press

Website: http://uncpress.unc.edu

The University of North Carolina Press is the oldest university press in the South and one of the oldest in the country. Founded in 1922, the Press is the creation of that same distinguished group of educators and civic leaders who were instrumental in transforming the University of North Carolina from a struggling college with a few associated professional schools into a major university. The purpose of the Press, as stated in its charter, is "to promote generally, by publishing deserving works, the advancement of the arts and sciences and the development of literature." The Press achieved this goal early on, and the excellence of its publishing program has been recognized for more than eight decades by scholars throughout the world. UNC Press publishes journals in a variety of fields including Early American Literature, education, southern studies, and more. Many of our journal issues are also available as ebooks. UNC Press publishes over 100 new books annually, in a variety of disciplines, in a variety of formats, both print and electronic. UNC Press is also the proud publisher for the Omohundro Institute of Early American History and Culture in Williamsburg, Virginia. More information can be found about the Omohundro Institute and its books at the Institute's website: http://oieahc.wm.edu/ Special Offer from UNC Press: Shop the new 2014 UNC Press Religious Studies Catalog. Save 40 percent off all books, and if you spend $75.00, the shipping is free. Click here: http://www.uncpress.unc.edu/browse/search?promo_code=01REL40


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The University of North Carolina Press

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America Is the Prison Cover

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America Is the Prison

Arts and Politics in Prison in the 1970s

Lee Bernstein

In this book, Bernstein explores the correctional, political, social, and aesthetic forces that prompted the rise of the “prison arts renaissance” of the 1970s. Bernstein also traces how, in turn, this movement inside prisons influenced American culture as the words and ideas of incarcerated writers, performers, and artists found their way to the Broadway stage, cinema, bestseller lists, and major museum exhibitions. Paradoxically, this movement was embedded in and informed by a cultural and political transformation taking shape inside America’s prisons at the precise moment when state and federal policy makers turned toward a “get tough on crime” approach. Bernstein addresses not only the ways in which incarcerated people living in this changing climate used writing, performance, and visual art while in prison, but also how the works they created influenced teaching, publishing, protest movements, and cultural life outside prison walls. Furthermore, a significant number of artists continued to teach or create meaningful works after they left prison. Given its timeliness as relates to public debate about American and international prisons, as well as Bernstein's evenhanded prose, this work will be useful for academics, students, and other readers interested in criminal justice, African American history, cultural history, and American studies.

American Bards Cover

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American Bards

Walt Whitman and Other Unlikely Candidates for National Poet

Edward Whitley

In this ms Whitley works to defamiliarize and so explore in a fresh way the literary landscape of the mid-19th century into which Whitman emerged. He explores how the idea of a national poet resonated at that time as well as how Whitman stepped into that role. To accomplish this, Whitley traces the histories and literary achievements of three other antebellum poets whose names are not nearly so well-known but whose work paralleled Whitman’s in unexpected ways: James M. Whitfield, Eliza Snow, and John Rollin Ridge. He puts their work in dialogue with Whitman’s poetry--both as it functions now and as it reflected and affected the literary landscape of 19th-c. America. Each of these American poets adopted a posture similar to that of Whitman’s antebellum persona of a social outsider who audaciously claims to be a representative national bard. Rereading Whitman’s place in the nationalist literary milieu of the 1850s through Whitfield, Snow, and Ridge suggests cultural alternatives to the nation-centered discourse that has come to characterize received notions of the antebellum period.

American Night Cover

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American Night

The Literary Left in the Era of the Cold War

Alan M. Wald

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wa

American Slavery As It Is Cover

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American Slavery As It Is

Testimony of a Thousand Witnesses

Theodore Dwight Weld

Compiled by a prominent abolitionist Theodore Dwight Weld, ###American Slavery As It Is# combines information taken from witnesses, and from active and former slave owners, to generate a condemnation of slavery from both those who observed it and those who perpetuated it. The narrative describes the appalling day-to-day conditions of the over 2,700,000 men, women and children in slavery in the United States. Weld demonstrates how even prisoners--in the United States and in other countries--were significantly better fed than American slaves. Readers will find one of the most meticulous records of slave life available in this text. Unlike personal slave narratives, which focus on a single man or woman's experience, ###American Slavery# details the overall conditions of slaves across multiple states and several years.

