Walker focuses on the evolution of basketball programs in the ACC in its first 20 years. The continuing theme of the work is how schools tried to maintain a proper balance between academic and athletic achievements. Walker explores how conference administrators, university presidents, chancellors, faculty, coaches, and athletic directors influenced and shaped the athletic program while facing issues such as creation of standards for recruiting players and how best to offer athletes a legitimate chance of earning a degree. The book covers the ACC from its formation in 1953 to the 1972, when the U. of South Carolina left the conference in a dispute over minimum SAT scores for incoming athletes. Walker uses ACC basketball as a way to look inside our culture, situating it in postwar South during a time of racial stress, economic growth, and social change. He shows how basketball and the ACC were deeply influenced by civil rights and the struggle for racial justice. Throughout, he also chronicles on-the-court action, telling stories that recreate for the reader the brilliance and foibles of the coaches, the artistry of the players, the unforgettable games, the tense rivalries, the intense, sometimes wacky, fans, and traditions both new and old that have defined ACC basketball over the years.

In identifying Jim Crow with the coming of modernity, Smethurst focuses on how artists reacted to the system’s racial territorialization, especially in urban areas, with migration narratives, poetry about the black experience, and black performance of popular culture forms such as ragtime and vaudeville. He shows how black writers such as Fenton Johnson and William Stanley Braithwaite circulated some of the earliest and strongest ideas about an American “bohemia.” Smethurst also upsets the customary assessment of the later Harlem Renaissance as the first and primary site of a nationally significant black arts movement by examining the influence of these earlier writers and artists on the black and white modernists who followed. In so doing, Smethurst brings forward a host of understudied figures while recontextualizing the work of canonical authors such as Charles Chesnutt, Pauline Hopkins, Paul Laurence Dunbar, and James Weldon Johnson. As such, Smethurst positions his work as part of the current growing intellectual conversation about the nature of African American literature and culture between Reconstruction and the Harlem Renaissance. Far from being a “nadir” period, Smethurst argues, this period saw black artists creating cultural forms from which issued some of the most significant literary works of the twentieth century.

This ms is an international history of the inter-American Cold War. Harmer looks at Chile during the presidency of Salvador Allende (1970-73) and outlines how he proposed a constitutional “Chilean road to socialism.” This call for a peaceful transformation of the inter-American system and international economic relations abroad resulted in a violent, unconstitutional future for Chile, with a right-wing dictatorship drowning out the promise of a revolution in the Southern Cone as well as the global South’s continued dependency on the North.

In this ms Whitley works to defamiliarize and so explore in a fresh way the literary landscape of the mid-19th century into which Whitman emerged. He explores how the idea of a national poet resonated at that time as well as how Whitman stepped into that role. To accomplish this, Whitley traces the histories and literary achievements of three other antebellum poets whose names are not nearly so well-known but whose work paralleled Whitman’s in unexpected ways: James M. Whitfield, Eliza Snow, and John Rollin Ridge. He puts their work in dialogue with Whitman’s poetry--both as it functions now and as it reflected and affected the literary landscape of 19th-c. America. Each of these American poets adopted a posture similar to that of Whitman’s antebellum persona of a social outsider who audaciously claims to be a representative national bard. Rereading Whitman’s place in the nationalist literary milieu of the 1850s through Whitfield, Snow, and Ridge suggests cultural alternatives to the nation-centered discourse that has come to characterize received notions of the antebellum period.

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wa

Compiled by a prominent abolitionist Theodore Dwight Weld, ###American Slavery As It Is# combines information taken from witnesses, and from active and former slave owners, to generate a condemnation of slavery from both those who observed it and those who perpetuated it. The narrative describes the appalling day-to-day conditions of the over 2,700,000 men, women and children in slavery in the United States. Weld demonstrates how even prisoners--in the United States and in other countries--were significantly better fed than American slaves. Readers will find one of the most meticulous records of slave life available in this text. Unlike personal slave narratives, which focus on a single man or woman's experience, ###American Slavery# details the overall conditions of slaves across multiple states and several years.

A precursor to lacrosse, anetso, a centuries-old Cherokee ball game still played today, is a vigorous sport that rewards speed, strength, and agility. It is also the focus of several linked ritual activities. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso. He shows that it is a ceremonial cycle that incorporates a variety of activities which, taken together, complicate standard distinctions of game versus ritual, public display versus private performance, and tradition versus innovation.

Ten original essays offer fresh insight into the bloodiest day of the Civil War. Contributors explore questions of military leadership, strategy, and tactics, the performance of untried military units, and the ways in which the battle has been remembered.

Appalachian Heritage is a leading literary magazine of the Southern Appalachia Region, published by Berea College. Founded in 1973, Appalachian Heritage keeps readers abreast of the visual and literary arts in the region. The mix of fiction, non-fiction, and poetry by both well-established writers and new writers keeps each issue fresh and entertaining for readers.

Published by: Berea College
Distributed by: University of North Carolina Press

Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D.