Slavica Publishers
Website: http://slavica.com
For over thirty years, Slavica Publishers as been widely acclaimed as the leading U.S. publisher of scholarly textbooks on the languages, peoples, literatures, cultures, and history of the former USSR and Eastern Europe.
The following Slavica journal is available for subscription as part of the selected Project Muse database collections and as individual title:
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Slavica Publishers
Essays on the Fiction of Vladimir Makanin
edited by
Essays in Russian History and Culture in Honor of Robert O. Crummey
edited by
Vol. 20 (2006) through current issue
The peer-reviewed scholarlly journal of the North American Society for Serbian Studies, Serbian Studies publishes scholarly articles in all aspects of the Serbian cultural heritage, archival documents, and source material related to the Serbian immigration to North America. Founded in 1978, the NASSS is an organizational member of the American Association for the Advancement of Slavic Studies. Its membership consists of individuals interested in, and dedicated to, the multidisciplinary study, and advancement of, knowledge of Serbia and the Serbian diaspora.
The Image of the Mongols in Medieval Russia
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Reinventing Humor and Satire in Post-Soviet Russia
edited by
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Henrietta Mondry’s monograph is the first interdisciplinary and cross-cultural study of the most original and controversial turn-of-the-century Russian writer and thinker, Vasily Rozanov. Once described as the Russian Freud, Rozanov developed a unique methodology for his writing, a methodology based on the interpretation of cultural history through the lens of sexuality. As such, he can be viewed as a Russian Foucault who wrote his own original history of sexuality in application to the main Russian classical writers of the nineteenth century. The book focuses on the constructs of race, ethnicity, gender, and sexuality which Rozanov used to explicate the political, social, and artistic narratives of the “great five” of Russian literature: Alexander Pushkin, Nikolai Gogol, Ivan Turgenev, Fedor Dostoevsky, and Leo Tolstoy. Further, it explores how Rozanov applied the concept of “impure” blood in order to demonize writers and important cultural personalities from the democratic camp, thus setting a trend in Russian culture to fight an ideological enemy by exposing his or her often invented “racial” alterity. Forbidden for publication in the Soviet Union because of his political views, Rozanov enjoys an immense popularity in contemporary Russia, where his paradoxical and controversial statements have been incorporated into the propaganda employed by Russian nationalists of various denominations. In a rigorous and yet engaging manner, Mondry offers the most thought-provoking interpretation of this influential Russian thinker’s views and exposes the manipulation of his antisemitic and right-wing opinions by members of contemporary Russian political and cultural elites.
Negotiating Identity, Gender, and Resistance in Urban Russian Life-Cycle Rituals
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Necessity and Arbitrariness in the Czech Avant-Garde
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