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Texas A&M University Press
Conflict and Revolution in the United States
In The Archaeology of Engagement: Conflict and Revolution in the United States, Dana L. Pertermann and Holly K. Norton have assembled a collection of studies that includes sites of conflicts between groups of widely divergent cultures, such as Robert E. Lee's mid-1850s campaign along the Concho River and the battles of the River Raisin during the War of 1812. Notably, the second half of the book applies the editors’ principles of conflict event theory to the San Jacinto Battlefield in Texas, forming a case study of one of America's most storied—and heavily trafficked—battle sites.
A Life in Texas History
The resulting memoir not only serves to trace McDonald’s life and career but also reveals much about the maturation of a scholarly organization and its journal. McDonald was an evangelist for the study of history who believed in an open tent. This book is a valentine to both the memory of Archie McDonald and the association he served, as well as an important contribution to the historiography of Texas.
An Essay Concerning the Project considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martinez emphasizes the distinction between an architectural project, created in the architect’s mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martinez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures, and examines the influences of modernity and the legend of the Bauhaus. Architectural schooling, he suggests, has had a decisive role in the transmission of these practices. He concludes that the methods formalized in Beaux Arts teaching are not only still with us but are in good part responsible for the stylistic instability that haunts Modern architecture. Abstract but not abstruse, An Essay Concerning the Project provides clear information for a deeper understanding of the process of design and its results. More so than any other recent text, it shows the scope and richness of the field of speculation in architecture. It presents subtle considerations that must be mastered if an architect is to properly use typology, the means of representation, and the elements of composition and in architecture. Students, teachers, and practitioners alike will benefit from its warning about the deeper aspects of the endeavor of architecture.
America's Uniformed Artists in World War I
Alfred Emile Cornebise presents here the first comprehensive account of the U.S. Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.
Unsure of what to do with these official artists, AEF leadership in France issues passes that allowed them relative freedom to move about, sketching as they went and finding supplies and lodgings where they could. But the bureaucratic confusion over the artists’ mission soon created controversy in Washington. The army brass there was dismayed at the slow trickle of art coming in and at some of the bucolic, behind-the-lines scenes, which held little promise as dramatic magazine illustrations or propaganda.
The Armistice came only a matter of months after the American Artists arrived in France, and they marched into the Rhineland with the American occupation forces, sketching along the way. Soon returning to France the artists went into separate studios to finish their works, but the army hurriedly discharged them and they were civilian artists once more.
The author conducted research for this book in the World War I army records in the National Archives, as well as the collections of the Smithsonian Institution, and others throughout the country. The sixty-six black-and-white pictures reproduced here are some of the approximately five hundred pieces of official AEF combat art, which shortly after the war were turned over to the Smithsonian Institution, where most of them remain.
Interviews with Texas Artists
Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
The Life and Work of Elisabet Ney
Emily Fourmy Cutrer’s biography of Ney makes extensive use of primary sources and was the first to appraise both Ney’s legend and individual works of art. Cutrer argues that Ney was an accomplished sculptor coming out of a neglected German neoclassical tradition and that, whatever her failures and eccentricities, she was an important catalyst to cultural activity in Texas.
New and Selected Poems
Five of the collections are comprised of poems of geographic place, four of which are set primarily in Texas. His fifth “place” collection is set on the coast of Maine. The poems selected from his remaining collections range in subject matter from outlaw bikers to ekphrasis; from the avian world to an asylum for the criminally insane.
The tools of his trade
are unassuming and relatively
primitive. The stagehand
is his counterpart in drama.
In the shadows of architects,
for grand cathedrals of sonatas,
he lays the bricks. Of pitch
and tone, he is master.
Even a concert pianist
steers clear of his ear.
“In Ascension, J. Scott Brownlee takes us through the small towns and back woods of the Texas Hill Country, always with a keen sense of character and a fine ear for the beauties of language. This is a terrific collection of poems.” —Kevin Prufer, Final Judge
Organ Solo with Oblivion and Gar
Skittish fish lay eggs
in this shallow stone
cleft of an algae chorus.
Turn my soul into song,
if you can, River Lord.
Treat believing the same
as each minnow slipping
coin-like into deep murk.
Your spirit mimics me
face framing brackish
absence, saying, Kneel
into this. Lean low,
sinner, & drink. Bitter
infidel, swallow the black
granite whole if you are not
afraid of what comes after it:
___________. Live forever.
The Meanings of Race in the Atlantic World
With the recent election of the nation’s first African American president—an individual of blended Kenyan and American heritage who spent his formative years in Hawaii and Indonesia—the topic of transnational identity is reaching the forefront of the national consciousness in an unprecedented way. As our society becomes increasingly diverse and intermingled, it is increasingly imperative to understand how race and heritage impact our perceptions of and interactions with each other. Assumed Identities constitutes an important step in this direction. However, “identity is a slippery concept,” say the editors of this instructive volume. This is nowhere more true than in the melting pot of the early trans-Atlantic cultures formed in the colonial New World during the seventeenth, eighteenth, and nineteenth centuries. As the studies in this volume show, during this period in the trans-Atlantic world individuals and groups fashioned their identities but also had identities ascribed to them by surrounding societies. The historians who have contributed to this volume investigate these processes of multiple identity formation, as well as contemporary understandings of them. Originating in the 2007 Walter Prescott Webb Memorial Lectures presented at the University of Texas at Arlington, Assumed Identities: The Meanings of Race in the Atlantic World examines, among other topics, perceptions of racial identity in the Chesapeake community, in Brazil, and in Saint-Domingue (colonial-era Haiti). As the contributors demonstrate, the cultures in which these studies are sited helped define the subjects’ self-perceptions and the ways others related to them.
History and Ecology of an American Wetland
—What is the Atchafalaya River Basin?
—Why is it important?
—How have its hydrology and natural habitats been managed?
—What is its current state?
—How do we ensure its survival?
For more than five centuries, the Atchafalaya River Basin has captured the flow of the Mississippi River, becoming its main distributary as it reaches the Gulf of Mexico in south Louisiana. This dynamic environment, comprising almost a million acres of the lower Mississippi Alluvial Valley and Mississippi River Deltaic Plain, is perhaps best known for its expansive swamp environments dominated by baldcypress, water tupelo, and alligators. But the Atchafalaya River Basin contains a wide range of habitats and one of the highest levels of biodiversity on the North American continent.
Piazza has compiled and synthesized the body of scientific knowledge for the Atchafalaya River Basin, documenting the ecological state of the basin and providing a baseline of understanding. His research provides a crucial resource for future planning. He evaluates some common themes that have emerged from the research and identifies important scientific questions that remain unexplored.