In the second volume, Anastasiou focuses on emergent post-nationalist trends, their implications for peace, and recent attempts to reach mutually acceptable agreements between Greek and Turkish Cypriots. He documents the transformation of Greece, Cyprus, and Turkey within the context of Europeanization and globalization. While leaders of both communities have failed to resolve the conflict, Anastasiou argues that the accession of Cyprus into the European Union has created a structure and process that promises a multiethnic, democratic Cyprus. With great depth and balance, The Broken Olive Branch presents a fresh analysis of the Cyprus conflict and new insights on the influence of nationalism.

In the years between the two world wars, the Jewish community of Poland—the largest in Europe—was the cultural heart of the Jewish diaspora. The Jewish Workers’ Bund, which had a socialist, secularist, Yiddishist, and anti-Zionist orientation, won a series of important electoral battles in Poland on the eve of the Second World War and became a major political party. While many earlier works on the politics of Polish Jewry have suggested that Bundist victories were not of lasting significance or attributable to outside forces, Jack Jacobs argues convincingly that the electoral success of the Bund was linked to the work of the constellation of cultural and other organizations revolving around the party. The Bund offered its constituents innovative, highly attractive, programs and a more enlightened perspective: from new sexual mores to sporting organizations and educational institutions. Drawing on meticulously researched archival materials, Jacobs shows how the growth of these successful programs translated into a stronger, more robust party. At the same time, he suggests the Bund’s limitations, highlighting its failed women’s movement. Jacobs provides a fascinating account of this countercultural movement and a thoughtful revision to the accepted view.

Set during the Lebanese civil war, this novel chronicles the splintering of the Al-Mukhtars, a Lebanese family whose love and trust for one another is strained by the increasing economic, social, and psychological tensions that surround them. Huda, feeling helpless as a housewife, pursues a career as a university professor and immerses herself in her work and students. Sharif, trapped in a static bureaucratic position, begins to resent his wife’s success and slowly withdraws from his family. When their marriage dissolves, the couple fight over the custody of their adolescent daughter. In a patriarchal society that favors the rights of the father, Huda is powerless as her daughter is taken from her. Through the author’s use of flashbacks, the reader witnesses the stark contrast between the young, idealistic couple and the older husband and wife, who have become increasingly isolated and disillusioned.

Brings together Charlotte Perkins Gilman's first collection of poetry alongside 79 previously uncollected verses.

A comprehensive collection of best short fiction by the three classic Yiddish authors.

In this collection, Joyce experts from around the world have collaborated with one another to produce a set of essays that stage or result from dialogue between different points of view. The result is a sequence of lively discussions about Joyce’s most accessible and widely read set of vignettes about Dublin life at the turn of the century.

Offers a wide overview of the Sephardic presence in North and South America through eleven essays discussing culture, history, literature, language, religion and music.

As a resident of Aden for more than three years spanning the late years of Marxist South Yemen, Dahlgren presents the reader with an intimate portrait of Yemeni men and women in the home, in the factory, in the office, and in the street, demonstrating that Islamic societies must be understood through a multiplicity of social spheres and morality orders. Within each space, she examines the range of legal, political, religious, and social regulations that frame gender relations and social dynamics. Highlighting the diversity of women’s and men’s positions as a continuum rather than as distinct areas, Dahlgren presents a vivid picture of this dynamic society, providing an in-depth background to today’s political upheavals in Yemen.

A year after her husband’s death in a sailing accident off Martha’s Vineyard, Ellen Boisvert bumps into an old friend. In this chance encounter, she discovers that her immigrant husband of almost fifteen years was not an orphan after all. Instead, his aged mother Jo is alive and residing on the family’s isolated farm in the west of Ireland. Faced with news of her mother-in-law incarnate, the thirty-nine-year-old American prep school teacher decides to travel to Ireland to investigate the truth about her husband Fintan and why he kept his family’s existence a secret for so many years. Between Jo’s hilltop farm and the lakeside village of Gowna, Ellen begins to uncover the mysteries of her Irish husband’s past and the cruelties and isolation of his rural childhood. Ellen also stumbles upon Fintan’s long-ago romance with a local village woman, with whom he had a daughter, Cat. Cat is now fourteen and living with her mother in London. As Ellen reconciles her troubled relationship with Fintan, she discovers a way to heal the wounds of the past.

The lasting charm of Kaufman’s stories lies in a delightful mix of personal incidents and observations set against an anchoring backdrop of cultural tradition. His new collection is filled with tales from his parents’ homeland in the Ukraine, his own childhood reminiscences, and his adult travels. We watch the young author forced alongside "every Jewish boy on the block" to emulate Yehudi Menuhin on a ten-dollar violin with a moldy bow until the boy is spared by an innate lack of talent and his father’s judgment of his concert: "Enough is enough is more than enough." Kaufman is carefully attuned to the awkwardness of adulthood as well as to that of early adolescence. In "Interlude in Bangkok," his narrator scours the city for a synagogue while pursued by a prostitute. Later he and a friend encounter Greta Garbo in a museum café and are too frightened to approach her. "I am not she," intones the mysterious movie star, and in his own way, Kaufman says that of himself in these stories through an autobiograp