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Novelist Walker Percy once said that the only remaining unexplored territory in southern literature was the Jewish southerner. Famous all over Town, the first novel from southern storyteller Bernie Schein, stakes a claim on Percy’s unexplored terrain with a comically candid multigenerational account of two Jews, a lowcountry native and a northern transplant, at the epicenter of momentous events in the sleepy southern coastal hamlet of Somerset, a fictitious stand-in for Schein’s native Beaufort, South Carolina. Schein’s diverse and memorable cast includes southern Jewish lawyer Murray Gold and his foil, displaced New York psychiatrist Bert Levy; emotionally scarred USMC drill sergeant Jack McGowan and his alluring and unconventional wife, Mary Beth; corrupt and adulterous sheriff Hoke Cooley, his deeply conservative wife, Regina, and their violent son, Boonie; African American madam and later city councilwoman Lila Trulove (also Hoke’s mistress), her brilliant daughter, Elizabeth, and her conflicted Harvard-bound son, Driver; fallen southern belle turned voice of a generation Arlanne Palmer; remorseful Vietnam veteran and flamboyant transvestite Royal Cunningham; and inspirational schoolteacher Pat Conroy. Famous all over Town also uses its web of interconnected storylines to make its setting, the eponymous town itself, a central character with a personality and an arc as complete as that of any other member of the deftly rendered cast. Delving beneath the surface of the southern status quo, Schein’s tale follows these interconnected lives through the private and public upheavals in small-town life from the turbulent 1960s to the eve of the new millennium, confronting the ramifications of the civil rights era, Vietnam, Watergate, and—closer to home—a deadly version of the infamous Ribbon Creek incident. Somerset’s colorful citizens also confront their own repressed memories, conflicted identities, burgeoning ambitions, and romantic entanglements. Even as events unfold to often-uproarious effect, Schein’s novel holds true to a deeply realized sense of intimacy and authenticity in the interactions of its myriad characters as revelations expose how these disparate lives are conjoined in surprising ways. Shifting points of view place readers squarely in the mindsets of many of Somerset’s key citizens as Schein lovingly and laughingly invites us to reconsider what it means in the modern south to be white, black, Jewish, Christian, military, civilian, sane, insane, old, young, male, female, gay, and straight—and to be of a place rather than merely in it. Best-selling southern novelist and self-described “Florida cracker” Janis Owens, author of American Ghost, The Cracker Kitchen, and other books, provides a foreword.
On a placid Blue Ridge mountain lake on Labor Day Weekend in 1935, three locals sightseeing in an overloaded boat drown, and the cotton mill scion who owns the lake is indicted for their murders. Decades later Ben Crocker--witness to and reluctant participant in the aftermath of this long-forgotten tragedy--is drawn once more into the morally ambiguous world of mill fortunes and foothills justice. The son of mill workers in Carlton, South Carolina, Crocker is caught between competing loyalties to his family and future. Crocker wanted more than a rough-hewn life on a factory floor, so he studied accounting at the local textile institute and was hired as bookkeeper to the owner, George McCane, a man as burdened by his familial ties as Crocker and even less prepared for the authority of his mantel. McCane's decision to renovate the Carlton Mill and lay off families connected to the Uprising of '34, one of the largest labor strikes in U.S. history, puts Crocker in the ill-fitting position as his boss's enforcer. Days after the evictions, the surprise indictment lands McCane in a North Carolina mountain jail and sinks Crocker even deeper into the escalating tensions between mill workers and the owners. While traversing mountain communities in McCane's defense, Crocker must also manage the forced renovation of the Carlton Mill, negotiate with labor organizers led by local hero Olin Campbell, collaborate with McCane's besotted brother, Angus, and fend off his father's and wife's skepticism of his own social aspirations. Hanging distractingly over Crocker's upended life is his burgeoning infatuation with Novie Moreland--the young widow of one of those McCane is accused of killing. Though unrequited, Croker's relationship with Novie proves to be a beacon of hope amid the shadows of political and social machinations in the darkest chapter in his long life. As the union retaliates and the McCane murder trial is settled, it is uncertain who the winners and losers have been in this generational clash of workers and owners, labor and capital, those tied to the land and its people and those who exploit both. When Crocker looks back from 1988 at these two crucial years in his life in the mid-1930s, he is left to wonder if he did right by himself and those closest to him. Against all better judgment, Crocker knows he must seek out Novie Moreland once more if he is ever to find closure with the past.
