The first major historical study of the role of Catholicism in Chicano history in the twentieth century.

In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film’s most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker’s classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today’s vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she’s even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

Archaeological investigations by the Institute of Classical Archaeology that examine a unique collection of Greek funerary monuments from the Black Sea.

A powerful account of how racial identity issues affect Chicana/o students’ school success.

Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the “patriarchal dominance paradigm” that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.

The Kuna of Panama, today one of the best known indigenous peoples of Latin America, moved over the course of the twentieth century from orality and isolation towards literacy and an active engagement with the nation and the world. Recognizing the fascination their culture has held for many outsiders, Kuna intellectuals and villagers have collaborated actively with foreign anthropologists to counter anti-Indian prejudice with positive accounts of their people, thus becoming the agents as well as subjects of ethnography. One team of chiefs and secretaries, in particular, independently produced a series of historical and cultural texts, later published in Sweden, that today still constitute the foundation of Kuna ethnography. As a study of the political uses of literacy, of western representation and indigenous counter-representation, and of the ambivalent inter-cultural dialogue at the heart of ethnography, Chiefs, Scribes, and Ethnographers addresses key issues in contemporary anthropology. It is the story of an extended ethnographic encounter, one involving hundreds of active participants on both sides and continuing today.

From 1974 to the present, the Institute of Classical Archaeology (ICA) at the University of Texas at Austin has carried out archaeological excavations and surveys in ancient territories (chorae) in southern Italy. This wide-ranging investigation, which covers a large number of sites and a time period ranging from prehistory to the Middle Ages, has unearthed a wealth of new information about ancient rural economies and cultures in the region. These discoveries will be published in two multivolume series (Metaponto and Croton). This volume on the Neolithic settlement at Capo Alfiere is the first in the Croton series. The Chora of Croton 1 reports the excavation results of a remarkable Neolithic site at Capo Alfiere on the Ionian coast. Capo Alfiere is one of a very few early inhabitation sites in this area to have been excavated extensively, with a full team of scientific specialists providing interdisciplinary studies on early farming and animal husbandry. It provides comprehensive documentation of the economy, material culture, and way of life in the central Mediterranean in the sixth and fifth millennia BC. Most notable are the remains of a wattle-and-daub hut enclosed within a massive stone wall. Unique for this area, this well-preserved structure may have been used for special purposes such as ritual, as well as for habitation. The presence of Stentinello wares shows that the range of this pottery type extended further east than previously thought and casts new light on the development of ceramics in the area. JON MORTER was a field director for ICA excavations at Metaponto and Croton in southern Italy, and Chersonesos in Crimea. The ICA Croton project was the subject of his dissertation, for which he received a PhD from the University of Texas at Austin. He had taken up a position teaching at the College of Charleston (South Carolina) shortly before his death. JOHN ROBB is Reader in European Prehistory and editor of the Cambridge Archaeological Journal at Cambridge University.

From 1974 to the present, the Institute of Classical Archaeology at the University of Texas at Austin has carried out archaeological excavations in the ancient territory (chora) of Metaponto, now located in the modern province of Basilicata on the southern coast of Italy. This wide-ranging investigation, which covers a number of sites and a time period ranging from prehistory to the Roman Empire, has unearthed a wealth of new information about the ancient rural economy in southern Italy. These discoveries will be published in a multi-volume series titled The Chora of Metaponto. This volume on archaeozoology—the study of animal remains from archaeological sites—is the second in the series, following The Chora of Metaponto: The Necropoleis (1998). Archaeozoology at Pantanello and Five Other Sites describes the animal remains found throughout Metaponto and discusses what they reveal about ancient practices of hunting and herding, domestication and importation of new breeds, people’s attitudes toward animals, and what animal remains indicate about past environments. A chapter devoted to bird bones, which are a relatively rare find because of their fragility, provides high quality information on the environment and methods of fowling, as well as on the beliefs and symbolism associated with birds. The final chapter covers tools—some simple, others sophisticated and richly decorated—made from animal bones.

This volume in the Institute of Classical Archaeology’s series on rural settlements in the countryside (chora) of Metaponto presents the excavation of the Late Roman farmhouse at San Biagio. Located near the site of an earlier Greek sanctuary, this modest but well-appointed structure was an unexpected find from a period generally marked by large landholdings and monumental villas. Description of earlier periods of occupation (Neolithic and Greek) is followed by a detailed discussion of the farmhouse itself and its historical and socioeconomic context. The catalogs and analyses of finds include impressive deposits of coins from the late third and early fourth centuries AD. Use of virtual reality CAD software has yielded a deeper understanding of the architectural structure and its reconstruction. A remarkable feature is the small bath complex, with its examples of window glass. This study reveals the existence of a small but viable rural social and economic entity and alternative to the traditional image of crisis and decline during the Late Imperial period.

Texas has one of the largest Jewish populations in the South and West, comprising an often-overlooked vestige of the Diaspora. The Chosen Folks brings this rich aspect of the past to light, going beyond single biographies and photographic histories to explore the full evolution of the Jewish experience in Texas. Drawing on previously unpublished archival materials and synthesizing earlier research, Bryan Edward Stone begins with the crypto-Jews who fled the Spanish Inquisition in the late sixteenth century and then discusses the unique Texas-Jewish communities that flourished far from the acknowledged centers of Jewish history and culture. The effects of this peripheral identity are explored in depth, from the days when geographic distance created physical divides to the redefinitions of “frontier” that marked the twentieth century. The rise of the Ku Klux Klan, the creation of Israel in the wake of the Holocaust, and the civil rights movement are covered as well, raising provocative questions about the attributes that enabled Texas Jews to forge a distinctive identity on the national and world stage. Brimming with memorable narratives, The Chosen Folks brings to life a cast of vibrant pioneers. Jewish History, Life, and Culture Michael Neiditch, Series Editor