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The University of North Carolina Press

The University of North Carolina Press

Website: http://uncpress.unc.edu

The University of North Carolina Press is the oldest university press in the South and one of the oldest in the country. Founded in 1922, the Press is the creation of that same distinguished group of educators and civic leaders who were instrumental in transforming the University of North Carolina from a struggling college with a few associated professional schools into a major university. The purpose of the Press, as stated in its charter, is "to promote generally, by publishing deserving works, the advancement of the arts and sciences and the development of literature." The Press achieved this goal early on, and the excellence of its publishing program has been recognized for more than eight decades by scholars throughout the world. UNC Press publishes journals in a variety of fields including Early American Literature, education, southern studies, and more. Many of our journal issues are also available as ebooks. UNC Press publishes over 100 new books annually, in a variety of disciplines, in a variety of formats, both print and electronic. UNC Press is also the proud publisher for the Omohundro Institute of Early American History and Culture in Williamsburg, Virginia. More information can be found about the Omohundro Institute and its books at the Institute's website: http://oieahc.wm.edu/ Special Offer from UNC Press: Shop the new 2014 UNC Press Religious Studies Catalog. Save 40 percent off all books, and if you spend $75.00, the shipping is free. Click here: http://www.uncpress.unc.edu/browse/search?promo_code=01REL40


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The University of North Carolina Press

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Abolitionists Remember Cover

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Abolitionists Remember

Antislavery Autobiographies and the Unfinished Work of Emancipation

Julie Roy Jeffrey

In ###Abolitionists Remember#, Julie Roy Jeffrey illuminates a second, little-noted antislavery struggle as abolitionists in the postwar period attempted to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important. In the rush to mend fences after the Civil War, the memory of the past faded and turned romantic--slaves became quaint, owners kindly, and the war itself a noble struggle for the Union. Jeffrey examines the autobiographical writings of former abolitionists such as Laura Haviland, Frederick Douglass, Parker Pillsbury, and Samuel J. May, revealing that they wrote not only to counter the popular image of themselves as fanatics, but also to remind readers of the harsh reality of slavery and to advocate equal rights for African Americans in an era of growing racism, Jim Crow, and the Ku Klux Klan. These abolitionists, who went to great lengths to get their accounts published, challenged every important point of the reconciliation narrative, trying to salvage the nobility of their work for emancipation and African Americans and defending their own participation in the great events of their day. Jeffrey illuminates a second, little-noted battle over slavery: the postwar struggle of abolitionists to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important. In the rush to mend fences after the Civil War, the memory of the past faded and turned romantic--slaves became quaint, owners kindly, and the war itself a noble struggle for the Union. Jeffrey examines the autobiographical writings of former abolitionists such as John Quincy Adams, Frederick Douglass, Henry Stanton, and Samuel J. May, revealing that they wrote not only to counter the popular image of themselves as fanatics, but also to remind readers of the harsh reality of slavery and to advocate equal rights for African Americans in an era of growing racism, Jim Crow, and the Ku Klux Klan. These abolitionists challenged every important point of the reconciliation narrative, trying to salvage the nobility of their work for emancipation and African Americans and defending their own participation in the great events of their day. Julie Roy Jeffrey illuminates a second antislavery struggle as abolitionists in the postwar period attempted to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important. Jeffrey examines the autobiographical writings of former abolitionists such as Laura Haviland, Frederick Douglass, Parker Pillsbury, and Samuel J. May, revealing that they wrote not only to counter the popular image of themselves as fanatics, but also to remind readers of the harsh reality of slavery and to advocate equal rights for African Americans. These abolitionists, who went to great lengths to get their accounts published, challenged every important point of the reconciliation narrative, trying to salvage the nobility of their work for emancipation and African Americans and defending their own participation in the great events of their day. In ###Abolitionists Remember#, Julie Roy Jeffrey illuminates a second, little-noted antislavery struggle as abolitionists in the postwar period attempted to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important. In the rush to mend fences after the Civil War, the memory of the past faded and turned romantic--slaves became quaint, owners kindly, and the war itself a noble struggle for the Union. Jeffrey examines the autobiographical writings of former abolitionists such as Laura Haviland, Frederick Douglass, Parker Pillsbury, and Samuel J. May, revealing that they wrote not only to counter the popular image of themselves as fanatics, but also to remind readers of the harsh reality of slavery and to advocate equal rights for African Americans in an era of growing racism, Jim Crow, and the Ku Klux Klan. These abolitionists, who went to great lengths to get their accounts published, challenged every important point of the reconciliation narrative, trying to salvage the nobility of their work for emancipation and African Americans and defending their own participation in the great events of their day.

