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University of Pittsburgh Press

University of Pittsburgh Press

Website: http://www.upress.pitt.edu/upressIndex.aspx

The University of Pittsburgh Press was founded in 1936 with funding from the A. W. Mellon Educational and Charitable Trust, the Buhl Foundation, the Historical Society of Western Pennsylvania, and the University of Pittsburgh. Its initial purpose was to publish a series of readable and historically accurate books about western Pennsylvania. In the intervening sixty years, the Press has established itself as a scholarly publisher, with distinguished books in several academic areas and in poetry and short fiction, while maintaining its commitment to publishing books about Pittsburgh and western Pennsylvania for general readers, scholars, and students.


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Between Europe and Asia

The Origins, Theories, and Legacies of Russian Eurasianism

Edited by Mark Bassin, Sergey Glebov, and Marlene Laruelle

Between Europe and Asia analyzes the origins and development of Eurasianism, an intellectual movement that proclaimed the existence of Eurasia, a separate civilization coinciding with the former Russian Empire. The essays in the volume explore the historical roots, the heyday of the movement in the 1920s, and the afterlife of the movement in the Soviet and post-Soviet periods. The first study to offer a multifaceted account of Eurasianism in the twentieth century and to touch on the movement's intellectual entanglements with history, politics, literature, or geography, this book also explores Eurasianism's influences beyond Russia. The Eurasianists blended their search for a primordial essence of Russian culture with radicalism of Europe's interwar period. In reaction to the devastation and dislocation of the wars and revolutions, they celebrated the Orthodox Church and the Asian connections of Russian culture, while rejecting Western individualism and democracy. The movement sought to articulate a non-European, non-Western modernity, and to underscore Russia's role in the colonial world. As the authors demonstrate, Eurasianism was akin to many fascist movements in interwar Europe, and became one of the sources of the rhetoric of nationalist mobilization in Vladimir Putin's Russia. This book presents the rich history of the concept of Eurasianism, and how it developed over time to achieve its present form. 

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Between Ruin and Restoration

An Environmental History of Israel

Edited by Daniel E. Orenstein, Alon Tal, and Char Miller

The environmental history of Israel is as intriguing and complex as the nation itself. Situated on a mere 8,630 square miles, bordered by the Mediterranean Sea and Persian Gulf, varying from desert to forest, Israel’s natural environment presents innumerable challenges to its growing population. The country’s conflicted past and present, diverse religions, and multitude of cultural influences powerfully affect the way Israelis imagine, question, and shape their environment. Zionism, from the late nineteenth onward, has tempered nearly every aspect of human existence. Scarcities of usable land and water coupled with border conflicts and regional hostilities have steeled Israeli’s survival instincts. As this volume demonstrates, these powerful dialectics continue to undergird environmental policy and practice in Israel today. Between Ruin and Restoration assembles leading experts in policy, history, and activism to addresses Israel’s continuing environmental transformation from the biblical era to the present and beyond, with a particular focus on the past one hundred and fifty years. The chapters also reflect passionate public debates over meeting the needs of Israel’s population and preserving its natural resources. The chapters detail the occupations of the Ottoman Empire and British colonialists in eighteenth and nineteenth century Palestine, as well as Fellaheen and pastoralist Bedouin tribes, and how they shaped much of the terrain that greeted early Zionist settlers. Following the rise of the Zionist movement, the rapid influx of immigrants and ensuing population growth put new demands on water supplies, pollution controls, sanitation, animal populations, rangelands and biodiversity, forestry, marine policy, and desertification. Additional chapters view environmental politics nationally and internationally, the environmental impact of Israel’s military, and considerations for present and future sustainability.