American Sugar Kingdom Cover

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American Sugar Kingdom

The Plantation Economy of the Spanish Caribbean, 1898-1934

César J. Ayala

Engaging conventional arguments that the persistence of plantations is the cause of economic underdevelopment in the Caribbean, this book focuses on the discontinuities in the development of plantation economies in Cuba, Puerto Rico, and the Dominican Republic in the early twentieth century. César Ayala analyzes and compares the explosive growth of sugar production in the three nations following the War of 1898--when the U.S. acquired Cuba and Puerto Rico--to show how closely the development of the Spanish Caribbean's modern economic and social class systems is linked to the history of the U.S. sugar industry during its greatest period of expansion and consolidation. Ayala examines patterns of investment and principal groups of investors, interactions between U.S. capitalists and native planters, contrasts between new and old regions of sugar monoculture, the historical formation of the working class on sugar plantations, and patterns of labor migration. In contrast to most studies of the Spanish Caribbean, which focus on only one country, his account places the history of U.S. colonialism in the region, and the history of plantation agriculture across the region, in comparative perspective. This comparative study of the development of plantation economies in Cuba, Puerto Rico, and the Dominican Republic in the early 20th century shows how their economic and social class systems were shaped by the explosive growth of American sugar companies. Engaging conventional arguments that the persistence of plantations is the cause of economic underdevelopment in the Caribbean, this book focuses on the discontinuities in the development of plantation economies in Cuba, Puerto Rico, and the Dominican Republic in the early twentieth century. César Ayala analyzes and compares the explosive growth of sugar production in the three nations following the War of 1898--when the U.S. acquired Cuba and Puerto Rico--to show how closely the development of the Spanish Caribbean's modern economic and social class systems is linked to the history of the U.S. sugar industry during its greatest period of expansion and consolidation. Ayala examines patterns of investment and principal groups of investors, interactions between U.S. capitalists and native planters, contrasts between new and old regions of sugar monoculture, the historical formation of the working class on sugar plantations, and patterns of labor migration. In contrast to most studies of the Spanish Caribbean, which focus on only one country, his account places the history of U.S. colonialism in the region, and the history of plantation agriculture across the region, in comparative perspective.