ACC Basketball Cover

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ACC Basketball

The Story of the Rivalries, Traditions, and Scandals of the First Two Decades of the Atlantic Coast Conference

J. Samuel Walker

Walker focuses on the evolution of basketball programs in the ACC in its first 20 years. The continuing theme of the work is how schools tried to maintain a proper balance between academic and athletic achievements. Walker explores how conference administrators, university presidents, chancellors, faculty, coaches, and athletic directors influenced and shaped the athletic program while facing issues such as creation of standards for recruiting players and how best to offer athletes a legitimate chance of earning a degree. The book covers the ACC from its formation in 1953 to the 1972, when the U. of South Carolina left the conference in a dispute over minimum SAT scores for incoming athletes. Walker uses ACC basketball as a way to look inside our culture, situating it in postwar South during a time of racial stress, economic growth, and social change. He shows how basketball and the ACC were deeply influenced by civil rights and the struggle for racial justice. Throughout, he also chronicles on-the-court action, telling stories that recreate for the reader the brilliance and foibles of the coaches, the artistry of the players, the unforgettable games, the tense rivalries, the intense, sometimes wacky, fans, and traditions both new and old that have defined ACC basketball over the years.

Across God's Frontiers Cover

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Across God's Frontiers

Many Nuns for Many Wests, 1850-1920

Anne Butler

Roman Catholic sisters first traveled to the American West as providers of social services, education, and medical assistance. In Across God’s Frontiers, Anne M. Butler traces the ways in which sisters challenged and reconfigured contemporary ideas about women, work, religion, and the West; moreover, she demonstrates how religious life became a vehicle for increasing women’s agency and power.

Adventurism and Empire Cover

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Adventurism and Empire

The Struggle for Mastery in the Louisiana-Florida Borderlands, 1762-1803

David Narrett

Narrett shows how the United States emerged as a successor empire to Great Britain through rivalry with Spain in the Mississippi Valley and Gulf Coast. As he traces currents of peace and war over four critical decades--from the close of the Seven Years War through the Louisiana Purchase--Narrett sheds new light on individual colonial adventurers and schemers who shaped history through cross-border trade, settlement projects involving slave and free labor, and military incursions into Spanish and Indian territories.

African American Roots of Modernism Cover

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African American Roots of Modernism

From Reconstruction to the Harlem Renaissance

James Smethurst

In identifying Jim Crow with the coming of modernity, Smethurst focuses on how artists reacted to the system’s racial territorialization, especially in urban areas, with migration narratives, poetry about the black experience, and black performance of popular culture forms such as ragtime and vaudeville. He shows how black writers such as Fenton Johnson and William Stanley Braithwaite circulated some of the earliest and strongest ideas about an American “bohemia.” Smethurst also upsets the customary assessment of the later Harlem Renaissance as the first and primary site of a nationally significant black arts movement by examining the influence of these earlier writers and artists on the black and white modernists who followed. In so doing, Smethurst brings forward a host of understudied figures while recontextualizing the work of canonical authors such as Charles Chesnutt, Pauline Hopkins, Paul Laurence Dunbar, and James Weldon Johnson. As such, Smethurst positions his work as part of the current growing intellectual conversation about the nature of African American literature and culture between Reconstruction and the Harlem Renaissance. Far from being a “nadir” period, Smethurst argues, this period saw black artists creating cultural forms from which issued some of the most significant literary works of the twentieth century.

