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The Artistic Journey of Eugene Thomason
A product of the industrialized New South, Eugene Healan Thomason (1895–1972) made the obligatory pilgrimage to New York to advance his art education and launch his career. Like so many other aspiring American artists, he understood that the city offered unparalleled personal and professional opportunities—prestigious schools, groundbreaking teachers, and an intoxicating cosmopolitan milieu—for a promising young painter in the early 1920s. The patronage of one of the nation's most powerful tycoons afforded him entrance to the renowned Art Students League, where he fell under the influence of the leading members of the Ashcan School, including Robert Henri, John Sloan, and George Luks. In all Thomason spent a decade in the city, adopting—and eventually adapting—the Ashcan movement's gritty realistic aesthetic into a distinctive regionalist style that used thick paint and simple subject matter. Eugene Thomason returned to the South in the early 1930s, living first in Charlotte, North Carolina, before settling in a small Appalachian crossroads called Nebo. For the next thirty-plus years, he mined the rural landscape's rolling terrain and area residents for inspiration, finding there an abundance of colorful imagery more evocative—and more personally resonant—than the urbanism of New York. Painting at the same time as such well-known Regionalists as Thomas Hart Benton and Grant Wood, Eugene Thomason embraced and convincingly portrayed his own region, becoming the visual spokesman for that place and its people.
Perspectives on a Contested History
Through a collection of essays, Fundamentalism: Perspectives on a Contested History explores the ways in which the concept of global fundamentalism does and does not illuminate developments in modern Christianity, Judaism, and Islam. At issue is whether, beyond the specific milieu of American Protestantism in the early decades of the twentieth century, the word ‘fundamentalism’ captures something important on a global scale that is not captured—or not as well—by other words. Readers will quickly discover that in exploring this issue the book is “at war with itself.” In Fundamentalism Simon A. Wood and David Harrington Watt have deliberately assembled a range of voices that is reflective of the broad spectrum of views scholars have offered on the topic, from those who find the concept not merely helpful but also important, those who have concerns about it but do not reject it, those who find that it has been misapplied in critical instances, and those who simply find it unhelpful and lacking in any meaningful specificity or content. While there are more than two perspectives presented, Wood and Watt identify two very broad groups of scholars from each end of the spectrum: those who find the concept illuminating and those who do not. The book does not privilege or advocate either of these positions, nor does it attempt to resolve the numerous problems that scholars on both sides of the debate have identified with the concept of global fundamentalism. Rather, it presents some of the key arguments on both sides of the contemporary debate. If it thereby provides readers with a sense of the current state of the discourse on fundamentalism it will have achieved its aim.
The Siege of Charleston, 1780
In 1779 Sir Henry Clinton and more than eight thousand British troops left the waters of New York, seeking to capture the colonies’ most important southern port, Charleston, South Carolina. Clinton and his officers believed that victory in Charleston would change both the seat of the war and its character. In this comprehensive study of the 1780 siege and surrender of Charleston, Carl P. Borick offers a full examination of the strategic and tactical elements of Clinton’s operations. Suggesting that the importance of the siege has been underestimated, Borick contends that the British effort against Charleston was one of the most critical campaigns of the war. Borick examines the reasons for the shift in British strategy, the efforts of their army and navy, and the difficulties the patriots faced as they defended the city. He explores the roles of key figures in the campaign, including Benjamin Lincoln, William Moultrie, and Lord Charles Cornwallis. Borick relies on an impressive array of primary and secondary sources relating to the siege and includes maps that depict the British approach to the city and the complicated military operations that led to the patriots’ greatest defeat of the American Revolution.
Prior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans. Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.
Once deemed "the most powerful man in the South," Charleston newspaper editor Frank Dawson met his violent death on March 12, 1889, at the hands of his neighbor, a disreputable doctor who was attempting to seduce the Dawson family governess. Drawn from events surrounding this infamous episode, the third novel from the Lillian Smith Award-winning William Baldwin pulls back the veil of a genteel society in a fabled southern city and exposes a dark visage of anger and secret pain that no amount of imposed manners could restrain, and only love might eventually heal. With a southern storyteller's passion for intricate emotional and physical details, Baldwin, through the fictional guise of Capt. David Lawton, chronicles editor Dawson's fated end. Having survived three years of bloody Civil War combat and the decade of violent Reconstruction that followed, the liberal-minded Lawton is now an embattled newspaperman whose national importance is on the wane. Still, he remains a celebrated member of Charleston's elite, while in private life moving amid a pantheon of proud and beautiful women—Sarah, his brilliant wife; Abbie, his sensual sister-in-law; Mary, the all-knowing prostitute; and Hélène, the discontented Swiss governess—each contributing to an unfolding drama of history-haunted turmoil. Though Lawton loathes the South's cult of personal violence, by the customs of his era and place he is duty-bound to protect his household. Unable to act otherwise, Lawton meets his rival in a brutal physical contest, and in the aftermath, Sarah, Abbie, Mary, and Hélène must make peace with their own turbulent pasts. War, earthquake, political guile, adultery, illegitimacy, lust, and murder—all the devices of gothic romance—play a role in this tale closely based on the lives of Charlestonians who lived these events over a century ago.
