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Revolution in the Ethics of Warfare
Awakening Warrior argues for a revolution in the ethics of warfare for the American War Machine—those political and military institutions that engage the world with physical force. Timothy L. Challans focuses on the systemic, institutional level of morality rather than bemoaning the moral shortcomings of individuals. He asks: What are the limits of individual moral agency? What kind of responsibility do individuals have when considering institutional moral error? How is it that neutral or benign moral actions performed by individuals can have such catastrophic morally negative effects from a systemic perspective? Drawing upon and extending the ethical theories of Kant, Dewey, and Rawls, Challans makes the case for an original set of moral principles to guide ethical action on the battlefield. “…[Challans’s] call for reformation combined with a demand for a new set of moral principles to govern the ethical behavior on the battlefield is certain to garner the attention and ire of many readers and military leaders.” — Parameters “This is an important book that needs to be read and taken seriously. If it is, it could be as revolutionary as its subtitle suggests.” — CHOICE
B’nai B’rith has a history almost as diverse as the story of American Jewry itself. The oldest secular Jewish organization in the United States, it was founded in 1843. Thereafter, it followed in the footsteps of its immigrant founders, spreading into the cities, towns, and villages of America, eventually becoming the worldwide order it is today.
Infamy, Darkness, Evil, and Slime on Screen
Violence and corruption sell big, especially since the birth of action cinema, but even from cinema’s earliest days, the public has been delighted to be stunned by screen representations of negativity in all its forms—evil, monstrosity, corruption, ugliness, villainy, and darkness. Bad examines the long line of thieves, rapists, varmints, codgers, dodgers, manipulators, exploiters, conmen, killers, vamps, liars, demons, cold-blooded megalomaniacs, and warmhearted flakes that populate cinematic narrative. From Nosferatu to The Talented Mr. Ripley, the contributors consider a wide range of genres and use a variety of critical approaches to examine evil, villainy, and immorality in twentieth-century film.
Selected Poems of Matsuo Basho
Bashoµ’s Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashoµ (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashoµ is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashoµ rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill’s brilliant book strives for literal translations of Bashoµ’s work, arranged chronologically in order to show Bashoµ’s development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashoµ to contemporary American literature and environmental thought.
The Literary Prose of Matsuo Basho
In Bashoµ’s Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashoµ’s literary prose, as well as a companion piece to his previous translation, Bashoµ’s Haiku. One of the world’s greatest nature writers, Bashoµ (1644–1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashoµ’s travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashoµ was the first master of haibun, short poetic prose sketches that usually included haiku. As he did in Bashoµ’s Haiku, Barnhill arranges the work chronologically in order to show Bashoµ’s development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill’s introduction presents an overview of Bashoµ’s prose and discusses the significance of nature in this literary form, while also noting Bashoµ’s significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.
Between a Rock and a Hard Place
This timely and compelling ethnography examines the impact of welfare reform on women seeking to escape domestic violence. Dána-Ain Davis profiles twenty-two women, thirteen of whom are Black, living in a battered women’s shelter in a small city in upstate New York. She explores the contradictions between welfare reform’s supposed success in moving women off of public assistance and toward economic self-sufficiency and the consequences welfare reform policy has presented for Black women fleeing domestic violence. Focusing on the intersection of poverty, violence, and race, she demonstrates the differential treatment that Black and White women face in their entanglements with the welfare bureaucracy by linking those entanglements to the larger political economy of a small city, neoliberal social policies, and racialized ideas about Black women as workers and mothers.
At dawn on January 29, 1863, Union-affiliated troops under the command of Col. Patrick Connor were brought by Mormon guides to the banks of the Bear River, where, with the tacit approval of Abraham Lincoln, they attacked and slaughtered nearly three hundred Northwestern Shoshoni men, women, and children. Evidence suggests that, in the hours after the attack, the troops raped the surviving women—an act still denied by some historians and Shoshoni elders. In exploring why a seminal act of genocide is still virtually unknown to the U.S. public, Kass Fleisher chronicles the massacre itself, and investigates the National Park Service’s proposal to create a National Historic Site to commemorate the massacre—but not the rape. When she finds herself arguing with a Shoshoni woman elder about whether the rape actually occurred, Fleisher is forced to confront her own role as a maker of this conflicted history, and to examine the legacy of white women “busybodies.”
Yiddish and Polish Poetry in the Ghettos and Concentration Camps
This book is a pioneering study of Yiddish and Polish-Jewish concentration camp and ghetto poetry. It reveals the impact of the immediacy of experience as a formative influence on perception, response, and literary imagination, arguing that literature that is contemporaneous with unfolding events offers perceptions different from those presented after the fact.