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NYU Press

NYU Press

Website: http://nyupress.org/

New York University Press is a publisher primarily of academic books and is a department of the New York University Division of Libraries. NYU Press publishes in the humanities and social sciences, with emphasis on sociology, law, cultural and American studies, religion, American history, anthropology, politics, criminology, media and film, and psychology. The Press also publishes books on New York regional history, politics, and culture.


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America’s Safest City Cover

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America’s Safest City

Delinquency and Modernity in Suburbia

Simon I. Singer

Since the mid-1990s, the fast-growing suburb of Amherst, NY has been voted by numerous publications as one of the safest places to live in America. Yet, like many of America’s seemingly idyllic suburbs, Amherst is by no means without crime—especially when it comes to adolescents. In America’s Safest City, noted juvenile justice scholar Simon I. Singer uses the types of delinquency seen in Amherst as a case study illuminating the roots of juvenile offending and deviance in modern society. If we are to understand delinquency, Singer argues, we must understand it not just in impoverished areas, but in affluent ones as well.

Drawing on ethnographic work, interviews with troubled youth, parents and service providers, and extensive surveys of teenage residents in Amherst, the book illustrates how a suburban environment is able to provide its youth with opportunities to avoid frequent delinquencies. Singer compares the most delinquent teens he surveys with the least delinquent, analyzing the circumstances that did or did not lead them to deviance and the ways in which they confront their personal difficulties, societal discontents, and serious troubles. Adolescents, parents, teachers, coaches and officials, he concludes, are able in this suburban setting to recognize teens’ need for ongoing sources of trust, empathy, and identity in a multitude of social settings, allowing them to become what Singer terms ‘relationally modern’ individuals better equipped to deal with the trials and tribulations of modern life. A unique and comprehensive study, America’s Safest City is a major new addition to scholarship on juveniles and crime in America.

Amiri Baraka Cover

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Amiri Baraka

The Politics and Art of a Black Intellectual

Jerry Watts

Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years.

In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political activities, Jerry Watts takes us from his early immersion in the New York scene through the most dynamic period in the life and work of this controversial figure. Watts situates Baraka within the various worlds through which he travelled including Beat Bohemia, Marxist-Leninism, and Black Nationalism. In the process, he convincingly demonstrates how the 25 years between Baraka's emergence in 1960 and his continued influence in the mid-1980s can also be read as a general commentary on the condition of black intellectuals during the same time. Continually using Baraka as the focal point for a broader analysis, Watts illustrates the link between Baraka's life and the lives of other black writers trying to realize their artistic ambitions, and contrasts him with other key political intellectuals of the time. In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past.

A work of extraordinary breadth, Amira Baraka is a powerful portrait of one man's lifework and the pivotal time it represents in African-American history. Informed by a wealth of original research, it fills a crucial gap in the lively literature on black thought and history and will continue to be a touchstone work for some time to come.

The Anchor of My Life Cover

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The Anchor of My Life

Middle-Class American Mothers and Daughters, 1880-1920

Linda Rosenzweig

Relying on women's own words in letters and journals, Rosenzweig refutes the prescriptive literature of the times with its dire predictions of inevitable rifts between Victorian mothers and their daughters, the new women of the twentieth century. Instead Rosenzweig shows us mothers who rejoiced in their daughters' educational successes and, while they did not always comprehend the nature of the changes taking place, were only too happy to see their daughters escape some of their own restrictions and grief.

Extremely useful to scholars and teachers of women's history and family history, The Anchor of My Life should also be fascinating to the general public for the accurate window that it provides on these complicated family relationship in our history.
—Laurie Crumpacker , Department of History, Simmons College

"Drawing on a broad array of historical sources, The Anchor of My Lifechallenges the common assumption that mother-daughter relationships invariably are characterized by tensions and conflicts. This lively and moving book deserves a wide audience."
—Emily K. Abel , author of Circles of Care: Work and Identity in Women's Lives

The relationship between mothers and daughters has been the subject of much research and study, in such fields as psychoanalysis, sociology, and women's studies. But rarely has the history and evolution of this relationship been examined.

