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Part travelogue, part psychological self-study, Sam Pickering's Edinburgh Days, or Doing What I Want to Do is an open invitation to be led on a walking tour of Scotland's capital as well as through the labyrinth of the guide's swerving moods and memories. Along the way readers discern as much from Pickering's sensual observations of Scottish lives and landmarks as they do about what befalls the curious mind of an intellectual removed from the relations and responsibilities that otherwise delineate his days. Pickering spent the winter and spring of 2004 on a fellowship at the Institute for Advanced Studies in the Humanities at the University of Edinburgh, making his return to the city after a forty-year absence. Edinburgh Days maps the transition from his life in Connecticut, defined by family, academic appointments, and the recognition of neighbors and avid acolytes, to a temporary existence on foreign soil that is at once unsettlingly isolating and curiously liberating. Torn between labeling himself a tourist or a sojourner, Pickering opts to define himself as an "urban spelunker" and embarks on daily explorations of the city's museums, bookshops, pubs, antique stores, monuments, neighborhoods, and graveyards. His ambling tours include such recognizable sites as Edinburgh Castle, the Palace of Holyroodhouse, Castle Rock, the Museum of Childhood, the National Gallery, the Writers' Museum, the Museum of the People, the Huntly House, the John Knox House, the Royal Botanic Garden, and the Edinburgh Zoo. The holdings of city and university libraries present Pickering with the opportunity to revisit the works of a host of writers, both renowned and obscure, including Robert Louis Stevenson, Samuel Smiles, John Buchan, Tobias Wolfe, Russell Hoban, Patrick White, Hilaire Belloc, and Van Wyck Brooks. "I have long been a traveler in little things," he muses, and it is his fascination with minutiae that infuses this collection of essays with the dynamic descriptions, quirky observations, and jesting interludes that bring the historic city to life on the page and simultaneously recall the very best of Pickering's idiosyncratic style.
The international adventures of a southern widow turned patron of historical discovery, Elizabeth Sinkler Coxe's Tales from the Grand Tour, 1890–1910 is a travelogue of captivating episodes in exotic lands as experienced by an intrepid American aristocrat and her son at the dawn of the twentieth century. A member of the prominent Sinkler family of Charleston and Philadelphia, Elizabeth "Lizzie" Sinkler married into Philadelphia's wealthy Coxe family in 1870. Widowed just three years later, she dedicated herself to a lifelong pursuit of philanthropy, intellectual endeavor, and extensive travel. Heeding the call of their dauntless adventuresome spirits, Lizzie and her son, Eckley, set sail in 1890 on a series of odysseys that took them from the United States to Cairo, Luxor, Khartoum, Algiers, Istanbul, Naples, Vichy, and Athens. The Coxes not only visited the sites and monuments of ancient civilizations but also participated in digs, funded entire expeditions, and ultimately subsidized the creation of the Coxe Wing of Ancient History at the University of Pennsylvania Museum. A prolific correspondent, Lizzie conscientiously recorded her adventures abroad in lively prose that captures the surreal exhilarations and harsh realities of traversing the known and barely known worlds of Africa and the Middle East. She journeyed through foreign lands with various nieces in tow to expose them to the educational and social benefits of the Grand Tour. Her letters and recollections are complemented by numerous photographs and several original watercolor paintings.
Modernism and Modernity in Anglophone Fiction, 1958-1988
Brian T. May argues that, contrary to widely held assumptions of postcolonial literary criticism, a distinctive subset of postcolonial novels significantly values and scrupulously explores a healthy individuality. These “extravagant” postcolonial works focus less on collective social reality than on the intimate subjectivity of their characters. Their authors, most of whom received some portion of a canonical western education, do not subordinate the ambitions of their fiction to explicit political causes, but they do create a cosmopolitan rhetorical focus suitable to their well-educated, “western trained,” audiences. May pursues this argument by scrutinizing novels composed during the thirty-year post-independence postcolonial era of Anglophone fiction, a period that began with the Nigerian Chinua Achebe’s Things Fall Apart and that ended, many would say, with the Ayatollah Khomeini’s 1989 publication of the Rushdie Fatwa. He contends that the postcolonial authors under consideration—Naipaul, Rushdie, Achebe, Rhys, Gordimer, and Coetzee—inherited modernism and refashioned it. His account of their work demonstrates how it reflects and transfigures modernists such as Conrad, Eliot, Yeats, Proust, Joyce and Beckett. Tracing the influence of humanistic virtues and the ethical and aesthetic significance of individualism, May demonstrates that these works of “extravagant postcolonialism” are less postcolonial than they are a continuation and evolution of modernism.
