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In the first of two volumes, Anastasiou offers a detailed portrait of Cyprus’s dual nationalisms, identifying the ways in which nationalist ideologies have undermined the relations between Greek and Turkish Cypriots. In the context of regional and global conflicts, he demonstrates how the ethnic rivalry was largely engineered by the leaders of each community and consolidated by the nationalist configuration of political culture. Taking a multilevel approach, he maps out the impasse and changes in ethnonationalism over time.
In the second volume, Anastasiou focuses on emergent post-nationalist trends, their implications for peace, and recent attempts to reach mutually acceptable agreements between Greek and Turkish Cypriots. He documents the transformation of Greece, Cyprus, and Turkey within the context of Europeanization and globalization. While leaders of both communities have failed to resolve the conflict, Anastasiou argues that the accession of Cyprus into the European Union has created a structure and process that promises a multiethnic, democratic Cyprus. With great depth and balance, The Broken Olive Branch presents a fresh analysis of the Cyprus conflict and new insights on the influence of nationalism.
In the years between the two world wars, the Jewish community of Poland—the largest in Europe—was the cultural heart of the Jewish diaspora. The Jewish Workers’ Bund, which had a socialist, secularist, Yiddishist, and anti-Zionist orientation, won a series of important electoral battles in Poland on the eve of the Second World War and became a major political party. While many earlier works on the politics of Polish Jewry have suggested that Bundist victories were not of lasting significance or attributable to outside forces, Jack Jacobs argues convincingly that the electoral success of the Bund was linked to the work of the constellation of cultural and other organizations revolving around the party. The Bund offered its constituents innovative, highly attractive, programs and a more enlightened perspective: from new sexual mores to sporting organizations and educational institutions. Drawing on meticulously researched archival materials, Jacobs shows how the growth of these successful programs translated into a stronger, more robust party. At the same time, he suggests the Bund’s limitations, highlighting its failed women’s movement. Jacobs provides a fascinating account of this countercultural movement and a thoughtful revision to the accepted view.
Set during the Lebanese civil war, this novel chronicles the splintering of the Al-Mukhtars, a Lebanese family whose love and trust for one another is strained by the increasing economic, social, and psychological tensions that surround them. Huda, feeling helpless as a housewife, pursues a career as a university professor and immerses herself in her work and students. Sharif, trapped in a static bureaucratic position, begins to resent his wife’s success and slowly withdraws from his family. When their marriage dissolves, the couple fight over the custody of their adolescent daughter. In a patriarchal society that favors the rights of the father, Huda is powerless as her daughter is taken from her. Through the author’s use of flashbacks, the reader witnesses the stark contrast between the young, idealistic couple and the older husband and wife, who have become increasingly isolated and disillusioned.
The Candidate is one of the most masterful, psychologically penetrating novels in Armenian diaspora literature. Published in 1967 at a time of political awakening among the descendants of survivors of the Armenian genocide, the novel explores themes of trauma, forgiveness, reconciliation, friendship, and sacrifice, and examines the relationship between victim and perpetrator.
The book opens in 1927 in Paris after Minas has found his friend Vahakn’s body on the floor of the apartment they share. In a fragmentary way, Minas tells of his meeting Vahakn in the cafés of the Latin Quarter; the friendship that joins them; their conversations with Ziya, a Turkish student in Paris; Vahakn’s murder of Ziya; and Vahakn’s suicide. At the core of the novel is the note Vahakn leaves Minas to explain the enigma of Ziya’s murder and his own suicide. The letter recounts Vahakn’s and his mother’s deportation from their village in the Ottoman Empire; his mother’s death and Vahakn’s adoption by a Turkish woman, Fatma, who rapes and abuses him; his feelings of alienation and self-estrangement in France; and his inability to adapt to life after trauma.
Known for his innovation of the Western Armenian novel, Vorpouni challenges the narrative elements of the conventional novel by playing with subjectivity and linearity. His melding of contemporary French literary and intellectual currents produces a literary and cultural hybrid unique in Western Armenian literature.
The Evolution of a National Icon
Since 1940, Captain America has battled his enemies in the name of American values, and as those values have evolved, so has Captain America’s character. Author J. Richard Stevens reveals how the comic book hero has evolved to maintain relevance with America’s fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America’s adventures and places the evolving storyline in dialogue with the comic book industry as well as America’s varying political culture. Using close readings, Stevens shows that Captain America’s adventures encourage reexaminations of issues of masculinity, patriotism, and violence that are as practical as they are interesting to students and scholars of popular culture and the social sciences.
A Critical Edition
Costello-Sullivan has compiled a student-friendly version of Sheridan Le Fanu’s 1872 vampire tale, “Carmilla.” This critical edition includes an introduction by the editor, a timeline, a short biographical sketch of the author, a selected bibliography, and four original, scholar-authored essays that explicate the novella for an undergraduate audience. This work situates “Carmilla” within its Irish cultural milieu and treats the text as self-standing rather than as a precursor to Dracula.
Brings together Charlotte Perkins Gilman's first collection of poetry alongside 79 previously uncollected verses.
Modern Irish Poetry and Catholicism
A Chastened Communion traces a new path through the well-traversed field of modern Irish poetry by revealing how critical engagement with Catholicism shapes the trajectory of the poetic careers of Austin Clarke, Patrick Kavanagh, John Montague, Seamus Heaney, Eiléan Ní Chuilleanáin, Paul Durcan, and Paula Meehan.
Eluding Nazi Capture during World War II
Following the horrors of Kristallnacht in November of 1938, frightened parents were forced to find refuge for their children, far from the escalating anti-Jewish violence. To that end, a courageous group of Belgian women organized a desperate and highly dangerous rescue mission to usher nearly 1,000 children out of Germany and Austria. Of these children, ninety-three were placed on a freight train, traveling through the night away from their families and into the relative safety of Vichy France. Ranging in age from five to sixteen years, the children along with their protectors spent a harsh winter in an abandoned barn with little food before eventually finding shelter in the isolated Château de la Hille in southern France. While several of the youngest children were safely routed to the United States, those who remained continued to be hunted by Nazi soldiers until finally smuggled illegally across the Swiss Alps to safe houses. Remarkably, all but eleven of the original ninety-three children survived the war due to the unrelenting efforts of their protectors and their own resilience. In The Children of La Hille, Reed narrates this stunning firsthand account of the amazing rescue and the countless heroic efforts of those who helped along the way. As one of the La Hille children, Reed recalls with poignant detail traveling from lice-infested, abandoned convents to stately homes in the foothills of the Pyrenees, always scrambling to keep one step ahead of the Nazis. Drawing upon survivor interviews, journals, and letters, Reed affectionately describes rousing afternoon swims in a nearby natural pond and lively renditions of Molière plays performed for an audience of local farmers. He tells of heart-stopping near misses as the Vichy police roundups intensified, forcing children to hide in the woods to escape capture. The Children of La Hille gives readers an intimate glimpse of a harrowing moment in history, paying tribute to ordinary people acting in extraordinary ways.