Americanism Cover

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Americanism

New Perspectives on the History of an Ideal

Edited by Michael Kazin and Joseph A. McCartin

What is Americanism? The contributors to this volume recognize Americanism in all its complexity--as an ideology, an articulation of the nation's rightful place in the world, a set of traditions, a political language, and a cultural style imbued with political meaning. In response to the pervasive vision of Americanism as a battle cry or a smug assumption, this collection of essays stirs up new questions and debates that challenge us to rethink the model currently being exported, too often by force, to the rest of the world. Crafted by a cast of both rising and renowned intellectuals from three continents, the twelve essays in this volume are divided into two sections. The first group of essays addresses the understanding of Americanism within the United States over the past two centuries, from the early republic to the war in Iraq. The second section provides perspectives from around the world in an effort to make sense of how the national creed and its critics have shaped diplomacy, war, and global culture in the twentieth and twenty-first centuries. Approaching a controversial ideology as both scholars and citizens, many of the essayists call for a revival of the ideals of Americanism in a new progressive politics that can bring together an increasingly polarized and fragmented citizenry. Contributors: Mia Bay, Rutgers University Jun Furuya, Hokkaido University, Japan Gary Gerstle, University of Maryland Jonathan M. Hansen, Harvard University Michael Kazin, Georgetown University Rob Kroes, University of Amsterdam Melani McAlister, The George Washington University Joseph A. McCartin, Georgetown University Alan McPherson, Howard University Louis Menand, Harvard University Mae M. Ngai, University of Chicago Robert Shalhope, University of Oklahoma Stephen J. Whitfield, Brandeis University Alan Wolfe, Boston College These 12 commissioned essays (plus intro & conclusion by the eds.) explore the concept of Americanism--as an ideology, as an articulation of America's place in the world, as a set of traditions, as a political language, and as a cultural style rich with political meaning. The book is divided into two sections: the first includes essays about debates and narratives within the U.S., and the second section addresses views of the Americanist mission by the rest of the world. Essayists include senior scholars such as Louis Menand and Alan Wolfe, as well as respected younger scholars such as Mia Bay and Mae Ngai. cloth pub 4/3/06; sales = 1083 sold; 1281 in stock The contributors to this volume recognize Americanism as an ideology, an articulation of the nation's rightful place in the world, a set of traditions, a political language, and a cultural style imbued with political meaning. In response to the pervasive vision of Americanism as a battle cry or a smug assumption, this collection of 12 essays stirs up new questions and debates that challenge us to rethink the model currently being exported to the rest of the world. The first group of essays addresses the understanding of Americanism within the US over the past two centuries, from the early republic to the war in Iraq. The second section provides perspectives from around the world in an effort to make sense of how the national creed and its critics have shaped diplomacy, war, and global culture in the 20th and 21st centuries. Contributors include Mia Bay, Melani McAlister, Alan McPherson, Louis Menand, and Alan Wolfe, among others. What is Americanism? The contributors to this volume recognize Americanism in all its complexity--as an ideology, an articulation of the nation's rightful place in the world, a set of traditions, a political language, and a cultural style imbued with political meaning. In response to the pervasive vision of Americanism as a battle cry or a smug assumption, this collection of essays stirs up new questions and debates that challenge us to rethink the model currently being exported, too often by force, to the rest of the world. Crafted by a cast of both rising and renowned intellectuals from three continents, the twelve essays in this volume are divided into two sections. The first group of essays addresses the understanding of Americanism within the United States over the past two centuries, from the early republic to the war in Iraq. The second section provides perspectives from around the world in an effort to make sense of how the national creed and its critics have shaped diplomacy, war, and global culture in the twentieth and twenty-first centuries. Approaching a controversial ideology as both scholars and citizens, many of the essayists call for a revival of the ideals of Americanism in a new progressive politics that can bring together an increasingly polarized and fragmented citizenry. Contributors: Mia Bay, Rutgers University Jun Furuya, Hokkaido University, Japan Gary Gerstle, University of Maryland Jonathan M. Hansen, Harvard University Michael Kazin, Georgetown University Rob Kroes, University of Amsterdam Melani McAlister, The George Washington University Joseph A. McCartin, Georgetown University Alan McPherson, Howard University Louis Menand, Harvard University Mae M. Ngai, University of Chicago Robert Shalhope, University of Oklahoma Stephen J. Whitfield, Brandeis University Alan Wolfe, Boston College

Anetso, the Cherokee Ball Game Cover

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Anetso, the Cherokee Ball Game

At the Center of Ceremony and Identity

Michael J. Zogry

A precursor to lacrosse, anetso, a centuries-old Cherokee ball game still played today, is a vigorous sport that rewards speed, strength, and agility. It is also the focus of several linked ritual activities. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso. He shows that it is a ceremonial cycle that incorporates a variety of activities which, taken together, complicate standard distinctions of game versus ritual, public display versus private performance, and tradition versus innovation.

Antietam Campaign Cover

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Antietam Campaign

Edited by Gary W. Gallagher

Ten original essays offer fresh insight into the bloodiest day of the Civil War. Contributors explore questions of military leadership, strategy, and tactics, the performance of untried military units, and the ways in which the battle has been remembered.

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Appalachian Heritage

Vol. 1 (1973) through current issue (with gaps in vols. 3 and 27)

Appalachian Heritage is a leading literary magazine of the Southern Appalachia Region, published by Berea College. Founded in 1973, Appalachian Heritage keeps readers abreast of the visual and literary arts in the region. The mix of fiction, non-fiction, and poetry by both well-established writers and new writers keeps each issue fresh and entertaining for readers.

Published by: Berea College
Distributed by: University of North Carolina Press

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