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For the Love of Rivers

A Scientist's Journey

Kurt D. Fausch

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A Force for Change

Beatrice Morrow Cannady and the Struggle for Civil Rights in Oregon, 1912-1936

Kimberley Mangun

A Force for Change is the first full-length study of the life and work of one of Oregon’s most dynamic civil rights activists, Beatrice Morrow Cannady.

Between 1912 and 1936, Cannady tirelessly promoted interracial goodwill and fought segregation and discrimination. She gave hundreds of lectures to high school and college students and shared her message with radio listeners across the Pacific Northwest. She was assistant editor, and later publisher, of The Advocate, Oregon’s largest African American newspaper. Cannady was the first black woman to graduate from law school in Oregon, and the first to run for state representative. She held interracial teas in her home in Northeast Portland and protested repeated showings of the racist film The Birth of a Nation. And when the Ku Klux Klan swept into Oregon, she urged the governor to act quickly to protect black Oregonians’ right to live and work without fear. Despite these accomplishments, Beatrice Cannady fell into obscurity when she left Oregon in the late 1930s.

A Force for Change illuminates Cannady’s key role in advocating for better race relations in Oregon in the early decades of the twentieth century. It describes her encounters with the period’s leading black artists, editors, politicians, and intellectuals, including W.E.B. Du Bois, Langston Hughes, A. Philip Randolph, Oscar De Priest, Roland Hayes, and James Weldon Johnson. It dispels the myth that African Americans played little part in Oregon’s history and it enriches our understanding of the black experience in Oregon and the civil rights movement across the country.

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Forest of Time

A Century of Science at Wind River Experimental Forest

Margaret Herring and Sarah Greene

The Wind River Experimental Forest has been called the cradle of forestry in the Pacific Northwest, a place of groundbreaking discoveries in forest genetics and ecology. Forest of Time follows 100 years of forest science at Wind River, as social and scientific changes transformed the 20th century and the Pacific Northwest forest itself. It is a story of discovery and blindness, of opportunities taken and missed, in a forest dedicated to long-term research.

The Forest Service began research at Wind River in 1908 to learn the secrets of the giant Douglas fir. During the course of the century, generations of scientists studied the forest, and their conclusions changed through time. Initially, Wind River scientists saw the region in need of protection from fire and careless logging. They saw scorched, cutover land that required replanting. Later they saw the forest in need of improvement, needing to be freed from pests and unprofitable species and replaced with thrifty, fast-growing plantations.

Wind River soon became a laboratory where foresters from around the world came to learn how to grow the best possible lumber in the shortest amount of time. As plantations replaced natural stands, scientists came to Wind River to explore the complexity of old-growth forest ecosystems. And today, Wind River is the center of a 21st century exploration of forest canopies and the global connection between forests and atmosphere.

In Forest of Time, Margaret Herring and Sarah Greene show readers how science grows and changes in unexpected ways, much like a forest through time.

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Gathering Moss

A Natural and Cultural History of Mosses

Robin Wall Kimmerer

Winner of the 2005 John Burroughs Medal Award for Natural History Writing

Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.

In this series of linked personal essays, Robin Wall Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating organisms have to teach us.

Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.

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Grass Roots

A History of Cannabis in the American West

Nick Johnson

Marijuana legalization is unfolding across the American West, but cultivation of the cannabis plant is anything but green. Unregulated outdoor grows are polluting ecosystems, high-powered indoor grows are churning out an excessive carbon footprint, and the controversial crop is becoming an agricultural boon just as the region faces an unprecedented water crisis.

To understand how we got here and how the legal cannabis industry might become more environmentally sustainable, Grass Roots looks at the history of marijuana growing in the American West, from early Mexican American growers on sugar beet farms to today’s sophisticated greenhouse gardens. Over the past eighty years, federal marijuana prohibition has had a multitude of consequences, but one of the most important is also one of the most overlooked—environmental degradation. Grass Roots argues that the most environmentally negligent farming practices—such as indoor growing—were borne out of prohibition. Now those same practices are continuing under legalization.

Grass Roots uses the history of cannabis as a crop to make sense of its regulation in the present, highlighting current efforts to make the marijuana industry more sustainable. In exploring the agricultural history of cannabis, There are many social and political histories of cannabis, but in considering cannabis as a plant rather than as a drug, Grass Roots offers the only agriculturally focused history to date.

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Grow Food, Cook Food, Share Food

Perspectives on Eating from the Past and a Preliminary Agenda for the Future

Ken Albala

Grow Food, Cook Food, Share Food is a practical food history lesson, an editorial on our use of packaged convenience foods, and a call to arms—of the kitchen variety. Mixing food writing and history, adding a dash of cookbook, author and scholar Ken Albala shares the story of what happened when he started taking food history seriously and embarked on a mission to grow, cook, and share food in the ways that people did in the past.

Albala considers what the traditions we have needlessly lost have to offer us today: a serious appreciation for the generative power of the earth, the great pleasures of cooking food, and the joy of sharing food with family, friends, and even strangers. In Albala’s compelling book, obscure seventeenth-century Italian farmer-nobles, Roman statesmen, and quirky cheesemakers from the fifteenth and sixteenth centuries all offer lessons about our relationship with the food we eat.

A rare form of historical activism, Grow Food, Cook Food, Share Food is written for anyone who likes to eat, loves to cook, and knows how to throw a great dinner party.

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Here on the Edge

How a Small Group of World War II Conscientious Objectors Took Art and Peace from the Margins to the Mainstream

Steve McQuiddy

Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.

They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.

After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.

As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.

Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions reasonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.

Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.

They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.

After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.

As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.

Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions reasonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.

restricted access This search result is for a Book

Holdfast

At Home in the Natural World

Kathleen Dean Moore

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A Hunger for High Country

One Woman's Journey to the Wild in Yellowstone Country

Susan Marsh

Before the 1970s the United States Forest Service employed few women. During the 1960s and 70s new environmental and fair employment laws meant that the Forest Service began to hire talented women in professional careers. For the first time women began working as wildlife biologists, geologists, soil scientists, and fisheries biologists for the U.S. Forest Service. A Hunger for High Country is the story of one of these women.

Set in the national forests surrounding Yellowstone National Park, A Hunger for High Country is part memoir and part profile of a time and place. Susan Marsh finds her background and values often place her at odds with the agency she works for, and what was supposed to be her dream job in Montana ends in sorrow and frustration after a six-year-long struggle to fit in. Humbled by her failures, and the part she played in her own downfall, she begins again in the mountains of western Wyoming where she finds refuge and inspiration in nature.

Susan Marsh shares with us not only a vivid portrait of what being a professional woman in a land management agency was like during this time period, but also of the Forest Service itself. Encounters with wolves and grizzly bears, outlaws and renegade lawmen, and moments of beauty inspired by wonder in wild country become the scenes through which Marsh’s palpable appreciation for nature are fully rendered on the page.

A Hunger for High Country will appeal to anyone interested in the Forest Service, wild land conservation, Yellowstone, and a woman’s experiences in the West.

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