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Each portion forming a reduced-size copy of the whole, a fractal is forever fragmented, both chaotic and ordered, endlessly complex. Timothy Green's American Fractal sees this pattern emerge from the fabric of modern culture, as it navigates the personal, the political, and the metaphysical, in a lyric dreamscape in which an eerie chaos lurks just behind the facade of order--where "what looks like / a river...could be a log," "as if accident were / the fundamental attribute of life." In separate poems, one man sells ad space on his forehead, while another examines the multitudes of his own voice on an audio cassette recorder. Each life is but another section of the fractal, the past and the future two mirrors that face each other to perpetuate the illusion of infinites. At turns evocative and sweetly ironic, Green straddles the line between accessibility and complexity, exploring "how the wind whispers our secrets," how "that little tremor" of understanding "touches your sleeve, lets go."
In two intertwined songs, a feminist epic poem and a dreamlike opera libretto, Among the Goddesses traces one woman’s harrowing mythological journey of discovery. Tutored by encounters with seven Goddesses, both frightening and nurturing, Marie/Lily is tested by loss, rape, and abortion as she finds her community and her spiritual strength. This magical book embodies the goddesses in every woman and gives voice to the power of the feminist spirituality movement.
Charles Harper Webb’s eccentric and distinct writing style makes this collection of poetry a funny and charmingly memorable read. A melting pot of pop culture, historical references, and everyday life, Webb’s poems are refreshingly candid and straightforward.
As a psychologist, Lisa C. Krueger is familiar with digging into what makes us human. The joys and celebrations or the pain of what cuts the skin—and what cuts deeper. In animals the size of dreams, Krueger looks into the dark corners and, instead of just shining a light, strips them down to their foundations, until all that’s left is life.
“Sagan’s richly sensual writing blends elements of mature insight with deeply felt experience. These are poems of an examined life with moments of Zen clarity throughout. It is, in fact, the clarity that drives these poems. The language is careful but deliberate, exquisitely crafted and emotionally moving. One gets the sense that her desire to write poetry comes from the desire to give permanent voice to something in the experience of life – to find ourselves spoken for in art gives dignity to our pain, our anger, our lust, and our losses. This is what poetry is about. When Miriam Sagan casts her imaginative eye on something, it stares back.” —Jeanie C. Williams
On Poetry and Poets
Avocations collects the best of Sam Hamill's prose on poetry over the last 18 years, presenting insightful readings of Kenneth Rexroth, Denise Levertov, Odysseas Elytis, Matsuo Basho, Kobayashi Issa, John Logan and many others together with critical commentary on poetry in translation and the practice of poetry in general.
"Gaylord Brewer’s Barbaric Mercies is a book of extraordinary and delightful individuality. Alternately aggressive, outrageous, whimsical, and heartfelt, the poems are never predictable but always authentic. The author has such a genius for phrasing that there are many lines that make the reader stop and sigh or smile. A dark and delicious volume." —Dana Gioia
Beasts and Violins is a collection of American narrative poetry addressing themes of life and work in the western United States. The poems read like broken country songs sung from a paved farm: dead deer and train trips, a dog at the edge of the fire. Beasts and Violins begins with a dark birth and finishes at peace on the water, with the necessary stops in between.
The first published collection of poems by Ron Egatz presents a host of narrators describing encounters with characters ranging from washed-up rock musicians to former lovers, airline stowaways to family members. A poet for 25 years to the month of publication of this book, Egatz explores the limits of the lyric narrative poem with subject matter spanning historical events to family snapshots. This collection is a rallying cry for poetry unafraid of being understood, yet not sacrificing lyric quality, music, or emotional depth.