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Purdue University Press

Purdue University Press

Website: http://www.thepress.purdue.edu/

Purdue University Press, founded in 1960, is the publishing arm of Purdue University. Dedicated to the dissemination of scholarly and professional information, the Press provides quality resources in several key subject areas including business, technology, health, veterinary medicine and other limited disciplines in the humanities and sciences.
Purdue University Press is dedicated to providing quality information to its customers through traditional and newly developed technologies. Within this context, the Purdue University Press aims to advance scholarly intercourse by maximizing the Purdue brand and enabling Purdue authors and information providers to be able to call on the Press to conceptualize, develop and format their works.


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Purdue University Press

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Fichte's Wissenschaftslehre of 1794 Cover

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Fichte's Wissenschaftslehre of 1794

A Commentary on Part 1

by George Seidel

Seidel presents the English and German text of part 1 of the Wissenscbaftsiebre, followed by a commentary on the text. The work concludes with a summary of parts 2 and 3 of the Wissenscbafislebre. An annotated bibliography surveys the important literature on the philosopher.

Fictions du scandale Cover

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Fictions du scandale

Corps féminin et réalisme romanesque au dix-neuvième siècle

by Nathalie Buchet Rogers

According to Rogers, the nineteenth century was incapable of managing the feminine question and preferred to mythicize it. Everything that was related to it, especially feminine sexuality, was transformed into fiction. Thus women were saddled with the role of scapegoat.

Fictions of Totality Cover

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Fictions of Totality

The Mexican Novel, 1968, and the National-Popular State

by Ryan F. Long

The Mexican government's brutal repression of the Student Movement of 1968 in the infamous Massacre of Tlatelolco exposed and exacerbated a serious crisis of political legitimacy. This study examines the cultural impact of this watershed event through historically contextualized readings of five paradigmatic novels: Carlos Fuentes's La region mas transparente (1958), Fernando del Paso's Jose Trigo (1966), Maria Luisa Mendoza's Con el, conmigo, con nosotros tres (1971), Jorge Aguilar Mora's Si muero lejos de ti (1979), and Hector Aguilar Camin's Morir en el golfo (1986).

Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature Cover

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Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature

by Cristina Ferreira-Pinto

This study by Cristina Ferreira-Pinto explores the poetic and narrative strategies twentieth-century Brazilian women writers use to achieve new forms of representation of the female body, sexuality, and desire. Female writers discussed include: Gilka Machado, Lygia Fagundes Telles, Marcia Denser, and Marina Colasanti. While creating new forms, these writers are also deconstructing cultural myths of femininity and female behavior. In order to understand these myths, the book also presents new readings of some male-authored canonical novels by Jose de Alencar, Machado de Assis, Manuel Antonio de Almeida, and Aluisio Azevedo.

Gendered Lyric Cover

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Gendered Lyric

Subjectivity and Difference in Nineteenth-Century French Poetry

by Gretchen Schultz

The Gendered Lyric argues that gender difference contributes to the definition of aesthetic values and, indeed, shaped the representation of masculine and feminine subjectivity in nineteenth-century French poetry. Gretchen Schultz analyzes works by the leaders of the Romantic, Parnassian, and Symbolist schools to show that their implicit conceptions of gender were central to the formulation of their aesthetics.

The Germans and the East Cover

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The Germans and the East

edited by Charles W. Ingrao and Franz Szabo

This volume provides an historical overview of the relationship between Germany, German speakers, and successive waves of German colonists with their eastern neighbors over the period from the Middle Ages to the present. The collection of essays by 28 leading experts includes the most recent scholarship together with fresh perspectives on the subject.

Género, nación y literatura Cover

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Género, nación y literatura

Emilia Pardo Bazán en la literatura gallega y española

by Carmen Pereira-Muro

Emilia Pardo Bazán’s place in Spanish and Galician literatures has been hard won, and she has yet to receive the recognition she deserves. In Género, nación y literatura: Emilia Pardo Bazán en la literatura gallega y española, Carmen Pereira-Muro studies the work and persona of this fascinating author in the context of Spanish and Galician competing nationalisms. She rereads the literary histories and national canons of Spain and Galicia as patriarchal master narratives that struggle to assimilate or silence Pardo Bazán’s alternative national project. Pereira-Muro argues that Pardo Bazán posited the inclusion of women in the national culture as a key step in circumventing the representational logic behind Realism and Liberalism in the modern nation-state. By insisting that women should be equal partners, Pardo Bazán problematically adopted the patriarchal binarism that assigns women to Nature and men to Culture, but she also subverted it by denying its supplemental relationship. Her astute choice and manipulation of masculine cultural models (Realism, not Romanticism; prose, not poetry; Castilian language, not Galician) ultimately won her (despite fierce opposition) inclusion in the Spanish national canon. Furthermore, the study of her thorny relations with emerging Galician nationalism shows that her exclusion from “Galician literature” was due largely to her transgressive gender performance. Finally, Pereira-Muro contends that in the author’s last novel, Pardo Bazán experimented with creating a feminine writing and a feminine canon for Spain. Nevertheless, the prevailing gender politics ensured that only her realist (masculine) production made it into the Spanish canon, and not this last, modernist (feminine) writing. In conclusion, this book questions the naturalization of national canons by uncovering the gender politics behind what is cast as naturally determined by language and geography. Doing this also exposes the parallel gender strictures at work behind seemingly opposed central (Spanish) and peripheral (Galician) national projects.

Gombrowicz, Polish Modernism, and the Subversion of Form Cover

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Gombrowicz, Polish Modernism, and the Subversion of Form

by

as well as providing a commentary on his novels, plays, and short stories, this book sets Gombrowicz's writing in the context of contemporary cultural theory. The author performs a detailed examination of Gombrowicz's major literary and theatrical work, showing how his conception of form is highly resonant with contemporary, postmodern theories of identity.

Governance and Grievance Cover

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Governance and Grievance

Habsburg Policy and Italian Tyrol in the Eighteenth Century

by Miriam Levy

Governance and Grievance touches on various aspects of Habsburg domestic policy, focusing on how the rulers influenced and were influenced by developments in both Italian and German Tyrol, and how they used to advantage the competing regional interests.

Great Chiasmus Cover

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Great Chiasmus

Word and Flesh in the Novels of Unamuno

by Paul Olson

"...Unamuno often entertains a view of the universe as an enormous system of embedded and embedding forms, structures nested within other structures in seemingly endless series." -From The Great Chiasmus In The Great Chiasmus, Paul R. Olson explores the use of the chiasmus in the work of Miguel de Unamuno. The chiasmus, a reversal in the order of words or parts of speech in parallel phrases, appears on a variety of levels, from brief microstructures ("blanca como la nieve y como la nieve fria"), to the narrative structures of entire novels, and even, Olson suggests, to encompass the stages in Unamuno's novelistic work. Olson's close readings of the texts in terms of this structure lead to observations on Spanish history, events in Unamuno's life, the psychological dimensions of his characters, and the authorial self found within his texts. The Great Chiasmus shows us how Unamuno uses grammar to reflect apparent contraries as freely reversible and thus identical. In this connection, Unamuno explores concepts usually considered opposites-spirit and matter, word and flesh.

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