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A Scholars' Initiative
his book presents the findings of an international research initiative of over 160 leading historians, social scientists, and jurists that brings together in one volume key evidence presented by all sides in the recent Yugoslav conflicts. It represents a direct assault on the proprietary interpretations that nationalist politicians and media have impressed on mass culture in each of the entities of the former Yugoslavia.
This book constitutes an attempt to theorize the process of the emergence, in eighteenth-century New Spain, of a position of intellectual subjectivity differentiated from that established by the regime of Spanish imperial authority. The principal concern has been to trace how certain groups of criollo intellectuals try to construct such discourses, paradoxically, out of the framework of available European systems of knowledge and representation. In this fashion, it was sought to discern the outline of an ideological program for criollo political and cultural hegemony in the eighteenth century
From the Columns of Against the Grain
Copyright law is a critical issue for authors, librarians, publishers, and information vendors. It is also a complex area, with many shades of gray. Librarians continually need to seek answers to questions ranging from the reproduction of copyrighted works for library users, through the performance of audiovisual works, to the digitization and display of protected works on library websites. This book presents updated versions of the author’s copyright columns published in Against the Grain, the leading journal in acquisitions librarianship since the late 1990s. It is the first volume in the series Charleston Insights in Library, Archival, and Information Sciences.
El siglo XIX en la ficción contemporánea de Argentina, Chile y Uruguay (1980–2001)
n the last decades—and especially since the 1990s—there has been a noticeable reemergence of the nineteenth century in Southern Cone culture. Popular nineteenth-century figures (indios, gauchos, letrados, and cautivas) have reentered the national literary scene in Argentina, Chile, and Uruguay. Nineteenth-century heroes such as San Martín and Artigas are again the main protagonists of Southern Cone theater, film, and literature. Canonical nineteenth-century texts (La cautiva, Martín Fierro, Facundo) are being rewritten one more time in different artistic fields. Foundational nineteenth-century genres (travel narratives, gauchesque poems, and national romances) are being transformed and recycled. Controversial nineteenth-century events (the civil wars, the massacre of indigenous communities) are being revisited and explored. Through a combination of close textual analysis and a broader perspective rooted in cultural theory, this book answers two interrelated questions: Why did the nineteenth century resurface so strongly in the last decades? What are the ideological implications of this reemergence? Based on a transnational comparison of Argentina, Chile, and Uruguay, and a survey of narratives that were mostly produced by well-known figures (political activists, public intellectuals, and canonical authors), Crisis y reemergencia helps to elucidate how the Southern Cone cultural field has changed since the 1990s: how intellectuals’ ethics, national identities, and discursive strategies that were functional to the consolidation of liberalism in the nineteenth century have been challenged, transformed, and rethought in the last decades. Borrowing from cultural Marxism, discourse analysis, and postcolonial theory, the book pursues a triple contribution: to define the discursive and ideological components that were at the core of the nineteenth century, to show their continuity up to the 1990s (and thus clarify the connections between liberalism and neoliberalism), and to expose their recent transformation—a transformation that paved the way for the “return of the political” to the region.
My Youth in Prussia, Surviving Hitler, and a Life Beyond
This is the story of a remarkable life and a journey, from the privileged world of Prussian aristocracy, through the horrors of World War II, to high society in the television age of postwar America. It is also an account of a spiritual voyage, from a conventional Christian upbringing, through marriage to Pastor Martin Niemoeller, to conversion to Judaism. Born during the turbulent days of the Weimar Republic, the author was the goddaughter of Kaiser Wilhelm II (to whom her father was financial advisor). During her teenage years, she witnessed the rise of the Third Reich and her family’s resistance to it, culminating in their involvement in “Operation Valkyrie,” the ill-fated attempt to assassinate Hitler and form a new government. At war’s end, she worked with British Intelligence to uncover Nazis leaders. Keeping a promise to her father, she left Germany for a new life in the United States in the 1950s, working for NBC and raising her son in the exciting world of New York, only to return to Germany as the wife of Martin Niemoeller, the voice of religious resistance during the Third Reich and of German guilt and conscience in the postwar decades. Upon her husband's death in 1984 she returned to America, after having converted to Judaism in London, and turned yet another page by becoming an active public speaker and author. The title reflects a story of three parts: “Crowns,” the world of nobility in which the author was raised; “Crosses,” her life with Martin Niemoeller and his battles with the Third Reich; and “Stars,” the spiritual journey that brought her to Judaism.
