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Texas Tech University Press

Website: http://www.ttup.ttu.edu/

Texas Tech University Press, in business since 1971, publishes nonfiction titles in the areas of natural history and the natural sciences; eighteenth-century and Joseph Conrad studies; studies of modern Southeast Asia, particularly the Vietnam War; costume and textile history; and all aspects of the Great Plains and the American West, especially biography, history, memoir, and travel. In addition, the Press publishes one invited poetry manuscript annually and occasionally a regional novel with national appeal.


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Texas Tech University Press

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The American Sun & Wind Moving Picture Company Cover

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The American Sun & Wind Moving Picture Company

Jay Neugeboren

The American Sun & Wind Moving Picture Company is an enchanting tale set in the silent film era.  Beginning in 1915, in Fort Lee, New Jersey, where a Jewish family makes one and two reel silent films, the novel is composed of six chapters, each a discrete silent film in itself.

Joey, the too-beautiful-to-be-a-boy son of moviemaker, Simon, and his actress wife, Hannah, imagines stories that his uncle’s camera turns into scenes for their movies. Witness to and participant in the rapid technological advances in film, from the movies his family makes, to the advent of the talkies, Joey is cast in both male and female roles, onstage and off.  When the woman Joey loves murders her abusive husband and sends Joey from his New Jersey family disguised as the mother of her own children, he embarks on a cross-country journey of adventure and hardship, crossing paths with the likes of D. W. Griffith, Lillian Gish, Mary Pickford, and “Roxy” Rothafel.  Finally, reunited on the opposite coast with his uncle, and with the woman he has never stopped loving, Joey’s wild journey—and life!—arrive at a moment as unpredictable as it is magical.

In an outrageously original tale worthy of a studio whose moguls might have been Kafka, Garcia Marquez, and Isaac Bashevis Singer, reality and illusion merge and separate, leaving the audience spellbound even after the final curtain falls.

Anatomy of a Kidnapping Cover

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Anatomy of a Kidnapping

A Doctor’s Story

Steven L. Berk, M.D.

Four hours. That was the amount of time between looking down the barrel of a gun and finding myself free along a silent highway lined by cotton fields. In the time period that seemed eternal, my unique experiences as a doctor created an indescribable bond between myself and my captor. I looked upon the situation just as I looked upon a medical emergency: I took a deep breath, hid my panic, and tried to solve the situation.
 
In March 2005, Dr. Steven Berk was kidnapped in Amarillo, Texas, by a dangerous and enigmatic criminal who entered his home, armed with a shotgun, through an open garage door. Dr. Berk’s experiences and training as a physician, especially his understanding of Sir William Osler’s treatise on aequanimitas, enabled him to keep his family safe, establish rapport with his kidnapper, and bring his captor to justice.
 
This harrowing story is not just about a kidnapping. It is a story about patients, about physicians, and about what each experience has taught Berk about life and death, mistakes, family, the practice of medicine, and the physician-patient relationship. It is a story about how Berk's profession prepared him for an unpredictable situation and how any doctor must address life’s uncertainties.

Apocalypse Hotel Cover

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Apocalypse Hotel

A Novel

Ho Anh Thai; adapted and introduced by Wayne Karlin

Three violent deaths occur within days among a group of young nouveaux-riche beachgoers of Hanoi—but neither the victims nor the circumstances are as they seem. Is fate responsible? Or a woman of extreme beauty and mystery?When Danang Publishing House risked bringing out Ho Anh Thai’s controversial novel Cõi ngu?i rung chuông t?n th? (The Apocalypse Bell Tolls in the Human World) in 2002 after numerous others had refused it, Vietnam was a nation still struggling to find its identity decades after being torn apart by war. Ho Anh Thai’s previous stories and novels had already seized the imagination of a young postwar generation. He had become a literary sensation even as a teenager, his fresh, fluid, luminous style capturing the essence of their modern Vietnam. The book was a sensation in its author’s home country: to date it has sold more than 50,000 copies in ten printings and has been received enthusiastically by both public and critics as a work of creativity and disturbing truth.Now, as Apocalypse Hotel, Ho Anh Thai’s dark fable draws English-language readers into the divided society of 1990s Vietnam, to an underground economy in which anything may be bought and sold, youth seek speed, sex, and thrills, and past crimes still haunt the pure and the guilty alike. In this riveting, fast-paced cautionary tale, citizens of all ages and situations must come to grips with the sordid, unforeseen consequences of a war once meant to liberate them.

