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A Novel of the Warsaw Ghetto Uprising
At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk. Over a four-day period, Tuesday through Friday of Holy Week 1943, as Irena becomes increasinglytraumatized by her situation, Malecki questions his decision to shelter Irena in the apartment where Malecki, his pregnant wife, and his younger brotherreside. Added to his dilemma is the broader context of Poles’ attitudes toward the “Jewish question” and the plight of the Jews locked in the ghetto duringthe final moments of its existence.Few fictional works dealing with the war have been written so close in time to the events that inspired them. No other Polish novel treats the range of Polish attitudes toward the Jews with such unflinching honesty.Jerzy Andrzejewski’s Holy Week (Wielki Tydzien, 1945), one of the significant literary works to be published immediately following the Second World War, now appears in English for the first time.
In this collection of poems, winner of the Hollis Summers Poetry Prize, Jennifer Rose writes primarily of places and displacement. Using the postcard's conventions of brevity, immediacy, and, in some instances, humor, these poems are greetings from destinations as disparate as Cape Cod, Kentuckiana, and Croatia. Rich in imagery, deftly crafted, and imbued with a lightness of voice these poems are also postmarked from poetry's more familiar provinces of love, nature and loss. Chosen from hundreds of submissions, Hometown for an Hour, is the winner of the ninth Summers Poetry Prize. As final judge David Yezzi wrote:“Jennifer Rose's “postcards” arrive with news of a world receding-but for her evocative communiquésˆrapidly into the past. The poems serve to fix in time her transient locals, revealing not remote tourist destinations but the very places where the poet has been most alive. Rose's odd assortment of places, she tells us, have seduced her, just as reading her poems, with their elegant and muscular formal excellence, will most certainly seduce readers. Tempering nostalgia with wit and emotional immediacy with consummate musicianship and craft, these poems reconstruct a world that, in Rose's fine imagining of it, becomes not only hers but ours as well.” Poet and city planner Jennifer Rose has been a “Discovery”/ The Nation winner and the recipient of awards and fellowships from the National Endowment for the Arts and the Poetry Society of America, among others. Her previous collection, The Old Direction of Heaven, was published in 2000. She lives in Waltham, Massachusetts.
The Civil War in Documents
A History of Landscape Memory in Tanzania from Earliest Time to the Present
Independent Black Politics and Third-Party Movements in the United States
Stories of Wheatbelt Australia
In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. The stories offer glimpses into the lives of the people who call this area home, as we journey from just north of the town of Geraldton to the far eastern and southern shires of the region.
Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place itself wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavor. Inflected with both contemporary ideas of short fiction and the “everyman” tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters.
The Politics of Slavery in the National Capital
Few images of early America were more striking, and jarring, than that of slaves in the capital city of the world’s most important free republic. Black slaves served and sustained the legislators, bureaucrats, jurists, cabinet officials, military leaders, and even the presidents who lived and worked there. While slaves quietly kept the nation’s capital running smoothly, lawmakers debated the place of slavery in the nation, the status of slavery in the territories newly acquired from Mexico, and even the legality of the slave trade in itself. In the Shadow of Freedom, with essays by some of the most distinguished historians in the nation, explores the twin issues of how slavery made life possible in the District and how lawmakers in the District regulated slavery in the nation.
English Verse in Colonial India from Jones to Tagore
In Indian Angles, Mary Ellis Gibson provides a new historical approach to Indian English literature. Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson recreates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities.
Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by non-elite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia.
In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.