Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Foreword by Aleksandr Solzhenitsyn. In this highly original study, Victor Leontovitsch offers a reinterpretation of liberalism in a uniquely Russian form. He documents the struggles to develop civil society and individual liberties in imperial Russia up until their ultimate demise in the face of war, revolution, and the collapse of the old regime. This is the first English-language translation of Leontovitsch’s monumental work, which was originally published to critical acclaim in German in 1957.
Ancient Legends to Modern Practice
Foreword by Clyde Barker and Thomas E. Starzl. The first book of its kind, A History of Organ Transplantation examines the evolution of surgical tissue replacement from classical times to the medieval period to the present day. This volume will be useful to undergraduates, graduate students, scholars, surgeons, and the general public. Both Western and non-Western experiences as well as folk practices are included.
The Soviet Age and Beyond
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in émigré literary theory and criticism.
Local Perpetrators and Soviet Responses
Silence has many causes: shame, embarrassment, ignorance, a desire to protect. The silence that has surrounded the atrocities committed against the Jewish population of Eastern Europe and the Soviet Union during World War II is particularly remarkable given the scholarly and popular interest in the war. It, too, has many causes—of which antisemitism, the most striking, is only one. When, on July 10, 1941, in the wake of the German invasion of the Soviet Union, local residents enflamed by Nazi propaganda murdered the entire Jewish population of Jedwabne, Poland, the ferocity of the attack horrified their fellow Poles. The denial of Polish involvement in the massacre lasted for decades. This volume combines revised articles from the journal Kritika and previously unpublished pieces to highlight the complex interactions of prejudice, power, and publicity. It offers a probing examination of the complicity of local populations in the mass murder of Jews perpetrated in areas such as Poland, Ukraine, Bessarabia, and northern Bukovina and analyzes Soviet responses to the Holocaust. Based on Soviet commission reports, news media, and other archives, the contributors examine the factors that led certain local residents to participate in the extermination of their Jewish neighbors; the interaction of Nazi occupation regimes with various sectors of the local population; the ambiguities of Soviet press coverage, which at times reported and at times suppressed information about persecution specifically directed at the Jews; the extraordinary Soviet efforts to document and prosecute Nazi crimes and the way in which the Soviet state’s agenda informed that effort; and the lingering effects of silence about the true impact of the Holocaust on public memory and state responses.
Hyperboreal originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author's family until the federal government's Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community's relocation to distant and arbitrary urban centers. Through language, Hyperboreal grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people—and all Inuit—are contending with.
Labor Activism in Early Twentieth-Century Bolivia
On June 4, 1923, the Bolivian military turned a machine gun on striking miners in the northern Potosí town of Uncía. The incident is remembered as Bolivia’s first massacre of industrial workers. The violence in Uncía highlights a formative period in the development of a working class who would eventually challenge the oligarchic control of the nation. Robert L. Smale begins his study as Bolivia’s mining industry transitioned from silver to tin; specifically focusing on the region of Oruro and northern Potosí. The miners were part of a heterogeneous urban class alongside artisans, small merchants, and other laborers. Artisan mutual aid societies provided miners their first organizational models and the guidance to emancipate themselves from the mine owners’ political tutelage. During the 1910s both the Workers’ Labor Federation and the Socialist Party appeared in Oruro to spur more aggressive political action. In 1920 miners won a comprehensive contract that exceeded labor legislation debated in Congress in the years that followed. Relations between the working class and the government deteriorated soon after, leading to the 1923 massacre in Uncía. Smale ends his study with the onset of the Great Depression and premonitions of war with Paraguay—twin cataclysms that would discredit the old oligarchic order and open new horizons to the labor movement.This period’s developments marked the entry of workers and other marginalized groups into Bolivian politics and the acquisition of new freedoms and basic rights. These events prefigure the rise of Evo Morales—a union activist born in Oruro—in the early twenty-first century.
“Nicole Terez Dutton’s fierce and formidable poetry debut throbs with restless beauty and a lyrical undercurrent that is both empowered and unpredictable. Every poem is unsettling in that delicious way that changes and challenges the reader. There is nothing here that does not hurtle forward.”—Patricia Smith
(On the Wider Implications of Deficient Knowledge)
Nicholas Rescher presents a broad-ranging study that examines the manifestations, consequences, and occasional benefits of ignorance in areas of philosophy, scientific endeavor, and ordinary life. Citing philosophers, theologians, and scientists from Socrates to Steven Hawking, Rescher seeks to uncover the factors that hinder our cognition. Rescher categorizes ignorance as ontologically grounded (rooted in acts of nature-erasure, chaos, and chance-that prevent fact determination), or epistemically grounded (the inadequacy of our information-securing resources). He then defines the basis of ignorance: inaccessible data; statistical fogs; secreted information; past data that have left no trace; future discoveries; future contingencies; vagrant predicates; and superior intelligences. Such impediments set limits to inquiry and mean that while we can always extend our existing knowledge-variability here is infinite-there are things that we will never know. Cognitive finitude also hinders our ability to assimilate more than a certain number of facts. We may acquire additional information, but lack the facility to interpret it. More information does not always increase knowledge; it may point us further down the path toward an erroneous conclusion. In light of these deficiencies, Rescher looks to the role of computers in solving problems and expanding our knowledge base, but finds limits to their reasoning capacity. As Rescher's comprehensive study concludes, ignorance itself is a fertile topic for knowledge, and recognizing the boundaries of our comprehension is where wisdom begins.
While the illness narrative is now a staple of the publishing industry, the genre itself has posed a problem for literary studies. What is the role of criticism in relation to personal accounts of suffering? Can these narratives be judged on aesthetic grounds? Are they a collective expression of the lost intimacy of the patient-doctor relationship? Is their function thus instrumental—to elicit the reader’s empathy? To answer these questions, Ann Jurecic turns to major works on pain and suffering by Susan Sontag, Elaine Scarry, and Eve Sedgwick and reads these alongside illness narratives by Jean-Dominique Bauby, Reynolds Price, and Anne Fadiman, among others. In the process, she defines the subgenres of risk and pain narratives and explores a range of critical responses guided, alternately, by narrative empathy, the hermeneutics of suspicion, and the practice of reparative reading.
In this volume, international writers explore conceptualizations of what defined “East” and “West” in Eastern Europe, imperial Russia, and the Soviet Union in the late nineteenth and twentieth centuries. The contributors analyze the effects of transnational interactions on ideology, politics, and cultural production, and reveal that the roots of an East/West cultural divide existed long before socialism and the Cold War. The chapters explore the complex stages of adoption and rejection of Western ideals in Eastern Europe in areas such as architecture, travel writing, film, music, health care, consumer products, political propaganda, and human rights. They describe a process of mental mapping whereby individuals “captured and possessed” Western identity through cultural encounters and developed their own interpretations. In response, political and intellectual elites devised strategies of resistance to defy these Western impositions. Socialists believed that their cultural forms offered morally and materially better lives for the masses, yet their attitude toward the West, however, fluctuated between a sense of superiority and inferiority. But, in material terms, Western industry and technology were the ever-present yardstick by which progress was measured. The contributors conclude that the necessities of modern life and the rise of consumerism made it impossible for communist states to meet the demands of their citizens. The West eventually won the battle of supply and demand, and thus the battle for cultural influence.