The historical Ezra was sent to Jerusalem as an emissary of the Persian monarch. What was his task? According to the Bible, the Persian king sent Ezra to bring the Torah, the five books of the Laws of Moses, to the Jews. Modern scholars have claimed not only that Ezra brought the Torah to Jerusalem, but that he actually wrote it, and in so doing Ezra created Judaism. Without Ezra, they say, Judaism would not exist. In Ezra and the Law in History and Tradition, Lisbeth S. Fried separates historical fact from biblical legend. Drawing on inscriptions from the Achaemenid Empire, she presents the historical Ezra in the context of authentic Persian administrative practices and concludes that Ezra, the Persian official, neither wrote nor edited the Torah, nor would he even have known it. The origin of Judaism, so often associated with Ezra by modern scholars, must be sought elsewhere. After discussing the historical Ezra, Fried examines ancient, medieval, and modern views of him, explaining how each originated, and why. She relates the stories told about Ezra by medieval Christians to explain why their Greek Old Testament differs from the Hebrew Bible, as well as the explanations offered by medieval Samaritans concerning how their Samaritan Bible varies from the one the Jews use. Church Fathers as well as medieval Samaritan writers explained the differences by claiming that Ezra falsified the Bible when he rewrote it, so that in effect, it is not the book that Moses wrote but something else. Moslem scholars also maintain that Ezra falsified the Old Testament, since Mohammed, the last judgment, and Heaven and Hell are revealed in it. In contrast Jewish Talmudic writers viewed Ezra both as a second Moses and as the prophet Malachi. In the process of describing ancient, medieval, and modern views of Ezra, Fried brings out various understandings of God, God’s law, and God’s plan for our salvation.
From its founding in 1842 the Citadel has been steeped in tradition. There have been changes through the years, but the basics of the military code and the plebe system have remained constant. Citadel graduate Tom Worley has crafted this collection of short stories about life at the South Carolina military academy during the 1960s. While the stories are fictional, they are inspired in part by his days as a student on the college campus. With humor and dramatic clarity, Worley reveals the harshness of the plebe system, how success is achieved through perseverance, and the character-building benefits of a Citadel education. The seventeen stories included in the volume are told from the perspective of two main characters—cadets Pete Creger and Sammy Graham—who are members of F Company. By turns surprising and entertaining, the collected stories range from the emotional and physical trials of being a knob in the plebe system, the brutality of hazing, and the fear and fun of company pranks, to the friendship and camaraderie the system fosters and the tremendous pride shared by those who wear the coveted Citadel ring. Best known for its Corps of Cadets, the Citadel attracts students who desire a college education in a classical military system in which leadership and character training are essential parts of the overall experience. Any romanticized notion of military bravado is quickly shattered the moment students set foot on campus and their parents drive away. Many cadets are left wondering, “What have I signed up for?” Worley’s stories shed light on the pain and the pride, explaining why, he says, “most cadets at the Citadel hated the place while they were there and loved everything about it once they’d graduated. They were bonded together for life. Perhaps that’s the greatest thing the Citadel did for them.”
