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Southern Illinois University Press

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Southern Illinois University Press

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Achieve the Honorable Cover

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Achieve the Honorable

A Missouri Congressman's Journey from Warm Springs to Washington

Ike Skelton

Growing up during the Great Depression and World War II, Ike Skelton dreamed of joining the military. That dream was shattered when he contracted one of the most dreaded diseases of the era: polio. Far from abandoning hope, Skelton, after treatment at Warm Springs, Georgia, overcame his disability and went on to become a college athlete, a celebrated lawyer, a Missouri state senator, and a U.S. Congressman. Achieve the Honorable is the deeply personal tale of Ike Skelton’s determined journey from the small town of Lexington, Missouri, to Capitol Hill.

During his years in the U.S. House of Representatives, Skelton became known as a bipartisan negotiator and a champion of the Armed Services. Throughout the decades, he helped steer the nation through its most dangerous challenges, from Communism to terrorism; took a leading role in the reform of the Department of Defense; dedicated himself to fulfilling the interests of his constituents; and eventually rose to become chair of the House Armed Services Committee during such pivotal events as the wars in Iraq and Afghanistan. In addition to detailing Skelton’s political career and its accompanying challenges and triumphs, Achieve the Honorable provides inside glimpses into the lives of political titans like Harry Truman, Richard Nixon, and Bill Clinton. Along the way, we are treated to Skelton’s engaging humor and shrewd insight into twentieth- and twenty-first-century U.S. politics. 

Action Writing Cover

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Action Writing

Jack Kerouac's Wild Form

Michael Hrebeniak

Action Writing: Jack Kerouac's Wild Form connects the personal and creative development of the Beat generation's famous icon with cultural changes in postwar America. Michael Hrebeniak asserts that Jack Kerouac's "wild form"—self-organizing narratives free of literary, grammatical, and syntactical conventions—moves within an experimental continuum across the arts to generate a Dionysian sense of writing as raw process. Action Writing highlights how Kerouac made concrete his 1952 intimation of "something beyond the novel" by assembling ideas from Beat America, modernist poetics, action painting, bebop, and subterranean oral traditions.

Geared to scholars and students of American literature, Beat studies, and creative writing, Action Writing places Kerouac's writing within the context of the American art scene at midcentury. Reframing the work of Kerouac and the Beat generation within the experimental modernist and postmodernist literary tradition, this probing inquiry offers a direct engagement with the social and cultural history at the foreground of Kerouac's career from the 1940s to the late 1960s.

 

 

 

 

Adam Smith Cover

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Adam Smith

The Rhetoric of Propriety

Stephen J. McKenna

African American Rhetoric(s) Cover

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African American Rhetoric(s)

Interdisciplinary Perspectives

Edited By Elaine B. Richardson and Ronald L. Jackson II. Foreword by JacquelineJones Royster. Introduction by Keith Gilyard

African American Rhetoric(s): Interdisciplinary Perspectives is an introduction to fundamental concepts and a systematic integration of historical and contemporary lines of inquiry in the study of African American rhetorics. Edited by Elaine B. Richardson and Ronald L. Jackson II, the volume explores culturally and discursively developed forms of knowledge, communicative practices, and persuasive strategies rooted in freedom struggles by people of African ancestry in America.
 
Outlining African American rhetorics found in literature, historical documents, and popular culture, the collection provides scholars, students, and teachers with innovative approaches for discussing the epistemologies and realities that foster the inclusion of rhetorical discourse in African American studies. In addition to analyzing African American rhetoric, the fourteen contributors project visions for pedagogy in the field and address new areas and renewed avenues of research. The result is an exploration of what parameters can be used to begin a more thorough and useful consideration of African Americans in rhetorical space.

Always Danger Cover

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Always Danger

David Hernandez

Always Danger offers a lyrical and highly imaginative exploration into the hazards that surround people’s lives—whether it’s violence, war, mental illness, car accidents, or the fury of Mother Nature. In his second collection of poems, David Hernandez embraces the element of surprise: a soldier takes refuge inside a hollowed-out horse, a man bullies a mountain, and a giant pink donut sponsors age-old questions about beliefs. Hernandez typically eschews the politics that often surround the inner circle of contemporary literature, but in this volume he quietly sings a few bars with a political tone: one poem shadows the conflict in Iraq, another reflects our own nation’s economic and cultural divide. Always Danger parallels Hernandez’s joy of writing: unmapped, spontaneous, and imbued with nuanced revelation.

American Flamingo Cover

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American Flamingo

Greg Pape

Taking its title from an Audubon painting, American Flamingo shares with the artist an exquisite attention to detail and the suggestion of a larger sense of time and place through depictions of the intimate interactions between creatures and their habitats. In his fifth collection of poetry, Greg Pape melds memorable images from the natural world with the drama of ordinary experience to capture small transformations of human character in American settings from Arizona’s Sonora Desert to the icy streets of Washington, D.C. Through elegies, character sketches, and lyric and narrative evocations of family and place, Pape offers lucid and startling poems that bridge the spaces between the past and the present, men and women, and urban and rural landscapes.

American Political Plays after 9/11 Cover

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American Political Plays after 9/11

#REF!

Allan Havis

The incisive social themes and issues of political plays reveal clues to our national identity. American Political Plays: Post 9/11, edited by Allan Havis, celebrates political texts that are bold, urgent, and provocative. 

America's Deadliest Twister Cover

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America's Deadliest Twister

The Tri-State Tornado of 1925

Geoff Partlow

Disaster relief as we know it did not exist when the deadliest tornado in U.S. history gouged a path from southeast Missouri through southern Illinois and into southwestern Indiana. The tri-state tornado of 1925 hugged the ground for 219 miles, generated wind speeds in excess of 300 miles per hour, and killed 695 people. Drawing on survivor interviews, public records, and newspaper archives, America’s Deadliest Twister offers a detailed account of the storm, but more important, it describes life in the region at that time as well as the tornado’s lasting cultural impact, especially on southern Illinois.

Author Geoff Partlow follows the storm from town to town, introducing us to the people most affected by the tornado, including the African American population of southern Illinois. Their narratives, along with the stories of the heroes who led recovery efforts in the years following, add a hometown perspective to the account of the storm itself.

In the discussion of the aftermath of the tornado, Partlow examines the lasting social and economic scars in the area, but he also looks at some of the technological firsts associated with this devastating tragedy. Partlow shows how relief efforts in the region began to change the way people throughout the nation thought about disaster relief, which led to the unified responses we are familiar with today.

America's First Network TV Censor Cover

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America's First Network TV Censor

The Work of NBC's Stockton Helffrich

Robert Pondillo

In America's First Network TV Censor, Robert Pondillo uses the records of Stockton Helffrich, the first manager of the NBC censorship department, to look at significant subjects of early censorship and how Helffrich used censorship to promote positive changes in the early days of television in the 1940s and 1950s.

Angels in the American Theater Cover

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Angels in the American Theater

Patrons, Patronage, and Philanthropy

Edited by Robert A. Schanke

Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists.
 
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations.

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