Charlie One Five Cover

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Charlie One Five

A Marine Company's Vietnam War

Nicolas Warr, with foreword by Scott Nelson

The combat history of the 1st Battalion, 5th Marines--or “One Five” (1/5)--is long and illustrious, but there are many periods of their combat operations during the Vietnam War about which there is little in print. This history is drawn from many years of research, from the author’s personal memories, and from careful study of the battalion’s Command Chronologies and Combat After-action Reports and other historical records. Most importantly it includes a collection of true stories told to the author by dozens of U.S. Marines who served in and fought with 1/5 during the Vietnam War, at all levels of the Chain of Command. 

         This book hunkers down with the “Mud Marines” of Charlie One Five, a small but determined band of American fighting men, and their very human and often painful stories of combat cover a wide range of scenarios and situations. Follow the Marines of 1/5 as they are lulled by the exotic and beautiful countryside, trudge through swamps, jungles, mountains, and rice paddies for seemingly endless days, and struggle to stay alert during their cautious passage through the extreme terrain and weather conditions of this incredibly scenic but deceptive land, only to be shattered by sudden and deadly attacks from Viet Cong snipers, ambushes, and command-detonated bombs. Despite the overwhelming odds against them, the Marines of Charlie One Five always emerge victorious in every battle they fight.

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Conradiana

Vol. 39 (2007) through current issue

Since its founding in 1968, Conradiana has presented its audience with the newest and best in Conrad scholarship and criticism, including reminiscences of eminent Conradians, detailed textual studies, biographical finds, new critical readings, and exciting applications of the newer critical modes.

Cowboy Stuntman Cover

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Cowboy Stuntman

From Olympic Gold to the Silver Screen

Dean Smith, with Mike Cox; foreword by James Garner

Dean Smith has taken falls from galloping horses, engaged in fistfights with Kirk Douglas and George C. Scott, donned red wig and white tights to double Maureen O’Hara, and taught Goldie Hawn how to talk like a Texan.
         He’s dangled from a helicopter over the skyscrapers of Manhattan while clutching a damsel in distress, hung upside down from a fake blimp 200 feet over the Orange Bowl, and replicated one of the most famous scenes in movie history by climbing on a thundering team of horses to stop a runaway stagecoach.
         Cowboy Stuntman chronicles the life and achievements of this colorful Texan and Olympic gold medal winner who spent a half century as a Hollywood stuntman and actor, appearing in ten John Wayne movies and doubling for a long list of actors as diverse as Robert Culp, Michael Landon, Steve Martin, Strother Martin, Robert Redford, and Roy Rogers.

The Fence Cover

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The Fence

National Security, Public Safety, and Illegal Immigration along the U.S.–Mexico Border

