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Texas A&M University Press
From World War I to Vietnam
Twelve Texas Aggie War Heroes tells each serviceman’s story in a concise, readable manner. Some subjects, such as Earl Rudder and James Hollingsworth, will be familiar to readers. But Woodall also introduces us to less familiar but no less notable men as well, from A. D. Bruce’s march from the trenches of France and the crossing of the Rhine in World War I to Bob Acklen’s three tours in Vietnam.
In addition to the twelve chapters focusing on these remarkable individuals, Woodall has provided an extensive set of appendixes that include the relevant citations for each serviceman as well as larger lists of Aggies who were awarded the Distinguished Service Cross, Navy Cross, or Air Force Cross.
The history of South Texas is more racially and ethnically complex than many people realize. As a border area, South Texas has experienced some especially interesting forms of racial and ethnic intersection, influenced by the relatively small number of blacks (especially in certain counties), the function and importance of the South Texas cattle trade, proximity to Mexico, and the history of anti-black violence. The essays in African Americans in South Texas History give insight into this fascinating history. The articles in this volume, written over a span of almost three decades, were chosen for their readability, scholarship, and general interest. Contributors: Jennifer Borrer Edward Byerly Judith Kaaz Doyle Rob Fink Robert A. Goldberg Kenneth Wayne Howell Larry P. Knight Rebecca A. Kosary David Louzon Sarah R. Massey Jeanette Nyda Mendelssohn Passty Janice L. Sumler-Edmond Cary D. Wintz Rue Wood " . . . a valuable addition to the literature chronicling the black experience in the land of the Lone Star. While previous studies have concentrated on regions most reflective of Dixie origins, this collection examines the tri-ethnic area of Texas adjoining Mexico wherein cotton was scarce and cattle plentiful. Glasrud has assembled an excellent group of essays from which readers will learn much."-L. Patrick Hughes, professor of history, Austin Community College
The history of South Texas is more racially and ethnically complex than many people realize. As a border area, South Texas has experienced some especially interesting forms of racial and ethnic intersection, influenced by the relatively small number of blacks (especially in certain counties), the function and importance of the South Texas cattle trade, proximity to Mexico, and the history of anti-black violence. The essays in African Americans in South Texas History give insight into this fascinating history.
The articles in this volume, written over a span of almost three decades, were chosen for their readability, scholarship, and general interest.
Judith Kaaz Doyle
Robert A. Goldberg
Kenneth Wayne Howell
Larry P. Knight
Rebecca A. Kosary
Sarah R. Massey
Jeanette Nyda Mendelssohn Passty
Janice L. Sumler-Edmond
Cary D. Wintz
" . . . a valuable addition to the literature chronicling the black experience in the land of the Lone Star. While previous studies have concentrated on regions most reflective of Dixie origins, this collection examines the tri-ethnic area of Texas adjoining Mexico wherein cotton was scarce and cattle plentiful. Glasrud has assembled an excellent group of essays from which readers will learn much."-L. Patrick Hughes, professor of history, Austin Community College
Immigrants of African descent have come to Texas in waves—first as free blacks seeking economic and social opportunity under the Spanish and Mexican governments, then as enslaved people who came with settlers from the deep South. Then after the Civil War, a new wave of immigration began. In The African Texans, author Alwyn Barr considers each era, giving readers a clear sense of the challenges that faced African Texans and the social and cultural contributions that they have made in the Lone Star State. With wonderful photographs and first-hand accounts, this book expands readers’ understanding of African American history in Texas. Special features include · 59 illustrations · 12 biographical sketches · excerpts from newspaper articles · excerpts from court rulings The African Texans is part of a five-volume set from the Institute of Texan Cultures. The entire set, entitled Texans All, explores the social and cultural contributions made by five distinctive cultural groups that already existed in Texas prior to its statehood or that came to Texas in the early twentieth century: The Indian Texans, The Mexican Texans, The European Texans, The African Texans, and The Asian Texans.
A Guide for First Responders
“In many cases, the communities most ill-prepared to deal with . . . terrorism incidents,” Jason B. Moats writes in the introduction to this book, “are the rural communities that provide . . . food and crops.” Having conducted training across the country for first responders in cities, small towns, and rural communities, Moats for the first time gathers here the knowledge gleaned from research and nearly twenty years’ experience in emergency services and emergency training. Whether used in the field or in the classroom, this manual is designed to help rural communities prepare for an act of agroterrorism. It explains why the U.S. agriculture industry is a target for terrorists and how farms and farming communities across the country are vulnerable. The author lists known biological and chemical agents and their effects, explains model systems for supporting emergency response efforts, and lays out proven plans for gathering personnel and other resources in an orderly, coordinated way. In Agroterrorism: A Guide for First Responders, Moats spells out who should do what and when, providing a critically needed path through the bureaucratic maze of state, national, and interagency homeland security directives. With this book, Moats empowers those on the front lines in rural America, those charged with the responsibility of handling emergency crises in agricultural communities. Armed with the information they need, emergency response agencies, emergency managers, public health professionals, veterinary and animal health practitioners, as well as farmers and producers, will be able to answer the questions: “Where do we start?” “What do we do?” “Who is going to do it?” and “How do we pay for it?” Closing with a complete training program that includes practical exercises formatted for easy use, Agroterrorism: A Guide for First Responders contains resources vital for America’s rural communities, emergency managers, and the agriculture sector that is so central to our national interest.