"Lord, I'm glad I'm a hermit novelist," Flannery O'Connor wrote to a friend in 1957. Sequestered by ill health, O'Connor spent the final thirteen years of her life on her isolated family farm in rural Georgia. During this productive time she developed a fascination with fourth-century Christians who retreated to the desert for spiritual replenishment and whose isolation, suffering, and faith mirrored her own. In Flannery O'Connor, Hermit Novelist, Richard Giannone explores O'Connor's identification with these early Christian monastics and the ways in which she infused her fiction with their teachings. Surveying the influences of the desert fathers on O'Connor's protagonists, Giannone shows how her characters are moved toward a radical simplicity of ascetic discipline as a means of confronting both internal and worldly evils while being drawn closer to God. Artfully bridging literary analysis, O'Connor's biography, and monastic writings, Giannone's study explores O'Connor's advocacy of self-denial and self-scrutiny as vital spiritual weapons that might be brought to bear against the antagonistic forces she found rampant in modern American life.
A Memoir of Travel
"I fly to faraway places in the hopes of finding the distinguishing thing. The frequent flier miles are a bonus." With a title borrowed from Samuel Johnson, insatiable globe-trotter Russell Fraser fondly recalls his travels in China, Peru, Italy, France, Russia, Scotland, the Persian Gulf, and the Antarctic in this series of meditations on the distinguishing elements of culture and history found in far-flung locales. Fraser establishes himself as a knowledgeable guide who combines an intimate familiarity with local history, a keen eye for culture, a companionable wit, and a penchant for speculation about the grip of the past on the present. Fraser's fascination with people leads him to banter and at times to argue with locals in his quest to discern the peculiarities of a given place, be it a communist training school near Milan or the best bar in St. Petersburg. His grand appreciation for discoveries that can be made only through travel is apparent in every poetically phrased description and artfully reconstructed dialogue. Fraser begins each essay with an autobiographical passage before turning to the place and moment at hand. This technique establishes camaraderie with our learned, informative, and entertaining guide as we walk deserts and frozen plains, Old World neighborhoods and Far Eastern danger zones, the lobbies of plush new hotels and the aisles of centuries-old cathedrals. In his ruminations, Fraser circles strategically between personal and global pasts—traveling in time as well as space—to put our modernity in perspective and to ponder facets of human experience found amid the regions he describes so vividly. The heart of Fraser's memoir is a two-chapter sequence devoted to meandering through his ancestral homeland of Scotland, a narrative that ably couples family history and travelogue. In the concluding essay, the author's adventure in Antarctica parallels a trip taken decades earlier by his great-grandfather Alexander V. Fraser, the first commander of the U.S. Coast Guard, and again he deftly juxtaposes the personal with the global and the past with the present. As Fraser advocates for the existence and importance of timeless truths about all corners of the world, he makes even the roughest of environments seem intriguingly beautiful with crystal clear prose evocative of the times and places through which he moves. His tales are peppered with the anecdotes, asides, and well-chosen quotations of a traveler steeped in knowledge of the world's history and its literature. A veteran of these escapades, Fraser uses his experience to hone his observations into a special brand of truth that comes from one who is equally adept at wandering the world and sharing authentic accounts of those sensational travels. From China to Peru is a welcoming invitation to traverse the globe, if only through the insightful memories of one well-versed in such passages.
The Artistic Journey of Eugene Thomason
A product of the industrialized New South, Eugene Healan Thomason (1895–1972) made the obligatory pilgrimage to New York to advance his art education and launch his career. Like so many other aspiring American artists, he understood that the city offered unparalleled personal and professional opportunities—prestigious schools, groundbreaking teachers, and an intoxicating cosmopolitan milieu—for a promising young painter in the early 1920s. The patronage of one of the nation's most powerful tycoons afforded him entrance to the renowned Art Students League, where he fell under the influence of the leading members of the Ashcan School, including Robert Henri, John Sloan, and George Luks. In all Thomason spent a decade in the city, adopting—and eventually adapting—the Ashcan movement's gritty realistic aesthetic into a distinctive regionalist style that used thick paint and simple subject matter. Eugene Thomason returned to the South in the early 1930s, living first in Charlotte, North Carolina, before settling in a small Appalachian crossroads called Nebo. For the next thirty-plus years, he mined the rural landscape's rolling terrain and area residents for inspiration, finding there an abundance of colorful imagery more evocative—and more personally resonant—than the urbanism of New York. Painting at the same time as such well-known Regionalists as Thomas Hart Benton and Grant Wood, Eugene Thomason embraced and convincingly portrayed his own region, becoming the visual spokesman for that place and its people.
Perspectives on a Contested History
Through a collection of essays, Fundamentalism: Perspectives on a Contested History explores the ways in which the concept of global fundamentalism does and does not illuminate developments in modern Christianity, Judaism, and Islam. At issue is whether, beyond the specific milieu of American Protestantism in the early decades of the twentieth century, the word ‘fundamentalism’ captures something important on a global scale that is not captured—or not as well—by other words. Readers will quickly discover that in exploring this issue the book is “at war with itself.” In Fundamentalism Simon A. Wood and David Harrington Watt have deliberately assembled a range of voices that is reflective of the broad spectrum of views scholars have offered on the topic, from those who find the concept not merely helpful but also important, those who have concerns about it but do not reject it, those who find that it has been misapplied in critical instances, and those who simply find it unhelpful and lacking in any meaningful specificity or content. While there are more than two perspectives presented, Wood and Watt identify two very broad groups of scholars from each end of the spectrum: those who find the concept illuminating and those who do not. The book does not privilege or advocate either of these positions, nor does it attempt to resolve the numerous problems that scholars on both sides of the debate have identified with the concept of global fundamentalism. Rather, it presents some of the key arguments on both sides of the contemporary debate. If it thereby provides readers with a sense of the current state of the discourse on fundamentalism it will have achieved its aim.