Emplazamientos del cuerpo colonial
By analyzing a varied body of writing- hagiographies, histories, treatises, and correspondence- in the context of religious colonial culture and European mercantilism, Mario Cesareo shows how Portuguese and Spanish missionaries created a Christian understanding of the colonial process. The material excess of the colonial world, experienced as a capricious parade of signs, masks, objects, races, languages, and bodies subjected to European exploitation, presented a problem of the first magnitude for Christian missionaries. In order to render intelligible the incongruities of the colonial experience, the missionary turned the materiality of the Indian and the black body of the slave into God's privileged instruments for revelation. Materiality, in its remotest minutiae, became understood as an enigmatic system of signs, as a divine riddle to be discerned. The attempts to recognize, elaborate, and synthesize this new experience constitute the Christian herme-neutics that is the focus of the study. The book posits the existence of a repertoire of stances through which the missionary was able to represent, perform, and theorize the colonial experience. In this social sensibility, the body emerges as a privileged locus for the aesthetic, theoretic, and practical experimentation that allowed the missionary to carry on his utopian ideals within the imperialist workings of European mercantilism.
Long before Rabelaisian tales of gargantuan gluttony regaled early modern audiences, and centuries before pie-in-the-face gags enlivened vaudeville slapstick, medieval French poets employed food as a powerful device of humor and criticism.Food and laughter, essential elements in human existence, can be used to question the meaning of cultural conventions concerning the body and sexuality, religion, class hierarchies, and gender relations. This book unites the cultural and literary study of representations of food and consumption with theoretical approaches to comedy, humor, and parody in late twelfth- through early-fourteenth-century French fictional verse narratives of epic chanson de geste, theater, Arthurian verse romance, fabliau, and the beast epic of the Roman de Renart. From socially inept epic heroes to hungry knights-errant and mischievous fabliau housewives, out of the ordinary food usage embodies humor. Some knights prefer fighting with roast chicken or bread loaves rather than their swords. Specific foods such as sausages, lard, pears, nuts, or chickens provoked laughter by their mere presence in a scene. Culinary comedy serves as both social satire and literary parody, playing with institutional social conduct and alimentary codes. Its power lies in its ability to disrupt and to reinforce the same conventions it ridicules.
Aldo Giorgini’s Computer Art Legacy
Working extensively as both artist and scientist, Aldo Giorgini (1934–1994) was one of the first computer artists to combine software writing with early printing technologies. His innovative process involved producing pen-plotted drawings that were embellished by painting, drawing, photography, and screen printing. This biography is the first to uncover the remarkable work and life of an underappreciated artist, providing insights into the innovative methods and computerized techniques he used to weave creations that seamlessly combined technological sophistication with artistic sensibility. Buried manuscripts, documentation, and art taken directly from Giorgini’s former studio in Indiana have been used to tell the story of this digital pioneer. The book explores the artist’s life as a professor of civil engineering at Purdue University as well as providing a catalog of his artistic contributions. Placing his work in the context of the wider development of computer art, the book also presents a valuable contribution to the history of the field. Giorgini’s papers have been recently transferred to Purdue University’s Virginia Kelly Karnes Archives and Special Collections Research Center, where they will be preserved and made accessible for future researchers of digital media art history. While complete in itself, this book also plays an important role in contextualizing and providing an access point for that collection.