An American Visionary--Paintings and Works on Paper
Presenting the unique vision of an American original . . . Alexandre Hogue, a renowned artist whose career spanned from the 1920s to his death in 1994, inherited the view of an America that imagined itself as filled with limitless potential for improvement, that considered high art and great ideas accessible to ordinary working people, and that saw no reason for an intellectual chasm between a learned elite and the masses. He always viewed himself as a radical, yet his passion stemmed from a deeply conservative idea: that art, culture, and nature should form a central force in the life of every human being. His well-known Dust Bowl series labeled him as a regionalist painter, but Hogue never accepted that identity. His work reveals the spirit of Texas and the Southwest as he experienced it for nearly a century. In his later years Hogue worked in forms of crisply rendered nonobjective and calligraphic one-liner paintings. Bringing to light new information regarding the Erosion and Oil Industry series, this book gives special attention to lesser known, post-1945 works, in addition to the awe-inspiring Moon Shot and final Big Bend series. Each series—from the hauntingly beautiful Taos landscapes and prophetic canvases of a dust-covered Southwest to his depictions of the fierce geological phenomena of the Big Bend—serves as a paean to the awesomeness of nature. Houston-based curator and critic Susie Kalil grew close to Hogue from 1986 to 1994, a time during which she interviewed him, considered his oeuvre with him, and came to share his vision of the nature and purposes of art. In Alexandre Hogue she reveals Hogue as he presented himself and his work to her. Collections with Alexandre Hogue's paintings: Musee National D'Art Moderne, Pompidou, Paris DallasMuseum of Art Museum of Fine Arts, Houston The GilcreaseMuseum, Tulsa The Philbrook Museum of Art, Tulsa University of Tulsa Tulsa Performing ArtsCenter Smithsonian Institution (NationalMuseum of American Art), Washington, DC OklahomaMuseum of Art, Okla City The SheldonMuseum of Art, University of Nebraska, Lincoln PhoenixArt Museum University of Arizona, Tucson Art Museum of SouthTexas, Corpus Christi Panhandle Plains Historical Museum, Canyon, Tx. StarkMuseum, Orange, Tx Southern MethodistUniversity, Dallas SpringfieldArt Museum, Springfield, Missouri WeatherspoonArt Museum, University of North Carolina at Greensboro The Federal Reserve Bank, Dallas The Williams Companies, Tulsa
The Personal Journey of a Political Insider
All the Way from Yoakum tells the story of the long, eventful life of a Jewish “good girl” from small-town Texas who became a remarkable woman of her time and a leading light in Houston and Texas politics. One of the founders of the modern Republican Party in Texas, Marjorie Meyer Arsht served as a state party committeewoman and was the first Jewish woman to run as a Republican for the state legislature. Becoming active in politics in the 1950s, she was closely involved in the early career of George H. W. Bush. A member of the prominent Texas family (Meyer, Cohen) that owned Foley Brothers department store and gave Cohen House to Rice University, she recalls the contentious mid-century division in the Jewish community over the issue of Zionism that split congregations and turned friends into bitter antagonists. Formerly president of the Temple Beth Israel Sisterhood, Arsht served as a national spokesperson for a major American anti-Zionist organization. When she turned seventy, Arsht was working as a speechwriter and high-level assistant in the Department of Housing and Urban Development in Washington while also serving as a regent of Texas Southern University, where she spearheaded a number of important reforms. In addition, she continued to run the small, independent energy development and investment company founded by her late husband. From her childhood as a member of one of the few Jewish families in small-town Yoakum, Texas, to her years of political activism and social involvement, she offers a moving account of an indomitable spirit, one that will provide both inspiration and an understanding of how the Republican Party came to be the dominant force in Texas politics.
Light Townsend Cummins follows Tennant’s public career from the 1920s to the 1960s, both as an artist and as a culture-bearer, as she advanced cultural endeavors, including the arts. A true pathfinder, she helped to create and nurture art institutions that still exist today, most especially the Dallas Museum of Art, on whose board of trustees she sat for almost thirty years. Tennant also worked on behalf of other civic institutions, including the public schools, art academies, and the State Fair of Texas, where she helped create the Women’s Building. Allie Victoria Tennant and the Visual Arts in Dallas sheds new light on an often overlooked artist.
From its beginning in a pile of eggs buried in a meticulously constructed nest to its possible end as an alligator burger or a pair of boots, an alligator’s habitat preferences sometimes coincide with the favorite haunts of boaters, hunters, and coastal residents.
In Alligators of Texas, biologist Louise Hayes and photographer Philippe Henry bring readers up close to this cryptic reptile’s food choices, parenting skills, communication techniques, and responses to natural events such as freezes and hurricanes. They also relate some Texas “alligator tales”; discuss alligator farming, hunting, and live capturing; and examine how people can successfully co-exist with this predator. They end by telling readers where they can view alligators, both in the wild and in captivity.
Although not as often, as easily, or perhaps as happily observed as white-tailed deer or armadillos, the American alligator is an iconic Texas animal, and knowing more about its life and habits can help Texans better understand its rightful place in the landscape.