The Siege of Charleston, 1780
In 1779 Sir Henry Clinton and more than eight thousand British troops left the waters of New York, seeking to capture the colonies’ most important southern port, Charleston, South Carolina. Clinton and his officers believed that victory in Charleston would change both the seat of the war and its character. In this comprehensive study of the 1780 siege and surrender of Charleston, Carl P. Borick offers a full examination of the strategic and tactical elements of Clinton’s operations. Suggesting that the importance of the siege has been underestimated, Borick contends that the British effort against Charleston was one of the most critical campaigns of the war. Borick examines the reasons for the shift in British strategy, the efforts of their army and navy, and the difficulties the patriots faced as they defended the city. He explores the roles of key figures in the campaign, including Benjamin Lincoln, William Moultrie, and Lord Charles Cornwallis. Borick relies on an impressive array of primary and secondary sources relating to the siege and includes maps that depict the British approach to the city and the complicated military operations that led to the patriots’ greatest defeat of the American Revolution.
Prior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans. Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.
Once deemed "the most powerful man in the South," Charleston newspaper editor Frank Dawson met his violent death on March 12, 1889, at the hands of his neighbor, a disreputable doctor who was attempting to seduce the Dawson family governess. Drawn from events surrounding this infamous episode, the third novel from the Lillian Smith Award-winning William Baldwin pulls back the veil of a genteel society in a fabled southern city and exposes a dark visage of anger and secret pain that no amount of imposed manners could restrain, and only love might eventually heal. With a southern storyteller's passion for intricate emotional and physical details, Baldwin, through the fictional guise of Capt. David Lawton, chronicles editor Dawson's fated end. Having survived three years of bloody Civil War combat and the decade of violent Reconstruction that followed, the liberal-minded Lawton is now an embattled newspaperman whose national importance is on the wane. Still, he remains a celebrated member of Charleston's elite, while in private life moving amid a pantheon of proud and beautiful women—Sarah, his brilliant wife; Abbie, his sensual sister-in-law; Mary, the all-knowing prostitute; and Hélène, the discontented Swiss governess—each contributing to an unfolding drama of history-haunted turmoil. Though Lawton loathes the South's cult of personal violence, by the customs of his era and place he is duty-bound to protect his household. Unable to act otherwise, Lawton meets his rival in a brutal physical contest, and in the aftermath, Sarah, Abbie, Mary, and Hélène must make peace with their own turbulent pasts. War, earthquake, political guile, adultery, illegitimacy, lust, and murder—all the devices of gothic romance—play a role in this tale closely based on the lives of Charlestonians who lived these events over a century ago.
Rhetorical Education in Antiquity
Genuine Teachers of This Art examines the technê, or "handbook," tradition—which it controversially suggests began with Isocrates—as the central tradition in ancient rhetoric and a potential model for contemporary rhetoric. From this innovative perspective, Jeffrey Walker offers reconsiderations of rhetorical theories and schoolroom practices from early to late antiquity as the true aim of the philosophical rhetoric of Isocrates and as the distinctive expression of what Cicero called "the genuine teachers of this art." Through a study of the classical rhetorical paideia, or training system, Walker makes a case for considering rhetoric not as an Aristotelian critical-theoretical discipline, but as an Isocratean pedagogical discipline in which the art of rhetoric is neither an art of producing critical theory nor even an art of producing speeches and texts, but an art of producing speakers and writers. Walker grounds his study in pedagogical theses mined from revealing against-the-grain readings of Cicero, Isocrates, and Dionysius of Halicarnassus. Walker also locates supporting examples from a host of other sources, including Aelius Theon, Aphthonius, the Rhetoric to Alexander, the Rhetoric to Herennius, Quintilian, Hermogenes, Hermagoras, Lucian, Libanius, Apsines, the Anonymous Seguerianus, and fragments of ancient student writing preserved in papyri. Walker's epilogue considers the relevance of the ancient technê tradition for the modern discipline of rhetoric, arguing that rhetoric is defined foremost by its pedagogical enterprise, the project of producing rhetors capable of intelligent, effective, and useful civic engagement through speech and writing. This groundbreaking vision of the technê tradition significantly revises the standard picture of the ancient history of rhetoric with ramifications for the contemporary disciplinary identity of rhetoric itself.