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University of Texas Press

University of Texas Press

Website: http://utpress.utexas.edu/

The University of Texas Press has published more than 2,000 books over five decades and brings out some 90 books and 12 journals annually. The Press's major areas of concentration are Anthropology, Old and New World Archaeology, Architecture, Art History, Botany, Classics and the Ancient World, Conservation and the Environment, Egyptology, Film and Media Studies, Geography, Landscape, Latin American and Latino Studies, Literary Modernism, Mexican American Studies, Marine Science, Middle Eastern Studies, Ornithology, Pre-Columbian Studies, Texas and Western Studies, and Women's Studies.


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University of Texas Press

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Art Against Dictatorship Cover

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Art Against Dictatorship

Making and Exporting Arpilleras Under Pinochet

By Jacqueline Adams

This pioneering study of Chilean arpillera folk art and its makers, sellers, and buyers explores the creation of a solidarity art system and shows how art can be a powerful force for opposing dictatorship and empowering oppressed people.

Art and Answerability Cover

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Art and Answerability

Early Philosophical Essays

By M. M. Bakhtin

This book contains three of Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates of the period.

Art and Archaeology of Challuabamba, Ecuador Cover

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Art and Archaeology of Challuabamba, Ecuador

By Terence Grieder

An important baseline study of ceramics and material culture in southern Ecuador, which establishes the region’s artistic and trade connections with better-known areas of the prehistoric Andes.

The Art and Archaeology of the Moche Cover

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The Art and Archaeology of the Moche

An Ancient Andean Society of the Peruvian North Coast

Edited by Steve Bourget and Kimberly L. Jones

Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100–800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.

Art and Society in a Highland Maya Community Cover

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Art and Society in a Highland Maya Community

The Altarpiece of Santiago Atitlán

By Allen J. Christenson

A study of a major piece of modern Mayan religious art.

Art in the Cinematic Imagination Cover

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Art in the Cinematic Imagination

By Susan Felleman

Bringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the “Hollywood Love Goddess” and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience.

Art, Nature, and Religion in the Central Andes Cover

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Art, Nature, and Religion in the Central Andes

Themes and Variations from Prehistory to the Present

By Mary Strong

Taking a new approach to traditional Andean art that links prehistory with the present, this book illustrates the ongoing legacy of the past in contemporary art and the importance of art not only as a way of expressing religious ideas rooted in nature, but also as a means of resisting discrimination and oppression.

The Art of Professing in Bourbon Mexico Cover

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The Art of Professing in Bourbon Mexico

Crowned-Nun Portraits and Reform in the Convent

By James M. Córdova

Offering a pioneering interpretation of the “crowned nun” portrait, this book explores how visual culture contributed to local identity formation at a time when the colonial Church instituted major reforms that radically changed the face of New Spain’s convents and religious character.

Aryan Cowboys Cover

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Aryan Cowboys

White Supremacists and the Search for a New Frontier, 1970-2000

By Evelyn A. Schlatter

During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from “fringe elements” of society, as many Americans would like to believe. Evelyn Schlatter’s startling analysis describes how many of the new white supremacist groups in the West have co-opted the region’s mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement. Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites—while offering a “solution” in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this “American” ideal, while documenting its dangerous appeal.

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Asian Music

Vol. 36 (2005) through current issue

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

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