Novelist Walker Percy once said that the only remaining unexplored territory in southern literature was the Jewish southerner. Famous all over Town, the first novel from southern storyteller Bernie Schein, stakes a claim on Percy’s unexplored terrain with a comically candid multigenerational account of two Jews, a lowcountry native and a northern transplant, at the epicenter of momentous events in the sleepy southern coastal hamlet of Somerset, a fictitious stand-in for Schein’s native Beaufort, South Carolina. Schein’s diverse and memorable cast includes southern Jewish lawyer Murray Gold and his foil, displaced New York psychiatrist Bert Levy; emotionally scarred USMC drill sergeant Jack McGowan and his alluring and unconventional wife, Mary Beth; corrupt and adulterous sheriff Hoke Cooley, his deeply conservative wife, Regina, and their violent son, Boonie; African American madam and later city councilwoman Lila Trulove (also Hoke’s mistress), her brilliant daughter, Elizabeth, and her conflicted Harvard-bound son, Driver; fallen southern belle turned voice of a generation Arlanne Palmer; remorseful Vietnam veteran and flamboyant transvestite Royal Cunningham; and inspirational schoolteacher Pat Conroy. Famous all over Town also uses its web of interconnected storylines to make its setting, the eponymous town itself, a central character with a personality and an arc as complete as that of any other member of the deftly rendered cast. Delving beneath the surface of the southern status quo, Schein’s tale follows these interconnected lives through the private and public upheavals in small-town life from the turbulent 1960s to the eve of the new millennium, confronting the ramifications of the civil rights era, Vietnam, Watergate, and—closer to home—a deadly version of the infamous Ribbon Creek incident. Somerset’s colorful citizens also confront their own repressed memories, conflicted identities, burgeoning ambitions, and romantic entanglements. Even as events unfold to often-uproarious effect, Schein’s novel holds true to a deeply realized sense of intimacy and authenticity in the interactions of its myriad characters as revelations expose how these disparate lives are conjoined in surprising ways. Shifting points of view place readers squarely in the mindsets of many of Somerset’s key citizens as Schein lovingly and laughingly invites us to reconsider what it means in the modern south to be white, black, Jewish, Christian, military, civilian, sane, insane, old, young, male, female, gay, and straight—and to be of a place rather than merely in it. Best-selling southern novelist and self-described “Florida cracker” Janis Owens, author of American Ghost, The Cracker Kitchen, and other books, provides a foreword.
On a placid Blue Ridge mountain lake on Labor Day Weekend in 1935, three locals sightseeing in an overloaded boat drown, and the cotton mill scion who owns the lake is indicted for their murders. Decades later Ben Crocker--witness to and reluctant participant in the aftermath of this long-forgotten tragedy--is drawn once more into the morally ambiguous world of mill fortunes and foothills justice. The son of mill workers in Carlton, South Carolina, Crocker is caught between competing loyalties to his family and future. Crocker wanted more than a rough-hewn life on a factory floor, so he studied accounting at the local textile institute and was hired as bookkeeper to the owner, George McCane, a man as burdened by his familial ties as Crocker and even less prepared for the authority of his mantel. McCane's decision to renovate the Carlton Mill and lay off families connected to the Uprising of '34, one of the largest labor strikes in U.S. history, puts Crocker in the ill-fitting position as his boss's enforcer. Days after the evictions, the surprise indictment lands McCane in a North Carolina mountain jail and sinks Crocker even deeper into the escalating tensions between mill workers and the owners. While traversing mountain communities in McCane's defense, Crocker must also manage the forced renovation of the Carlton Mill, negotiate with labor organizers led by local hero Olin Campbell, collaborate with McCane's besotted brother, Angus, and fend off his father's and wife's skepticism of his own social aspirations. Hanging distractingly over Crocker's upended life is his burgeoning infatuation with Novie Moreland--the young widow of one of those McCane is accused of killing. Though unrequited, Croker's relationship with Novie proves to be a beacon of hope amid the shadows of political and social machinations in the darkest chapter in his long life. As the union retaliates and the McCane murder trial is settled, it is uncertain who the winners and losers have been in this generational clash of workers and owners, labor and capital, those tied to the land and its people and those who exploit both. When Crocker looks back from 1988 at these two crucial years in his life in the mid-1930s, he is left to wonder if he did right by himself and those closest to him. Against all better judgment, Crocker knows he must seek out Novie Moreland once more if he is ever to find closure with the past.