In The Anchor of My Life, Linda W. Rosenzweig draws on a wide range of primary sources--letters, diaries, autobiographies, prescriptive advice or self-help literature, and fiction—to reveal the historical nuances of this pivotal relationship. Rosenzweig's distinctive approach focuses on the interaction between mothers and daughters of the American middle class at the turn of the century, revealing that mothers and daughters managed to sustain close, nurturing relationships in an era marked by a major female generation gap in terms of aspirations and opportunities. Illustrated with photographs and portraits of the time, The Anchor of My Life provocatively challenges the facile, late twentieth-century assumption that the mother-daughter relationship is necessarily defined by hostility, guilt, and antagonism.

And Gently He Shall Lead Them Cover

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And Gently He Shall Lead Them

Robert Parris Moses and Civil Rights in Mississippi

Eric Burner

"This moving account of a key figure in American history contributes greatly to our understanding of the past. It also informs our vision of the servant leader needed to guide the 1990s movement."
Marian Wright Edelman, President, Children's Defense Fund

"First-rate intellectual and political history, this study explores the relations between the practical objectives of SNCC and its moral and cultural goals."
Irwin Unger, Author of These United States and Postwar America

"Robert Moses emerges from these pages as that rare modern hero, the man whose life enacts his principles, the rebel who steadfastly refuses to be victim or executioner and who mistrusts even his own leadership out of commitment to cultivating the strength, self-reliance, and solidarity of those with and for whom he is working. Eric Burner's engrossing account of Robert Moses's legendary career brings alive the everyday realities of the Civil Rights Movement, especially the gruelling campaign for voter registration and political organization in Mississippi."
Elizabeth Fox-Genovese, Eleonore Raoul Professor of the Humanities, Emory University, author of Within the Plantation Household: Black and White Women of the Old South

Next to Martin Luther King, Jr. and Malcolm X, Bob Moses was arguably one of the most influential and respected leaders of the civil rights movement. Quiet and intensely private, Moses quickly became legendary as a man whose conduct exemplified leadership by example. He once resigned as head of the Council of Federated Organizations because "my position there was too strong, too central." Despite his centrality to the most important social movement in modern American history, Moses' life and the philosophy on which it is based have only been given cursory treatment and have never been the subject of a book-length biography.

Biography is, by its very nature, a complicated act of recovery, even more so when the life under scrutiny deliberately avoids such attention. Eric Burner therefore sets out here not to reveal the "secret" Bob Moses, but to examine his moral philosophy and his political and ideological evolution, to provide a picture of the public person. In essence, his book provides a primer on a figure who spoke by silence and led through example.

Moses spent almost three years in Mississippi trying to awaken the state's black citizens to their moral and legal rights before the fateful summer of 1964 would thrust him and the Freedom Summer movement into the national spotlight. We follow him through the civil rights years — his intensive, fearless tradition of community organizing, his involvements with SNCC and the Mississippi Freedom Democratic Party, and his negotiations with the Department of Justice —as Burner chronicles both Moses' political activity and his intellectual development, revealing the strong influence of French philosopher Albert Camus on his life and work.

Moses' life is marked by the conflict between morality and politics, between purity and pragmatism, which ultimately left him disillusioned with a traditional Left that could talk only of coalitions and leaders from the top. Pursued by the Vietnam draft board for a war which he opposed, Moses fled to Canada in 1966 before departing for Africa in 1969 to spend the next decade teaching in Tanzania. Returning in 1977 under President Carter's amnesty program, he was awarded a five-year MacArthur genius grant in 1982 to establish and develop an innovative program to teach math to Boston's inner-city youth called the Algebra Project. The success of the program, which Moses has referred to as our version of Civil Rights 1992, has landed him on the cover of The New York Times Magazineemphasizing the new, central dimension that math and computer literacy lends to the pursuit of equal rights.

And Gently He Shall Lead Them is the story of a remarkable man, an elusive hero of the civil rights movement whose flight from adulation has only served to increase his reputation as an intellectual and moral leader, a man whom nobody ever sees, but whose work is always in evidence.

From his role as one of the architects of the civil rights movement thirty years ago to his ongoing work with inner city children, Robert Moses remains one of America's most courageous, energetic, and influential leaders. Wary of the cults of celebrity he saw surrounding Martin Luther King, Jr. and Malcolm X and fueled by a philosophy that shunned leadership, Moses has always labored behind the scenes. This first biography, a primer in the life of a unique American, sheds significant light on the intellectual and philosophical worldview of a man who is rarely seen but whose work is always in evidence.

