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America in the Forties is a readable and concise narrative that tells the story of the forties in the United States. The book argues that the forties were an important period in American life, shaped by charismatic, brilliant, and sometimes controversial leaders. It traces the entire decade from the first stirrings of war in a nation consumed by the Great Depression to fights with Europe and Japan and through the start of the Cold War and the dawn of the atomic age.
This book is a survey treatment of the 1990s. The trajectory of the narrative follows from the fall of the Berlin Wall in 1989 to the terrorist attacks of September 11, 2001. This book seeks to give a voice to historically marginalized communities, while providing an overview of the 1990s. The analysis includes examinations of: the end of the 1980s, America’s War in the Gulf, Bush’s domestic agenda; The 1992 Campaign, Clinton’s domestic agenda; The United States and genocide; globalization; science and technology; pop culture; race relations; LGBT and women’s right; and the scandals of the Clinton Administration. The book strikes the balance between providing an analysis of the 1990s, while providing the reader with basic key information about the decade. This book is one of the first of its kind to examine the whole decade and while providing an analysis on a multitude of subjects.
Greene sketches the well-known players of the period—John F. Kennedy, Lyndon B. Johnson, Martin Luther King Jr., Malcolm X, and Betty Friedan—bringing each to life with subtle detail. He introduces the reader to lesser-known incidents of the decade and offers fresh and persuasive insights on many of its watershed events. Greene argues that the civil rights movement began in 1955 following the death of Emmett Till; that many accomplishments credited to Kennedy were based upon myth, not historical fact, and that his presidency was far from successful; that each of the movements of the period—civil rights, students, antiwar, ethnic nationalism—were started by young intellectuals and eventually driven to failure by activists who had different goals in mind; and that the "counterculture," which has been glorified in today’s media as a band of rock-singing hippies, had its roots in some of the most provocative social thinking of the postwar period. Greene chronicles the decade in a thematic manner, devoting individual chapters to such subjects as the legacy of the fifties, the Kennedy and Johnson administrations, the civil rights movements, and the war in Vietnam. Combining an engrossing narrative with intelligent analysis, America in the Sixties enriches our understanding of that pivotal era.
As the newest addition to the America in the Twentieth Century series, this book explores the complexity of America in what is considered its darkest era of the century. The decade stood in stark contrast to the carefree, happy-go-lucky days of the Roaring Twenties when prosperity appeared endless. The Stock Market Crash in October 1929 and the economic collapse it unleashed threatened the very foundations of America’s economic, political, and social institutions. The ecological disaster produced by the Dust Bowl ravaging the Great Plains only added to the suffering and misery. Yet the decade was not just one mired in complete disorder. The 1930s were also a vibrant period of innovation, transformation, and in some cases, even optimism. Politics, beginning with Herbert Hoover and continuing with Franklin Roosevelt, underwent a fundamental transformation, ushering in an activist state and firmly establishing the idea that through prudent federal policies, it was not only possible to orchestrate an economic recovery but also to prevent future economic downturns. Workers, African Americans, ethnic Americans, and women responded to the era’s challenges through their newfound political voice in Roosevelt’s New Deal and through the institutions and communities they created to alleviate their suffering. Culturally, the 1930s also proved to be a boon to America, ushering in the Golden Age of Hollywood as millions of Americans looked to movies as a momentary refuge from their daily plight. For all the hardship and despair of the 1930s, there was also a vitality that defined the decade.
A Cultural History
There is no better way to understand America than by understanding the cultural history of the American Dream. Rather than just a powerful philosophy or ideology, the Dream is thoroughly woven into the fabric of everyday life, playing a vital role in who we are, what we do, and why we do it. No other idea or mythology has as much influence on our individual and collective lives. Tracing the history of the phrase in popular culture, Samuel gives readers a field guide to the evolution of our national identity over the last eighty years. Samuel tells the story chronologically, revealing that there have been six major eras of the mythology since the phrase was coined in 1931. Relying mainly on period magazines and newspapers as his primary source material, the author demonstrates that journalists serving on the front lines of the scene represent our most valuable resource to recover unfiltered stories of the Dream. The problem, however, is that it does not exist, the Dream is just that, a product of our imagination. That it is not real ultimately turns out to be the most significant finding about the American Drea, and what makes the story most compelling.
American Jewish Political Culture and the Liberal Persuasion begins with the historical background of American Jewish politics before delving into old roots and then moving onto a thematic understanding of American Jewry’s political psyche. This exhaustive work answers the grand question of where American Jewish liberalism comes from and ultimately questions whether the communal motivations behind such behavior are strong enough to withstand twenty-first-century America.
In this work, Hazo casts his eye back upon a career devoted to poetry. With works that are arranged loosely under the themes of love, family, and aging, this volume affirms Hazo’s status as one of the most compelling and enduring poets of his generation. Poems appearing in this collection include works which have appeared in the Hudson Review, Prairie Schooner, the New York Times, and the Saturday Review.
More than fifty years ago, Thomas Szasz showed that the concept of mental illness—a disease of the mind—is an oxymoron, a metaphor, a myth. Disease, in the medical sense, affects only the body. He also demonstrated that civil commitment and the insanity defense, the paradigmatic practices of psychiatry, are incompatible with the political values of personal responsibility and individual liberty. The psychiatric establishment’s rejection of Szasz’s critique posed no danger to his work: its defense of coercions and excuses as "therapy" supported his argument regarding the metaphorical nature of mental illness and the transparent immorality of brutal psychiatric control masquerading as humane medical care.
Trauma, Authorship, and the Diaspora in Arab Women's Writings
Far from offering another study that bemoans Arab women’s repression and veiling, Anxiety of Erasure looks at Arab women writers living in the diaspora who have translated their experiences into a productive and creative force. In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw’udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland. Al-Samman presents close readings of the fiction of five prominent authors whose works span over half a century and define the current status of Arab diaspora studies—Ghada al-Samman, Hanan al-Shaykh, Hamida al-Na‘na‘, Hoda Barakat, Samar Yazbek, and Salwa al-Neimi. Exploring the journeys in time and space undertaken by these women, Anxiety of Erasure shines a light on the ways in which writers remain participants in their homelands’ intellectual lives, asserting both the traumatic and the triumphant aspects of diaspora. The result is a nuanced Arab women’s poetic that celebrates rootlessness and rootedness, autonomy and belonging.
Gender Violence and Belonging
In this collection, Arab and Arab American feminists enlist their intimate experiences to challenge simplistic and long-held assumptions about gender, sexuality, and commitments to feminism and justice-centered struggles. Contributors hail from multiple geographical sites, spiritualities, occupations, sexualities, class backgrounds, and generations. Poets, creative writers, artists, scholars, and activists employ a mix of genres to express feminist issues and highlight how Arab and Arab American feminist perspectives simultaneously inhabit multiple, overlapping, and intersecting spaces: within families and communities; in anticolonial and antiracist struggles; in debates over spirituality and the divine; within radical, feminist, and queer spaces; in academia and on the street; and between each other. Contributors explore themes as diverse as the intersections between gender, sexuality, Orientalism, racism, Islamophobia, and Zionism, and the restoration of Arab Jews to Arab American histories. This book asks how members of diasporic communities navigate their sense of belonging when the country in which they live wages wars in the lands of their ancestors. Arab and Arab American Feminisms opens up new possibilities for placing grounded Arab and Arab American feminist perspectives at the center of gender studies, Middle East studies, American studies, and ethnic studies.