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The American Sun & Wind Moving Picture Company is an enchanting tale set in the silent film era. Beginning in 1915, in Fort Lee, New Jersey, where a Jewish family makes one and two reel silent films, the novel is composed of six chapters, each a discrete silent film in itself.
Joey, the too-beautiful-to-be-a-boy son of moviemaker, Simon, and his actress wife, Hannah, imagines stories that his uncle’s camera turns into scenes for their movies. Witness to and participant in the rapid technological advances in film, from the movies his family makes, to the advent of the talkies, Joey is cast in both male and female roles, onstage and off. When the woman Joey loves murders her abusive husband and sends Joey from his New Jersey family disguised as the mother of her own children, he embarks on a cross-country journey of adventure and hardship, crossing paths with the likes of D. W. Griffith, Lillian Gish, Mary Pickford, and “Roxy” Rothafel. Finally, reunited on the opposite coast with his uncle, and with the woman he has never stopped loving, Joey’s wild journey—and life!—arrive at a moment as unpredictable as it is magical.
In an outrageously original tale worthy of a studio whose moguls might have been Kafka, Garcia Marquez, and Isaac Bashevis Singer, reality and illusion merge and separate, leaving the audience spellbound even after the final curtain falls.
A Doctor’s Story
A Marine Company's Vietnam War
The combat history of the 1st Battalion, 5th Marines--or “One Five” (1/5)--is long and illustrious, but there are many periods of their combat operations during the Vietnam War about which there is little in print. This history is drawn from many years of research, from the author’s personal memories, and from careful study of the battalion’s Command Chronologies and Combat After-action Reports and other historical records. Most importantly it includes a collection of true stories told to the author by dozens of U.S. Marines who served in and fought with 1/5 during the Vietnam War, at all levels of the Chain of Command.This book hunkers down with the “Mud Marines” of Charlie One Five, a small but determined band of American fighting men, and their very human and often painful stories of combat cover a wide range of scenarios and situations. Follow the Marines of 1/5 as they are lulled by the exotic and beautiful countryside, trudge through swamps, jungles, mountains, and rice paddies for seemingly endless days, and struggle to stay alert during their cautious passage through the extreme terrain and weather conditions of this incredibly scenic but deceptive land, only to be shattered by sudden and deadly attacks from Viet Cong snipers, ambushes, and command-detonated bombs. Despite the overwhelming odds against them, the Marines of Charlie One Five always emerge victorious in every battle they fight.
Vol. 39 (2007) through current issue
Since its founding in 1968, Conradiana has presented its audience with the newest and best in Conrad scholarship and criticism, including reminiscences of eminent Conradians, detailed textual studies, biographical finds, new critical readings, and exciting applications of the newer critical modes.
From Olympic Gold to the Silver Screen
Dean Smith has taken falls from galloping horses, engaged in fistfights with Kirk Douglas and George C. Scott, donned red wig and white tights to double Maureen O’Hara, and taught Goldie Hawn how to talk like a Texan.
He’s dangled from a helicopter over the skyscrapers of Manhattan while clutching a damsel in distress, hung upside down from a fake blimp 200 feet over the Orange Bowl, and replicated one of the most famous scenes in movie history by climbing on a thundering team of horses to stop a runaway stagecoach.
Cowboy Stuntman chronicles the life and achievements of this colorful Texan and Olympic gold medal winner who spent a half century as a Hollywood stuntman and actor, appearing in ten John Wayne movies and doubling for a long list of actors as diverse as Robert Culp, Michael Landon, Steve Martin, Strother Martin, Robert Redford, and Roy Rogers.
National Security, Public Safety, and Illegal Immigration along the U.S.–Mexico Border
Ernest Chambers, Black Power, and the Politics of Race
Vol. 34 (2007) through current issue
Helios is a forum for the scholarly synthesis of close readings of philological text with contemporary critical approaches. Articles analyzing Greek and Roman literature and cultural history employ feminist theory, poststructuralism and deconstruction, psychoanalysis, reader-response theory, and current theoretical models.
Jerry Daniels, the Hmong, and the CIA
It just didn’t sit right. Not with his friends, not with his coworkers, not with his hunting and fishing buddies, and certainly not with his family. The American Embassy in Bangkok had reported the accidental death of Jerry “Hog” Daniels by carbon monoxide poisoning. Three decades later, his family and most of his friends remain unconvinced that the U.S. government told them the truth about his death.
As a former CIA case officer to legendary Hmong leader General Vang Pao during the “secret war” in Laos, Jerry Daniels was experienced, smart, and careful. Those who knew him well said he wasn’t the type to die as reported. Raising even more doubts, his casket was “Permanently Sealed” by the U.S. State Department before being shipped home to Missoula, Montana, where he was honored with a three-day funeral ceremony organized by his former comrades-in-arms, the Hmong hilltribe warriors from Laos.
This book examines the unique personality and reported death of a man who was a pivotal agent in U.S./Hmong history. Friends and family share their memories of Daniels growing up in Montana, cheating death in Laos, and carousing in the bars and brothels of Thailand. First-person accounts from Americans and Hmong, ranchers and refugees, State Department officials and smokejumpers capture both human and historical stories about the life of this dedicated and irreverent individual and offer speculation on the unsettling circumstances of his death. Equally important, Hog’s Exit is the first complete account in English to document the drama and beauty of the Hmong funeral process.
Hog’s Exit provides a fascinating view of a man and the two very different cultures in which he lived.