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Beyond the Pulpit

Women’s Rhetorical Roles in the Antebellum Religious Press

Lisa J. Shaver

In the formative years of the Methodist Church in the United States, women played significant roles as proselytizers, organizers, lay ministers, and majority members. Although women's participation helped the church to become the nation's largest denomination by the mid-nineteenth century, their official roles diminished during that time. In Beyond the Pulpit, Lisa Shaver examines Methodist periodicals as a rhetorical space to which women turned to find, and make, self-meaning. In 1818, Methodist Magazine first published "memoirs" that eulogized women as powerful witnesses for their faith on their deathbeds. As Shaver observes, it was only in death that a woman could achieve the status of minister. Another Methodist publication, the Christian Advocate, was America's largest circulated weekly by the mid-1830s. It featured the "Ladies' Department," a column that reinforced the canon of women as dutiful wives, mothers, and household managers. Here, the church also affirmed women in the important rhetorical and evangelical role of domestic preacher. Outside the "Ladies Department," women increasingly appeared in "little narratives" in which they were portrayed as models of piety and charity, benefactors, organizers, Sunday school administrators and teachers, missionaries, and ministers' assistants. These texts cast women into nondomestic roles that were institutionally sanctioned and widely disseminated. By 1841, the Ladies' Repository and Gatherings of the West was engaging women in discussions of religion, politics, education, science, and a variety of intellectual debates. As Shaver posits, by providing a forum for women writers and readers, the church gave them an official rhetorical space and the license to define their own roles and spheres of influence. As such, the periodicals of the Methodist church became an important public venue in which women's voices were heard and their identities explored.

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Bloom in Reverse

by Teresa Leo

Bloom in Reverse chronicles the aftermath of a friend's suicide and the end of a turbulent relationship, working through devastation and loss while on a search for solace that spans from local bars to online dating and beyond to ultimately find true connection and sustaining love. Things move backwards, from death to life, like a reverse time-lapse video of a dead flower morphing from brittle, scorched entity to floral glory to nacsent bud. The poems seek to find those places where the natural world connects to and informs experiences at the core of human relationships, and at times call upon principles and theories from physics and mathematics to describe the complexities of love and loss. It's a book where grief, melancholy, heratbreak, and disillusionment intersect with urban romanticism, hope, possibility, and love. Bloom is all of it, the terrible and the beautiful.

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Blowout

Denise Duhamel

In Blowout, Denise Duhamel asks the same question that Frankie Lyman & the Teenagers asked back in 1954—"Why Do Fools Fall in Love?" Duhamel's poems readily admit that she is a love-struck fool, but also embrace the "crazy wisdom" of the Fool of the Tarot deck and the fool as entertainer or jester. From a kindergarten crush to a failed marriage and beyond, Duhamel explores the nature of romantic love and her own limitations. She also examines love through music, film, and history—Michelle and Barak Obama's inauguration and Cleopatra's ancient sex toy. Duhamel chronicles the perilous cruelties of love gone awry, but also reminds us of the compassion and transcendence in the aftermath. In "Having a Diet Coke with You," she asserts that "love poems are the most difficult poems to write / because each poem contains its opposite its loss / and that no matter how fierce the love of a couple / one of them will leave the other / if not through betrayal / then through death." Yet, in Blowout, Duhamel fiercely and foolishly embraces the poetry of love.

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The Book of Life

Alicia Suskin Ostriker

“A Song of Songs, which is not Solomon’s but Alicia Ostriker’s. A great age-old hymn to life, to flesh, to memory, is revised again on these pages, with gusto, with passion, with clarity, with eros, with grief. If there is God, it is the mourner’s or the mystic’s God; if there is faith, it is the faith in our future. This is gorgeous poetry, as Jewish as it is universal.” —Ilya Kaminsky

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The Book of Seventy

Alicia Suskin Ostriker

Poems that explore the territory of advancing age—its tragicomedies, its passions, its engagement with the world. Winner of the National Jewish Book Award.

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The Book of Ten

Susan Wood

“Sometimes your car breaks down in front of a gas station, and sometimes it doesn’t. Susan Wood works the lonely stretch of road that connects these two possibilities. It seems as though it’s always night in these beautiful, haunting poems, but Wood lights the landscape with her vision, her intelligence, and the fierceness of her love for everything human.”—David Kirby

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Bound Lives

Africans, Indians, and the Making of Race in Colonial Peru

Bound Lives chronicles the lived experience of race relations in northern coastal Peru during the colonial era. Rachel Sarah O’Toole examines how Andeans and Africans negotiated and employed casta, and in doing so, constructed these racial categories. This study highlights the tenuous interactions of colonial authorities, indigenous communities, and enslaved populations and shows how the interplay between colonial law and daily practice shaped the nature of colonialism and slavery.

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Boy with Thorn

by Rickey Laurentiis

In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation—the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence. The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

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