Robert Lee Maril

To the American public it’s a 2,000-mile-long project to keep illegal immigrants, narcotics, and terrorists on the other side of the U.S.–Mexico border. In the deserts of Arizona, it’s a “virtual fence” of high-tech electronic sensors, cameras, and radar. In some border stretches it’s a huge concrete-and-steel wall; in others it’s a series of solitary posts designed to stop drug runners; in still others it’s rusted barbed-wire cattle fences. For two-thirds of the international boundary it’s nonexistent. Just what is this entity known as “the fence”? And more important, is it working? Through first-person interviews with defense contractors, border residents, American military, Minutemen, county officials, Customs and Border Protection agents, environmental activists, and others whose voices have never been heard, Robert Lee Maril examines the project’s human and financial costs. Along with Maril’s site visits, his rigorous analysis of government documents from 1999 to the present uncovers fiscal mismanagement by Congress, wasteful defense contracts, and unkept political promises. As drug violence mounts in border cities and increasing numbers of illegal migrants die from heat exhaustion in the Arizona desert, Maril argues how the fence may even be making an incendiary situation worse. Avoiding preconceived conclusions, he proposes new public policies that take into consideration human issues, political negotiation, and the need for compromise. Maril’s lucid study shows the fence to be a symbol in concrete, steel, microchips, and fiber optics for the crucible of contemporary immigration policy, national security, and public safety.

Free Radical Cover

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Free Radical

Ernest Chambers, Black Power, and the Politics of Race

Tekla Agbala Ali Johnson, with foreword by Quintard Taylor

Amid the deadly racial violence of the 1960s, an unassuming student from a fundamentalist Christian home in Omaha emerged as a leader and nationally recognized black activist. Ernest Chambers, elected to the Nebraska State Legislature in 1970, eventually became one of the most powerful legislators the state has ever known. As Chambers bids for reelection in 2012 to the office he held for thirty-eight years, Omaha native Tekla Agbala Ali Johnson illuminates his embattled career as a fiercely independent defender of the downtrodden.Tracing the growth of the Black Power Movement in Nebraska and throughout the U.S., Johnson discovers its unprecedented emphasis on electoral politics. For the first time since Reconstruction, voters catapulted hundreds of African American community leaders into state and national political arenas. Special-interest groups and political machines would curb the success of aspiring African American politicians, just as urban renewal would erode their geographical and political bases, compelling the majority to join the Democratic or Republican parties. Chambers was one of few not to capitulate.In her revealing study of one man and those he represented, Johnson portrays one intellectual’s struggle alongside other African Americans to actualize their latent political power.

 Cover
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Helios

Vol. 34 (2007) through current issue

Helios is a forum for the scholarly synthesis of close readings of philological text with contemporary critical approaches. Articles analyzing Greek and Roman literature and cultural history employ feminist theory, poststructuralism and deconstruction, psychoanalysis, reader-response theory, and current theoretical models.

Hog’s Exit Cover

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Hog’s Exit

Jerry Daniels, the Hmong, and the CIA

Gayle L. Morrison

It just didn’t sit right. Not with his friends, not with his coworkers, not with his hunting and fishing buddies, and certainly not with his family. The American Embassy in Bangkok had reported the accidental death of Jerry “Hog” Daniels by carbon monoxide poisoning. Three decades later, his family and most of his friends remain unconvinced that the U.S. government told them the truth about his death.
            As a former CIA case officer to legendary Hmong leader General Vang Pao during the “secret war” in Laos, Jerry Daniels was experienced, smart, and careful. Those who knew him well said he wasn’t the type to die as reported. Raising even more doubts, his casket was “Permanently Sealed” by the U.S. State Department before being shipped home to Missoula, Montana, where he was honored with a three-day funeral ceremony organized by his former comrades-in-arms, the Hmong hilltribe warriors from Laos.
            This book examines the unique personality and reported death of a man who was a pivotal agent in U.S./Hmong history. Friends and family share their memories of Daniels growing up in Montana, cheating death in Laos, and carousing in the bars and brothels of Thailand. First-person accounts from Americans and Hmong, ranchers and refugees, State Department officials and smokejumpers capture both human and historical stories about the life of this dedicated and irreverent individual and offer speculation on the unsettling circumstances of his death. Equally important, Hog’s Exit is the first complete account in English to document the drama and beauty of the Hmong funeral process.
            Hog’s Exit provides a fascinating view of a man and the two very different cultures in which he lived.

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