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Revolution and Contemporary Theatre
The collapse of the Soviet Union in 1989 drastically altered life in Cuba. Theatre artists were faced with new economic and social realities that changed their day-to-day experiences and ways of looking at the world beyond the island. The Cuban Revolution’s resistance to and intersections with globalization, modernity, emigration and privilege are central to the performances examined in this study. The first book-length study in English of Cuban and Cuban American plays, Cuba Inside Out provides a framework for understanding texts and performances that support, challenge, and transgress boundaries of exile and nationalism. Prizant reveals the intricacies of how revolution is staged theatrically, socially, and politically on the island and in the Cuban diaspora. This close examination of seven plays written since 1985 seeks to alter how U.S. audiences perceive Cuba, its circumstances, and its theatre.
The Case of English Studies
Champ Ferguson's Civil War
By the end of the Civil War, Champ Ferguson had become a notorious criminal whose likeness covered the front pages of Harper’s Weekly, Leslie’s Illustrated, and other newspapers across the country. His crime? Using the war as an excuse to steal, plunder, and murder Union civilians and soldiers.
Cumberland Blood: Champ Ferguson’s Civil War offers insights into Ferguson's lawless brutality and a lesser-known aspect of the Civil War, the bitter guerrilla conflict in the Appalachian highlands, extending from the Carolinas through Tennessee, Kentucky, Virginia, and West Virginia. This compelling volume delves into the violent story of Champ Ferguson, who acted independently of the Confederate army in a personal war that eventually garnered the censure of Confederate officials.
Author Thomas D. Mays traces Ferguson's life in the Cumberland highlands of southern Kentucky, where—even before the Civil War began—he had a reputation as a vicious killer.
Ferguson, a rising slave owner, sided with the Confederacy while many of his neighbors and family members took up arms for the Union. For Ferguson and others in the highlands, the war would not be decided on the distant fields of Shiloh or Gettysburg: it would be local—and personal.
Cumberland Blood describes how Unionists drove Ferguson from his home in Kentucky into Tennessee, where he banded together with other like-minded Southerners to drive the Unionists from the region. Northern sympathizers responded, and a full-scale guerrilla war erupted along the border in 1862. Mays notes that Ferguson's status in the army was never clear, and he skillfully details how raiders picked up Ferguson's gang to work as guides and scouts. In 1864, Ferguson and his gang were incorporated into the Confederate army, but the rogue soldier continued operating as an outlaw, murdering captured Union prisoners after the Battle of Saltville, Virginia.
Cumberland Blood, enhanced by twenty-one illustrations, is an illuminating assessment of one of the Civil War's most ruthless men.
Ferguson's arrest, trial, and execution after the war captured the attention of the nation in
1865, but his story has been largely forgotten. Cumberland Blood: Champ Ferguson's Civil War returns the story of Ferguson's private civil war to its place in history.
The first in a series of four illustrated guides to identifying aquatic and standing water plants in the central Midwest, this convenient reference volume covers the 183 species of Cyperaceae. Robert H. Mohlenbrock includes three types of plants: submergents, those that spend their entire lives with their vegetative parts either completely submerged or at least floating on the water’s surface; emergents, which are typically rooted underwater with their vegetative parts standing out of water; and a third category of plants that live most of their lives out of water, but which may live in water at least three months a year.
Mohlenbrock provides descriptions, illustrations, and ways to identify any plant in the sedge family (Cyperaceae) in the states of Kentucky (except for the Cumberland region), Ohio, Indiana, Illinois, Iowa, Missouri, Kansas, and Nebraska. With taxa arranged alphabetically, the volume is well organized and easy to use. In addition, basic synonymy, description, distribution, comments, and line drawings that show the habits and distinguishing features for each plant. Habitat and nomenclatural notes are also listed, as are the official wetland designations given by the U.S. Fish and Wildlife Service.
Cyperaceae is a useful standard reference for state and federal employees who deal with aquatic and wetland plants and environmental conservation and mitigation issues and an essential guide for students and instructors in college and university courses where the identification of aquatic and wetland plants is emphasized.
The Dark Days of Abraham Lincoln’s Widow, written in 1927 by Myra Helmer Pritchard but never before published, is based on letters between Mary Lincoln and her close friend Myra Bradwell, Pritchard’s grandmother. Jason Emerson edited and annotated the text.
Romero, Craven, Carpenter, and the Modern Horror Film
A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers’ psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films’ directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.
Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical intervention into social norms. Phillips then explores the shadowy worlds of director Wes Craven. In his study of the films The Serpent and the Rainbow, Deadly Friend, Swamp Thing, Red Eye, and Shocker, Phillips reveals Craven’s vision of technology as inherently dangerous in its ability to cross the gossamer thresholds of the gothic. Finally, the volume traverses the desolate frontiers of iconic director John Carpenter. Through an exploration of such works as Halloween, The Fog, and In the Mouth of Madness, Phillips delves into the director’s representations of boundaries—and the haunting consequences for those who cross them.
The first volume ever to address these three artists together, Dark Directions is a spine-tingling and thought-provoking study of the horror genre. In analyzing the individual works of Romero, Craven, and Carpenter, Phillips illuminates some of the darkest minds in horror cinema.
Essays on the Literature of the Beat Generation
In these critical essays Gregory Stephenson takes the reader on a journey through the literature of the Beat Generation: a journey encompassing that common ethos of Beat literature—the passage from darkness to light, from fragmented being toward wholeness, from Beat to Beatific. In his introduction, Stephenson provides a brief history of this literary and cultural phenomenon and establishes the basis of these authors’ right to be called a "generation." He examines what sets the Beats apart from other writers of the postwar period, showing which qualities of the works of these dissimilar authors formed the nexus of a movement. He also discusses the effect they had on a very unaware and cautious public.