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The Negro National and Eastern Colored Leagues
As the companion volume to Black Baseball Entrepreneurs,1860–1901: Operating by Any Means Necessary, Lomax’s new book continues to chronicle the history of black baseball in the United States. The first volume traced the development of baseball from an exercise in community building among African Americans in the pre–Civil War era into a commercialized amusement and a rare and lucrative opportunity for entrepreneurship within the black community. In this book, Lomax takes a closer look at the marketing and promotion of the Negro Leagues by black baseball magnates. He explores how race influenced black baseball’s institutional development and how it shaped the business relationship with white clubs and managers. Lomax explains how the decisions that black baseball magnates made to insulate themselves from outside influences may have distorted their perceptions and ultimately led to the Negro Leagues‘ demise. The collapse of the Negro Leagues by 1931 was, Lomax argues, “a dream deferred in the overall African American pursuit for freedom and self-determination.”
African Americans in a Century of Hollywood Cinema (1903-2003)
Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: “the shaman” or “the scoundrel.” Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors’ performances of one or the other stereotype within each man’s personal history and within the country’s historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America’s ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle’s seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America.
Women's Indigenous Knowledge and Cosmopolitanism in South Asian Poetry
An engaging and informative exploration of four women poets writing in Hindi and Urdu over the course of the twentieth century in India and Pakistan. Anantharam follows the authors and their works, as both countries undergo profound political and social transformations. The book tells of how these women forge solidarities with women from different, castes, classes, and religions through their poetry.
In this provocative collection, Kim Jensen gives voice to the struggle of those who seek love in a world saturated with brutality and aggression. The concise lyrics in Bread Alone condemn the violence in Iraq, Palestine, and Lebanon, while exploring the intimate consequences of these and other injustices. Darkly humorous, grotesque, sorrowful, outraged, and sometimes poignantly hopeful, Jensen’s poems possess a strange beauty and remind us of the key purposes of poetry—to warn and to revive our sense of conscience and connection.
The Selected Poems of Hava Pinhas-Cohen
Raised in a Ladino-speaking family of Bulgarian Jewish immigrants, Pinhas- Cohen fuses the ancient Sephardic chant of her childhood with the contemporary rhythm of Israeli life. This singular talent for bridging the ancient and the modern sets her apart from most other Hebrew poets of her generation. Secular in style and spirit, yet rooted in the life cycle of religious Judaism, Pinhas- Cohen’s poems portray everyday life in modern Israel through a sacred yet personal language. Awarded the coveted Prime Minister’s Prize for her poetry, Pinhas-Cohen is a poet whose verse in English translation is long overdue. This bilingual collection offers readers a careful selection of poems from each of her seven published volumes. Hart-Green has worked closely with the poet herself on these translations, several of which have appeared in journals such as the Jewish Quarterly and the Toronto Journal of Jewish Thought. Her lively translations display the dazzling breadth and depth of Pinhas-Cohen’s oeuvre, making Bridging the Divide not only the first but the definitive English-language edition of this vital Hebrew poet’s work.
In the first of two volumes, Anastasiou offers a detailed portrait of Cyprus’s dual nationalisms, identifying the ways in which nationalist ideologies have undermined the relations between Greek and Turkish Cypriots. In the context of regional and global conflicts, he demonstrates how the ethnic rivalry was largely engineered by the leaders of each community and consolidated by the nationalist configuration of political culture. Taking a multilevel approach, he maps out the impasse and changes in ethnonationalism over time.
In the second volume, Anastasiou focuses on emergent post-nationalist trends, their implications for peace, and recent attempts to reach mutually acceptable agreements between Greek and Turkish Cypriots. He documents the transformation of Greece, Cyprus, and Turkey within the context of Europeanization and globalization. While leaders of both communities have failed to resolve the conflict, Anastasiou argues that the accession of Cyprus into the European Union has created a structure and process that promises a multiethnic, democratic Cyprus. With great depth and balance, The Broken Olive Branch presents a fresh analysis of the Cyprus conflict and new insights on the influence of nationalism.
In the years between the two world wars, the Jewish community of Poland—the largest in Europe—was the cultural heart of the Jewish diaspora. The Jewish Workers’ Bund, which had a socialist, secularist, Yiddishist, and anti-Zionist orientation, won a series of important electoral battles in Poland on the eve of the Second World War and became a major political party. While many earlier works on the politics of Polish Jewry have suggested that Bundist victories were not of lasting significance or attributable to outside forces, Jack Jacobs argues convincingly that the electoral success of the Bund was linked to the work of the constellation of cultural and other organizations revolving around the party. The Bund offered its constituents innovative, highly attractive, programs and a more enlightened perspective: from new sexual mores to sporting organizations and educational institutions. Drawing on meticulously researched archival materials, Jacobs shows how the growth of these successful programs translated into a stronger, more robust party. At the same time, he suggests the Bund’s limitations, highlighting its failed women’s movement. Jacobs provides a fascinating account of this countercultural movement and a thoughtful revision to the accepted view.