An African Republic Cover

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An African Republic

Black and White Virginians in the Making of Liberia

Marie Tyler-McGraw

The nineteenth-century American Colonization Society (ACS) project of persuading all American free blacks to emigrate to the ACS colony of Liberia could never be accomplished. Few free blacks volunteered, and greater numbers would have overwhelmed the meager resources of the ACS. Given that reality, who supported African colonization and why? No state was more involved with the project than Virginia, where white Virginians provided much of the political and organizational leadership and black Virginians provided a majority of the emigrants. In ###An African Republic#, Marie Tyler-McGraw traces the parallel but seldom intersecting tracks of black and white Virginians' interests in African colonization, from revolutionary-era efforts at emancipation legislation to African American churches' concern for African missions. In Virginia, African colonization attracted aging revolutionaries, republican mothers and their daughters, bondpersons schooled and emancipated for Liberia, evangelical planters and merchants, urban free blacks, opportunistic politicians, Quakers, and gentlemen novelists. ###An African Republic# follows the experiences of the emigrants from Virginia to Liberia, where some became the leadership class, consciously seeking to demonstrate black abilities, while others found greater hardship and early death. Tyler-McGraw carefully examines the tensions between racial identities, domestic visions, and republican citizenship in Virginia and Liberia. In the 19th century, the American Colonization Society sought to rid the U.S. of free blacks (and perhaps all blacks) through a highly controversial program to relocate African Americans to the African nation of Liberia. No state was more involved in this project than Virginia, which provided the initial political organization and sent the most emigrants to the ACS colony. Tyler-McGraw examines the concept of African colonization and the various groups that were attracted to it--for equally various reasons: aging Revolutionaries, republican mothers & their daughters, evangelical planters, Whiggish merchants, urban free blacks, opportunistic politicians, promoters of Virginia’s historic status in the nation, Quakers, and gentlemen novelists. Tyler-McGraw examines the tensions and contradictions among white colonizationists and the negotiations for autonomy between ACS agents and emancipators and the black emigrants. The book follows the experience of those who went to Liberia--some of whom became the leadership class of the country, some of whom found greater misery and hardship than they had experienced in Virginia. Tyler-McGraw’s analysis reveals who supported colonization and why, as well asthe extent to which these events kept alive, in Virginia, the debate over the future and meaning of slavery. The 19th-century American Colonization Society (ACS) project of persuading all American free blacks to emigrate to the ACS colony of Liberia could never be accomplished. Who supported African colonization and why? No state was more involved with the project than Virginia. Tyler-McGraw traces the parallel but seldom intersecting tracks of black and white Virginians' interests in African colonization. African colonization attracted aging revolutionaries, republican mothers and their daughters, bondpersons schooled and emancipated for Liberia, evangelical planters and merchants, urban free blacks, opportunistic politicians, Quakers, and gentlemen novelists. Tyler-McGraw follows the experiences of the emigrants from Virginia to Liberia, where some became the leadership class, consciously seeking to demonstrate black abilities, while others found greater hardship and early death. The nineteenth-century American Colonization Society (ACS) project of persuading all American free blacks to emigrate to the ACS colony of Liberia could never be accomplished. Few free blacks volunteered, and greater numbers would have overwhelmed the meager resources of the ACS. Given that reality, who supported African colonization and why? No state was more involved with the project than Virginia, where white Virginians provided much of the political and organizational leadership and black Virginians provided a majority of the emigrants. In ###An African Republic#, Marie Tyler-McGraw traces the parallel but seldom intersecting tracks of black and white Virginians' interests in African colonization, from revolutionary-era efforts at emancipation legislation to African American churches' concern for African missions. In Virginia, African colonization attracted aging revolutionaries, republican mothers and their daughters, bondpersons schooled and emancipated for Liberia, evangelical planters and merchants, urban free blacks, opportunistic politicians, Quakers, and gentlemen novelists. ###An African Republic# follows the experiences of the emigrants from Virginia to Liberia, where some became the leadership class, consciously seeking to demonstrate black abilities, while others found greater hardship and early death. Tyler-McGraw carefully examines the tensions between racial identities, domestic visions, and republican citizenship in Virginia and Liberia.

An Agrarian Republic Cover

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An Agrarian Republic

Farming, Antislavery Politics, and Nature Parks in the Civil War Era

Adam Wesley Dean

The familiar story of the Civil War tells of a predominately agricultural South pitted against a rapidly industrializing North. However, Adam Wesley Dean argues that the Republican Party's political ideology was fundamentally agrarian. Believing that small farms owned by families for generations led to a model society, Republicans supported a northern agricultural ideal in opposition to southern plantation agriculture, which destroyed the land's productivity, required constant western expansion, and produced an elite landed gentry hostile to the Union. Dean shows how agrarian republicanism shaped the debate over slavery's expansion, spurred the creation of the Department of Agriculture and the passage of the Homestead Act, and laid the foundation for the development of the earliest nature parks.

Spanning the long nineteenth century, Dean's study analyzes the changing debate over land development as it transitioned from focusing on the creation of a virtuous and orderly citizenry to being seen primarily as a "civilizing" mission. By showing Republicans as men and women with backgrounds in small farming, Dean unveils new connections between seemingly separate historical events, linking this era's views of natural and manmade environments with interpretations of slavery and land policy.

Agriculture and the Confederacy Cover

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Agriculture and the Confederacy

Policy, Productivity, and Power in the Civil War South

R. Douglas Hurt

In this comprehensive history, R. Douglas Hurt traces the decline and fall of agriculture in the Confederate States of America. The backbone of the southern economy, agriculture was a source of power that southerners believed would ensure their independence. But, season by season and year by year, Hurt convincingly shows how the disintegration of southern agriculture led to the decline of the Confederacy's military, economic, and political power. He examines regional variations in the Eastern and Western Confederacy, linking the fates of individual crops and different modes of farming and planting to the wider story. After a dismal harvest in late 1864, southerners--faced with hunger and privation throughout the region--ransacked farms in the Shenandoah Valley and pillaged plantations in the Carolinas and the Mississippi Delta, they finally realized that their agricultural power, and their government itself, had failed. Hurt shows how this ultimate lost harvest had repercussions that lasted well beyond the end of the Civil War.

Assessing agriculture in its economic, political, social, and environmental contexts, Hurt sheds new light on the fate of the Confederacy from the optimism of secession to the reality of collapse.

Ain’t Got No Home Cover

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Ain’t Got No Home

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