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A Critical Anthology
Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.
Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early Indian English poet Kasiprasad Ghose. The anthology brings together poets who were in fact colleagues, competitors, and influences on each other. The historical scope of the anthology, beginning with the famous Orientalist Sir William Jones and the anonymous “Anna Maria” and ending with Indian poets publishing in fin-de-siècle London, will enable teachers and students to understand what brought Kipling early fame and why at the same time Tagore’s Gitanjali became a global phenomenon. Anglophone Poetry in Colonial India, 1780–1913 puts all parties to the poetic conversation back together and makes their work accessible to American audiences.
With accurate and reliable texts, detailed notes on vocabulary, historical and cultural references, and biographical introductions to more than thirty poets, this collection will significantly reshape the understanding of English language literary culture in India. It allows scholars to experience the diversity of poetic forms created in this period and to understand the complex religious, cultural, political, and gendered divides that shaped them.
Teaching the Region
Asylum on the Hill is the story of a great American experiment in psychiatry, a revolution in care for those with mental illness, as seen through the example of the Athens Lunatic Asylum. Built in Southeast Ohio after the Civil War, the asylum embodied the nineteenth-century “gold standard” specifications of moral treatment. Stories of patients and their families, politicians, caregivers, and community illustrate how a village in the coalfields of the Hocking River Valley responded to a national impulse to provide compassionate care based on a curative landscape, exposure to the arts, outdoor exercise, useful occupation, and personal attention from a physician. Although ultimately doomed by overcrowding and overshadowed by the rise of new models of psychiatry, for twenty years the therapeutic community at Athens pursued moral treatment therapy with energy and optimism. Ziff’s fresh presentation of America’s nineteenth-century asylum movement shows how the Athens Lunatic Asylum accommodated political, economic, community, family, and individual needs and left an architectural legacy that has been uniquely renovated and repurposed.
The story of the American Quilt Trail, featuring the colorful patterns of quilt squares writ large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron travels through twenty-nine states and two Canadian provinces to visit the people and places that have put this movement on America’s tourist and folk art map.
Through dozens of interviews with barn artists, committee members, and barn owners Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, registered quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred driving trails.
With more than fifty full-color photographs, Parron documents a movement that combines rural economic development with an American folk art phenomenon.
There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds. Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political dividesâ€”generations in a family, man and woman, and the tentative present and our inherited pasts. But behind much of the writing there is also a desire for a kind of idealized belongingâ€”to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davisâ€™s own cosmopolitan background provides the context for many of the poems, yet he is concerned always to Wnd the humanly universal within the local and anecdotalâ€”a hope realized in these careful and incandescent poems. â€œReading this book in manuscript, I began by jotting down the titles of the best poems, but gave that up when it seemed I might choose them all.â€?â€”Richard Wilbur Dick Davis is an Englishman who has lived for most of his adult life outside his own countryâ€”in Greece, Italy, Iran, and the United States. He is currently a professor of Persian at Ohio State University in Columbus and the author of several books of poetry and translations, including Touchwood and Borrowed Ware. What others say about this book: In Top 10 Poetry Selections for 2002! â€œHis poems are full of fine emotion, intelligence, wit, and multinational culture. He lithely celebrates the legendary rake Casanova; poignantly conjures â€œKiplingâ€™s Kim, Thirty Years Onâ€?; economically reports a fatherâ€™s aching futility in comforting his child (â€œA Bit of Paternityâ€?); deftly valorizes the power of art (â€œJust Soâ€?); and often muses on the shortness of life and the limitations of being human, so cogently that a single quatrain can take oneâ€™s breath away.â€?â€”The Booklist A Book of the Year 2002! â€œA British poet married to an Iranian, Dick Davis teaches Persian literature in the United States. The cultural diversity of his life is reflected in the variety of his poems â€”in their skillfully handled formal range, in the scope of their subject-matter and in their commitment to an ideal of civilized life shared by many cultures. Belonging is a profound and beautiful collection, which stimulates, dazzles, surprises and delights.â€?â€”The Economist â€œI want to go through Belonging quoting handfuls, learning poem after poem by heart. . . . To read Dick Davis is to be reminded of what poetry used to be, and can still become.â€? â€”X. J. Kennedy
Marital Violence in Victorian Fiction
“Professor Surridge exhibits a clear and persuasive historical sense as well as sensitivity to the novels and stories. I believe this study will have lasting value because of its careful historical research and corresponding interpretation of the texts,” says Naomi Wood, Kansas State University The Offenses Against the Person Act of 1828 was a piece of legislation that opened magistrates' courts to abused working-class wives. Newspapers in turn reported on these proceedings and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat the phenomenon of “private” family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists' engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens, Dombey and Son and The Tenant of Wildfell Hall, in the context of the intense debates on wife assault and manliness in the late 1840s and early 1850s. George Eliot's Janet's Repentance is read in light of the parliamentary debates on the 1857 Divorce Act. Marital cruelty trials provide the structure for both John Sutherland's The Woman in White and Anthony Trollope's He Knew He Was Right. Locating the New Woman fiction of Mona Caird and the reassuring detective investigations of Sherlock Holmes in the context of late-Victorian feminism and the great marriage debate in the Daily Telegraph, Surridge illustrates how fin-de-siècle fiction brought male sexual violence and the viability of marriage itself under public scrutiny. Bleak Houses thus demonstrates how Victorian fiction was actively engaged with the wife-assault debates of the nineteenth century, debates which both constructed and invaded the privacy of the middle-class home. ABOUT THE AUTHOR---Lisa Surridge is associate professor of English at the University of Victoria, Canada. She is co-editor of Mary Elizabeth Braddon's Aurora Floyd and has published on Victorian fiction in many journals including Victorian Literature and Culture, Women's Writing, Dickens Studies Annual, Victorian Newsletter, and Victorians Institute Journal.
Polish Migrants in Germany and the United States, 1870-1924
The issues of immigration and integration are at the forefront of contemporary politics. Yet debates over foreign workers and the desirability of their incorporation into European and American societies too often are discussed without a sense of history. McCook’s examination questions static assumptions about race and white immigrant assimilation a hundred years ago, highlighting how the Polish immigrant experience is relevant to present-day immigration debates on both sides of the Atlantic. Further, his research shows the complexity of attitudes toward immigration in Germany and the United States, challenging historical myths surrounding German national identity and the American “melting pot.”
In a comparative study of Polish migrants who settled in the Ruhr Valley and northeastern Pennsylvania, McCook shows that in both regions, Poles become active citizens within their host societies through engagement in social conflict within the public sphere to defend their ethnic, class, gender, and religious interests. While adapting to the Ruhr and northeastern Pennsylvania, Poles simultaneously retained strong bonds with Poland, through remittances, the exchange of letters, newspapers, and frequent return migration. In this analysis of migration in a globalizing world, McCook highlights the multifaceted ways in which immigrants integrate into society, focusing in particular on how Poles created and utilized transnational spaces to mobilize and attain authentic and more permanent identities grounded in newer broadly conceived notions of citizenship.
A Practical Guide to Oral History