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An Autobiography of the Civil Rights Movement
Brought to this continent by the settlers of Jamestown, the sacred harp, which refers to the human voice, is known as “fasola.” In Legacy of the Sacred Harp, author Chloe Webb follows the history of this musical form back four hundred years, and in the process uncovers the harrowing legacy of her Dumas family line.
The fourth in the successful literary cities series by TCU Press, Literary El Paso brings attention to the often overlooked extraordinary literary heritage of this city in far West Texas. El Paso is the largest metropolitan area along the U.S.-Mexico border and geographically isolated from the rest of Texas. It is in this splendid isolation surrounded by mountains in the midst of the beautiful Chihuahuan Desert that many award-winning writers found their literary voices. Daudistel uses her years of publishing experience in El Paso to gather the works of past, present and emerging writers of the Borderlands. Historical essays, fiction, journalism and poetry portray the colorful history and vibrant present of this city on the border through the works of sixty-three writers. Once a backdrop to the Mexican Revolution, El Paso was also home to infamous outlaws. Historians C.L. Sonnichsen, and Leon Metz write on the gunmen and lawmen of El Paso such as John Wesley Hardin, Dallas Stoudenmire and Bass Outlaw. There are feature stories from award-winning journalists Ruben Salazar early in his newspaper career, Ramon Renteria with the last interview of poet Ricardo Sanchez and Bryan Woolley on the 1966 UTEP Miners and lively South El Paso Street. Many groundbreaking Chicano writers who began their work in El Paso, such as Jose Antonio Burciaga, Abelardo Delgado, Estela Portillo Trambley and Arturo Islas are featured. The works of Tom Lea, the stories of Amado Muro, Dagoberto Gilb, Rick DeMarinis, Pat Littledog, the inimitable word sketches of Elroy Bode and the poetry of Benjamin Alire Saenz, Pat Mora, and Bernice Love Wiggins, one of the first African-American female poets published in Texas, explore the experience of life in El Paso. In addition, previously unpublished works from John Rechy, Ray Gonzalez and Robert Seltzer are included. Literary El Paso features bilingual selections for the first time in the series to reflect the bicultural environment of the region and the state.
Hurricane Katrina struck the Louisiana Gulf Coast in late August of 2005. In the aftermath of the category-three hurricane, the churning waters of Lake Pontchartrain tore through the levee system of New Orleans, causing unprecedented flooding and stranding those who had failed to evacuate in time. Images of desperate men and women clinging to rooftops and praying for rescue filled every news station. It is in this setting that Thomas Zigal’s new novel unfolds.
With water rapidly rising to alarming heights and contaminated by filth, the only way in or out of New Orleans is by boat. Hodges Grant, a veteran of Vietnam, must ply the fetid waters in a homemade craft in order to reach his stranded daughter and two grandchildren. Accompanied by his grandchildren’s good-for-nothing father Duval, Hodges enters into the treacherous wreckage left by the storm. The city appears to be deserted except for a few police out to commandeer civilian boats—by force, if necessary.
Deirdra, or Dee as she is known, was hardly daunted by the idea of a hurricane. There had been too many false alarms in the past from government officials. Still, for the sake of her two children, Dee had attempted to evacuate, only to turn back as gangs of armed highjackers pulled hapless drivers from their cars in gridlocked traffic. Now she and her children are stranded in their attic as the water laps at the hatch. They can only hope for Hodges’s swift arrival.
Hodges’s son PJ and eight thousand other inmates remain incarcerated in the Orleans Parish Jail as the waters begin to rise. Abandoned by the guards, the inmates must break through the bars of their cells or drown. They discover armed guards calmly waiting in boats outside; they pull a few inmates to safety and threaten to shoot those who rush for the fence.
As the waters advance through the city of New Orleans, so does Zigal’s story. Told through the eyes of each member of the Grant family, Zigal weaves a tale bound by terror, loss, perseverance, and survival.
On Writing in the Lone Star State