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Women's Indigenous Knowledge and Cosmopolitanism in South Asian Poetry
An engaging and informative exploration of four women poets writing in Hindi and Urdu over the course of the twentieth century in India and Pakistan. Anantharam follows the authors and their works, as both countries undergo profound political and social transformations. The book tells of how these women forge solidarities with women from different, castes, classes, and religions through their poetry.
In this provocative collection, Kim Jensen gives voice to the struggle of those who seek love in a world saturated with brutality and aggression. The concise lyrics in Bread Alone condemn the violence in Iraq, Palestine, and Lebanon, while exploring the intimate consequences of these and other injustices. Darkly humorous, grotesque, sorrowful, outraged, and sometimes poignantly hopeful, Jensen’s poems possess a strange beauty and remind us of the key purposes of poetry—to warn and to revive our sense of conscience and connection.
In the first of two volumes, Anastasiou offers a detailed portrait of Cyprus’s dual nationalisms, identifying the ways in which nationalist ideologies have undermined the relations between Greek and Turkish Cypriots. In the context of regional and global conflicts, he demonstrates how the ethnic rivalry was largely engineered by the leaders of each community and consolidated by the nationalist configuration of political culture. Taking a multilevel approach, he maps out the impasse and changes in ethnonationalism over time.
In the second volume, Anastasiou focuses on emergent post-nationalist trends, their implications for peace, and recent attempts to reach mutually acceptable agreements between Greek and Turkish Cypriots. He documents the transformation of Greece, Cyprus, and Turkey within the context of Europeanization and globalization. While leaders of both communities have failed to resolve the conflict, Anastasiou argues that the accession of Cyprus into the European Union has created a structure and process that promises a multiethnic, democratic Cyprus. With great depth and balance, The Broken Olive Branch presents a fresh analysis of the Cyprus conflict and new insights on the influence of nationalism.
In the years between the two world wars, the Jewish community of Poland—the largest in Europe—was the cultural heart of the Jewish diaspora. The Jewish Workers’ Bund, which had a socialist, secularist, Yiddishist, and anti-Zionist orientation, won a series of important electoral battles in Poland on the eve of the Second World War and became a major political party. While many earlier works on the politics of Polish Jewry have suggested that Bundist victories were not of lasting significance or attributable to outside forces, Jack Jacobs argues convincingly that the electoral success of the Bund was linked to the work of the constellation of cultural and other organizations revolving around the party. The Bund offered its constituents innovative, highly attractive, programs and a more enlightened perspective: from new sexual mores to sporting organizations and educational institutions. Drawing on meticulously researched archival materials, Jacobs shows how the growth of these successful programs translated into a stronger, more robust party. At the same time, he suggests the Bund’s limitations, highlighting its failed women’s movement. Jacobs provides a fascinating account of this countercultural movement and a thoughtful revision to the accepted view.
Set during the Lebanese civil war, this novel chronicles the splintering of the Al-Mukhtars, a Lebanese family whose love and trust for one another is strained by the increasing economic, social, and psychological tensions that surround them. Huda, feeling helpless as a housewife, pursues a career as a university professor and immerses herself in her work and students. Sharif, trapped in a static bureaucratic position, begins to resent his wife’s success and slowly withdraws from his family. When their marriage dissolves, the couple fight over the custody of their adolescent daughter. In a patriarchal society that favors the rights of the father, Huda is powerless as her daughter is taken from her. Through the author’s use of flashbacks, the reader witnesses the stark contrast between the young, idealistic couple and the older husband and wife, who have become increasingly isolated and disillusioned.
A Critical Edition
Costello-Sullivan has compiled a student-friendly version of Sheridan Le Fanu’s 1872 vampire tale, “Carmilla.” This critical edition includes an introduction by the editor, a timeline, a short biographical sketch of the author, a selected bibliography, and four original, scholar-authored essays that explicate the novella for an undergraduate audience. This work situates “Carmilla” within its Irish cultural milieu and treats the text as self-standing rather than as a precursor to Dracula.
Brings together Charlotte Perkins Gilman's first collection of poetry alongside 79 previously uncollected verses.
Modern Irish Poetry and Catholicism
A Chastened Communion traces a new path through the well-traversed field of modern Irish poetry by revealing how critical engagement with Catholicism shapes the trajectory of the poetic careers of Austin Clarke, Patrick Kavanagh, John Montague, Seamus Heaney, Eiléan Ní Chuilleanáin, Paul Durcan, and Paula Meehan.
Chronicles of Majnun Layla and Selected Poems brings together in one volume Haddad’s seminal work and a considerable selection of poems from his oeuvre, stretching over forty years. The central poem, Chronicles of Majnun Layla, recasts the seventh-century myth into a contemporary, postmodern narrative that revels in the foibles of oral transmission, weaving a small side cast of characters into the fabric of the poem. Haddad portrays Layla as a daring woman aware of her own needs and desires and not afraid to articulate them. The author succeeds in reviving this classical work of Arabian love while liberating it from its puritanical dimension and tribal overtones. The selected poems reveal Haddad’s playful yet profound meditations. A powerful lyric poet, Haddad juxtaposes classical and modern symbols, and mixes the old with the new, the sensual with the sacred, and the common with the extraordinary. Ghazoul and Verlenden’s masterful translation remains faithful to the cultural and historical context in which the original poetry was produced while also reflecting the uniqueness of the poet’s style and his poetics.