Rhetorical Education in Antiquity
Genuine Teachers of This Art examines the technê, or "handbook," tradition—which it controversially suggests began with Isocrates—as the central tradition in ancient rhetoric and a potential model for contemporary rhetoric. From this innovative perspective, Jeffrey Walker offers reconsiderations of rhetorical theories and schoolroom practices from early to late antiquity as the true aim of the philosophical rhetoric of Isocrates and as the distinctive expression of what Cicero called "the genuine teachers of this art." Through a study of the classical rhetorical paideia, or training system, Walker makes a case for considering rhetoric not as an Aristotelian critical-theoretical discipline, but as an Isocratean pedagogical discipline in which the art of rhetoric is neither an art of producing critical theory nor even an art of producing speeches and texts, but an art of producing speakers and writers. Walker grounds his study in pedagogical theses mined from revealing against-the-grain readings of Cicero, Isocrates, and Dionysius of Halicarnassus. Walker also locates supporting examples from a host of other sources, including Aelius Theon, Aphthonius, the Rhetoric to Alexander, the Rhetoric to Herennius, Quintilian, Hermogenes, Hermagoras, Lucian, Libanius, Apsines, the Anonymous Seguerianus, and fragments of ancient student writing preserved in papyri. Walker's epilogue considers the relevance of the ancient technê tradition for the modern discipline of rhetoric, arguing that rhetoric is defined foremost by its pedagogical enterprise, the project of producing rhetors capable of intelligent, effective, and useful civic engagement through speech and writing. This groundbreaking vision of the technê tradition significantly revises the standard picture of the ancient history of rhetoric with ramifications for the contemporary disciplinary identity of rhetoric itself.
A Southland as We Knew It
Veteran journalist and southern storyteller Tom Poland has been writing about the disappearing rural South for nearly four decades. With a companionable appreciation for nostalgia, preservation, humor, and wonder, Georgialina: A Southland as We Knew It brings to life once more the fading and often-forgotten unfiltered character of the South as Poland takes readers down back roads to old homeplaces, covered bridges, and country stores. He recalls hunting for snipes and for lost Confederate gold; the joys of beach music, the shag, and cruising Ocean Drive; and the fading traditions of sweeping yards with homemade brooms, funeral processions, calling catfish, and other customs of southern heritage and history. Peppered with candid memoir, Georgialina also introduces readers to a host of quirky and memorable characters who have populated the southland of Poland’s meanderings. As commercialization, homogenization, and relocation have slowly altered distinctive regions of the country, making all places increasingly similar, southern traditions have proven to be more resilient than most. But Poland notes that many elements that once defined day-to-day life in the South are now completely foreign to contemporary generations. Set primarily in Poland’s native Georgia and adopted home of South Carolina, his tales of bygone times resonate across a recognizably southern landscape and faithfully recall the regional history and lore that have defined the South for generations as a place uniquely its own for natives, newcomers, and visitors.
This collection of supernatural tales includes "The Talking Corpse"; "The Hound of Goshen"; "The Ring"; "The Phantom Rider of Bush River"; "The Witch Cat"; "The Gray Man"; "Tsali, the Cherokee Brave"; "The Ghost of Litchfield"; "City of Death"; "Treasure Hunt"; "House of the Opening Door"; "The Ghosts of Hagley"; "Return from the Dead"; "Whistle While You Haunt"; "The Brown Mountain Lights"; "Alice of the Hermitage"; "The Night the Spirits Called"; and "Swamp Girl".
Roberts writes stories from a wide variety of locations: "Night of the Hunt" in Hendersonville, North Carolina; "Return of the Bell Witch" in Adams, Tennessee; "The Shenandoah Stage" in New Market, Virginia; "Chain Gang Man" in Decatur, Alabama; "Fort Mountain" in Fort Mountain, Georgia; "Laura" in Campbellsville, Kentucky; "The Coming of the Demon" in Middleway, West Virginia.
Enlarged Edition, Including Five Never-Before-Published Stories
Once deemed the "custodian of the twilight zone" by Southern Living, celebrated storyteller and ghost hunter Nancy Roberts returns to familiar subject matter in this newly expanded edition of her Ghosts of the Wild West, a finalist for the Spur Award of the Western Writers of America in its original edition. In these seventeen ghostly tales—including five new stories—Roberts expertly guides readers through eerie encounters and harrowing hauntings across Kansas, Montana, Wyoming, Colorado, Arizona, New Mexico, Texas, and the Dakotas. Along the way her accounts intersect with the lives (and afterlives) of legendary figures such as Wild Bill Hickok, Wyatt Earp, Bat Masterson, and Doc Holliday. Roberts also justifies the fascination among ghost hunters, folklorists, and interested tourists with notoriously haunted locales such as Deadwood, Tombstone, and Abilene through her tales of paranormal legends linked to these gunslinger towns synonymous with violence and vice in Western lore. But not all of these encounters feature frightening specters or wandering souls. Roberts also details episodes of animal spirits, protective presences, and supernatural healings. Forever destined to be associated with adventure, romance, and risk taking, the Wild West of yore still haunts the American imagination. Roberts reminds us here that our imaginations aren't the only places where restless ghosts still roam.