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Narration, Rhetoric, and Reading
Franz Kafka: Narration, Rhetoric, and Reading presents essays by noted Kafka critics and by leading narratologists who explore Kafka’s original and innovative uses of narrative throughout his career. Collectively, these essays by Stanley Corngold, Anniken Greve, Gerhard Kurz, Jakob Lothe, J. Hillis Miller, Gerhard Neumann, James Phelan, Beatrice Sandberg, Ronald Speirs, and Benno Wagner examine a number of provocative questions that arise in narration and narratives in Kafka’s fiction. The arguments of the essays relate both to the peculiarities of Kafka’s story-telling and to general issues in narrative theory. They reflect, for example, the complexity of the issues surrounding the “somebody” doing the telling, the attitude of the narrator to what is told, the perceived purpose(s) of the telling, the implied or actual reader, the progression of events, and the progression of the telling. As the essays also demonstrate, Kafka’s narratives still present a considerable challenge to, as well as a great resource for, narrative theory and analysis.
Monsieur de l'Aubepine and His Second Empire Critics
Most students of American literature probably can recall the playful French nom de plume—Monsieur de l’Aubépine—that Nathaniel Hawthorne occasionally employed to disguise some of his early attempts at authorship. But very few will know that Monsieur de l’Aubépine enjoyed a surprisingly intelligent critical reception in France during his lifetime. No fewer than six—often startling—essays about the American author appeared in leading French periodicals from 1852 to 1864. The French Face of Nathaniel Hawthorne, edited by Michael Anesko and N. Christine Brookes, recuperates these lost (or forgotten) critical assessments, making available to English readers for the first time the full texts of these extraordinary contemporaneous French critical essays. Besides offering elegantly rendered (and helpfully annotated) translations of the essays, Anesko and Brookes analyze them in relation to their immediate historical context and examine their unexpected relevance to later critical trends and arguments.
Vol. 34 (2002) - vol. 36 (2004)
First in its specialty area and one of the most frequently cited publications in geography, Geographical Analysis has, since 1969, presented significant advances in geographical theory, model building, and quantitative methods to geographers and scholars in a wide spectrum of related fields. Traditionally, mathematical and nonmathematical articulations of geographical therory, and statements and discussions of the analytic paradigm are published in the journal. Spatial data analyses and spatial econometrics and statistics are strongly represented.
Travels Abroad and Sundays at the Priory
Sundays at the Priory, the salons that George Eliot and George Henry Lewes conducted throughout the winter seasons during their later years in the 1870s, have generally earned descriptions as at once scandalous and dull, with few women in attendance, and guests approaching the Sibyl one by one to express their almost pious devotion. But both the guest lists of the salons—which include significant numbers of women, a substantial gay and lesbian contingent, and a group of singers who performed repeatedly—together with the couple’s frequent travels to European spas, where they encountered many of the guests likely to visit the Priory, revise the conclusion that George Eliot lived her entire life as an ostracized recluse. Instead, newly mined sources reveal George Eliot as a member of a large and elite, if slightly Bohemian, international social circle in which she moved as a literary celebrity and through which she stimulated her creative imagination as she composed her later poetry and fiction. George Eliot in Society: Travels Abroad and Sundays at the Priory by Kathleen McCormack draws attention to the survival of the literary/musical/artistic salon in the Victorian era, at a time in which social interactions coexisted with rising tensions that would soon obliterate the European spa/salon culture in which the Leweses participated, both as they traveled abroad and at Sundays at the Priory.
Women and the Import of Fiction, 1866-1917
In postbellum America, publishers vigorously reprinted books that were foreign in origin, and Americans thus read internationally even at a moment of national consolidation. A subset of Americans’ international reading—nearly 100 original texts, approximately 180 American translations, more than 1,000 editions and reprint editions, and hundreds of thousands of books strong—comprised popular fiction written by German women and translated by American women. German Writing, American Reading: Women and the Import of Fiction, 1866–1917 by Lynne Tatlock examines the genesis and circulation in America of this hybrid product over four decades and beyond. These entertaining novels came to the consumer altered by processes of creative adaptation and acculturation that occurred in the United States as a result of translation, marketing, publication, and widespread reading over forty years. These processes in turn de-centered and disrupted the national while still transferring certain elements of German national culture. Most of all, this mass translation of German fiction by American women trafficked in happy endings that promised American readers that their fondest wishes for adventure, drama, and bliss within domesticity and their hope for the real power of love, virtue, and sentiment could be pleasurably realized in an imagined and quaintly old-fashioned Germany—even if only in the time it took to read a novel.