"Lord, I'm glad I'm a hermit novelist," Flannery O'Connor wrote to a friend in 1957. Sequestered by ill health, O'Connor spent the final thirteen years of her life on her isolated family farm in rural Georgia. During this productive time she developed a fascination with fourth-century Christians who retreated to the desert for spiritual replenishment and whose isolation, suffering, and faith mirrored her own. In Flannery O'Connor, Hermit Novelist, Richard Giannone explores O'Connor's identification with these early Christian monastics and the ways in which she infused her fiction with their teachings. Surveying the influences of the desert fathers on O'Connor's protagonists, Giannone shows how her characters are moved toward a radical simplicity of ascetic discipline as a means of confronting both internal and worldly evils while being drawn closer to God. Artfully bridging literary analysis, O'Connor's biography, and monastic writings, Giannone's study explores O'Connor's advocacy of self-denial and self-scrutiny as vital spiritual weapons that might be brought to bear against the antagonistic forces she found rampant in modern American life.
Frontier Bon Vivant
Each day thousands of revelers trudge down DuVal Street in Florida’s Key West, but few know for whom the street is named. In Florida Founder William P. DuVal, James M. Denham provides the first full-length biography of the well-connected, but nearly forgotten frontier politician of antebellum America. The scion of a well-to-do Richmond, Virginia, family, William Pope DuVal (1784–1854) migrated to the Kentucky frontier as a youth in 1800. Settling in Bardstown, DuVal read law, served in Congress, and fought in the War of 1812. In 1822, largely because of the influence of his lifelong friend John C. Calhoun, President James Monroe appointed DuVal the first civil governor of the newly acquired Territory of Florida. Enjoying successive appointments from the Adams and Jackson administrations, DuVal founded Tallahassee and presided over the territory’s first twelve territorial legislative sessions, years that witnessed Middle Florida’s development into one of the Old Southwest’s most prosperous slave-based economies. Beginning with his personal confrontation with Miccosukee chief Neamathla in 1824 (an episode commemorated by Washington Irving), DuVal worked closely with Washington officials and oversaw the initial negotiations with the Seminoles. A perennial political appointee, DuVal was closely linked to national and territorial politics in antebellum America. Like other “Calhounites” who supported Andrew Jackson’s rise to the White House, DuVal became a casualty of the Peggy Eaton Affair and the Nullification Crisis. In fact he was replaced as Florida governor by Mrs. Eaton’s husband, John Eaton. After leaving the governor’s chair, DuVal migrated to Kentucky, lent his efforts to the cause of Texas Independence, and eventually returned to practice law and local politics in Florida. Throughout his career DuVal cultivated the arts of oratory and story-telling—skills essential to success in the courtrooms and free-for-all politics of the American South. Part frontiersman and part sophisticate, DuVal was at home in the wilds of Kentucky, Florida, Texas, and Washington City. He delighted in telling tall tales, jests, and anecdotes that epitomized America’s expansive, democratic vistas. Among those captivated by DuVal’s life and yarns were Washington Irving, who used DuVal’s tall tales as inspiration for his “The Early Experiences of Ralph Ringwood,” and James Kirke Paulding, whose “Nimrod Wildfire” shared Du Val’s brashness and bonhommie.
Poetry and Prose Inspired by the South Caroliniana Library Digital Collections
Found Anew is an anthology of new poetry and prose from writers with strong ties to the Palmetto State that creatively engages with historical photographs found in the digital collections of the University of South Carolina's South Caroliniana Library. In their eclectic approach to ekphrasis—textual response to the visual—editors R. Mac Jones and Ray McManus have recruited an impressive group of poets and fiction writers, including National Book Award-winning poets Terrance Hayes and Nikky Finney (who provides the foreword); their fellow South Carolina Academy of Authors honorees Gilbert Allen, John Lane, Bret Lott, George Singleton, and Marjory Wentworth; Lillian Smith Award-winner Pam Durban, and others.