Secularizingthe Uncanny in the European Imaginary, 1780-1820
Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 by Diane Long Hoeveler provides the first comprehensive study of what are called “collateral gothic” genres—operas, ballads, chapbooks, dramas, and melodramas—that emerged out of the gothic novel tradition founded by Horace Walpole, Matthew Lewis, and Ann Radcliffe. The role of religion and its more popular manifestations, superstition and magic, in the daily lives of Western Europeans were effectively undercut by the forces of secularization that were gaining momentum on every front, particularly by 1800. It is clear, however, that the lower class and the emerging bourgeoisie were loath to discard their traditional beliefs. We can see their search for a sense of transcendent order and spiritual meaning in the continuing popularity of gothic performances that demonstrate that there was more than a residue of a religious calendar still operating in the public performative realm. Because this bourgeois culture could not turn away from God, it chose to be haunted, in its literature and drama, by God’s uncanny avatars: priests, corrupt monks, incestuous fathers, and uncles. The gothic aesthetic emerged during this period as an ideologically contradictory and complex discourse system; a secularizing of the uncanny; a way of alternately valorizing and at the same time slandering the realms of the supernatural, the sacred, the maternal, and the primitive.
Law and Gender in the Decameron
The Governance of Friendship: Law and Gender in the Decameron by Michael Sherberg addresses two related and heretofore unexamined problems in the pages of the Decameron: its theory of friendship and the legal theory embedded in it. Sherberg shows how Aristotle’s Ethics as well as Thomas Aquinas’s Summa Theologica inform these two discourses, at the intersection of which Boccaccio locates the question of gender relations which is one of the book’s central concerns.
Science Fiction and Transformative Environmentalism
Science fiction goes green? Eric C. Otto explores literary science fiction’s engagement with a central concern of our times: ecological degradation. Situated at the intersection of science fiction studies and environmental philosophy, Green Speculations: Science Fiction and Transformative Environmentalism highlights key works of environmental science fiction that critique various human values for their roles in instigating such degradation. The books receiving ecocritical treatment in Green Speculations include George R. Stewart’s Earth Abides (1949), Frank Herbert’s Dune (1965), Ursula K. Le Guin’s The Word for World Is Forest (1972), Joan Slonczewski’s A Door into Ocean (1986), Kim Stanley Robinson’s Mars trilogy (1993, 1994, 1996), and Paolo Bacigalupi’s The Windup Girl (2009). Otto reads these and other important science fiction novels as educative in their representations of environmental issues and the environmental philosophies that have emerged in response to them. Green Speculations demonstrates how environmental science fiction can be read not only as reflecting the ideas of environmental philosophies such as deep ecology, ecofeminism, and ecosocialism, but also as instrumental in thinking through the tenets of these philosophies. As such, the book places science fiction at the center of environmentalism and considers the genre to be an essential tool for prompting needed social and cultural transformation.
The Rhetorics of Christian Orthodoxy in Late Modern Fiction
Hard Sayings: The Rhetoric of Christian Orthodoxy in Late Modern Fiction by Thomas F. Haddox examines the work of six avowedly Christian writers of fiction in the period from World War II to the present. This period is often characterized in western societies by such catchphrases as “postmodernism” and “secularization,” with the frequent implication that orthodox belief in the dogmas of Christianity has become untenable among educated readers. How, then, do we account for the continued existence of writers of self-consciously literary fiction who attempt to persuade readers of the truth, desirability, and utility of the dogmas of Christianity? Is it possible to take these writers’ efforts on their own terms and to understand and evaluate the rhetorical strategies that this kind of persuasion might entail? Informed by the school of rhetorical narratology that includes such critics as Wayne Booth, James Phelan, and Richard Walsh, Hard Sayings offers fresh new readings of fictive works by Flannery O’Connor, Muriel Spark, John Updike, Walker Percy, Mary Gordon, and Marilynne Robinson. In its argument that orthodox Christianity, as represented in fiction, still has the power to persuade and to trouble, it contributes to ongoing debates about the nature and scope of modernity, postmodernity, and secularization.
Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway’s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who’s who of black writers—Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more—cite Hemingway as a vital influence. This inspiration extends from style, Hemingway’s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer’s 1923 hybrid, short-story cycle Cane, which influenced Hemingway’s collage-like 1925 In Our Time. Just as important as Hemingway’s influence, indeed, is the complex intertextuality, the multilateral conversation, between Hemingway and key black writers. The diverse praises by black writers for Hemingway in fact signify that the white author’s prose rises out of the same intensely American concerns that their own writings are formed on: the integrity of the human subject faced with social alienation, psychological violence, and psychic disillusionment. An understanding of this literary kinship ultimately initiates not only an appreciation of Hemingway’s stimulus but also a perception of an insistent black presence at the core of Hemingway’s writing.