Androids, Humanoids, and Other Folklore Monsters Cover

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Androids, Humanoids, and Other Folklore Monsters

Science and Soul in Science Fiction Films

Per Schelde

Science fiction films, from the original Frankenstein and The Fly to Blade Runner and The Terminator, traditionally have been filled with aliens, spaceships, androids, cyborgs, and all sorts of robotic creatures along with their various creators. The popular appeal of these characters is undeniable, but what is the meaning of this generation of creatures? What is the relationship of mad scientist to subject, of human to android, of creature to creator?

Androids, Humanoids, and Other Folklore Monsters is a profound investigation of this popular cultural form. Starting his discussion with the possible source of these creatures, anthropologist and writer Per Schelde identifies the origin of these critters in the folklore of past generations. Continuing in the tradition of ancient folklore, contends Schelde, science fiction film is a fictional account of the ongoing battle between nature and culture. With the advance of science, the trolls, dwarves, pixies, nixies, and huldres that represented the unknown natural forces of the world were virtually killed off by ever-increasing knowledge and technology. The natural forces of the past that provided a threat to humans were replaced by the danger of unknown scientific experiments and disasters, as represented by their offspring: science fiction monsters.

As the development of genetics, biomedical engineering, and artificial intelligence blur the lines between human and machine in the real world, thus invading the natural landscape with the products of man's techno-culture, the representation of this development poses interesting questions. As Per Schelde shows, it becomes increasingly difficult in science fiction film to define the humans from their creations, and thus increasingly difficult to identify the monster.

Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture—but with a new twist.

Schelde explains how, as science conquered the forests and mountains of the wild, the mythic creatures of these realms—trolls, elves, and ogres—were relegated to cartoons and children's stories. Technology and outer space came to represent the modern wild, and this new unknown came alive in the popular imagination with the embodiments of our fears of that unknown: androids, cyborgs, genetics, and artificial intelligence gone awry. Implicit in all of these is a fear, and an indictment, of the power of science to invade our minds and bodies, replacing the individual soul with a mechanical, machine-made one.

Focusing his analysis on sixty-five popular films, from Frankenstein and Metropolis to Invasion of the Body Snatchers, The Terminator, and Blade Runner, Per Schelde brings his command of traditional folklore to this serious but eminently readable look at SF movies, decoding their curious and often terrifying images as expressions of modern man's angst in the face of a rapidly advancing culture he cannot control. Anyone with an interest in popular culture, folklore, film studies, or science fiction will enjoy this original and comprehensive study.

Another Country Cover

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Another Country

Queer Anti-Urbanism

Scott Herring, 0, 0

“Scott Herring presents an exquisitely detailed road atlas of the complicated intersection between topography and destiny.”

Another Self Cover

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Another Self

Middle-Class American Women and Their Friends in the Twentieth Century

Linda Rosenzweig

From nineteenth-century romantic friendships to childhood best friends and idealistic versions of feminist sisterhood, female friendship has been seen as an essential, sustaining influence on women's lives. Women are thought to have a special aptitude for making and keeping friends.

But notions of friendship are not constant-and neither are women's experiences of this fundamental form of connection. In Another Self, Linda W. Rosenzweig sheds light on the changing nature of white middle-class American women's relationships during the coming of age of modern America.

As the middle-class domesticity of the nineteenth century waned, a new emotional culture arose in the twentieth century and the intensely affectionate bonds between women of earlier decades were supplanted by new priorities: autonomy, careers, participation in an expanding consumer culture, and the expectation of fulfillment and companionship in marriage. An increased emphasis on heterosexual interactions and a growing stigmatization of close same-sex relationships fostered new friendship styles and patterns.

Drawing on a wide range of primary sources including diaries, journals, correspondence, and popular periodicals, Rosenzweig uncovers the complex and intricate links between social and cultural developments and women's personal experiences of friendship.

Anthem Cover

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Anthem

Social Movements and the Sound of Solidarity in the African Diaspora

Shana L. Redmond

For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this “sound franchise” contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I.
   
Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world—from James Weldon Johnson’s “Lift Ev’ry Voice and Sing” that mobilized the NAACP to Nina Simone’s “To Be Young, Gifted & Black” which became the Black National Anthem of the Congress of Racial Equality (CORE)—Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation.

Anti-Americanism Cover

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Anti-Americanism

Andrew Ross, Kristin Ross

Ever since George Washington warned against "foreign entanglements" in his 1796 farewell speech, the United States has wrestled with how to act toward other countries. Consequently, the history of anti-Americanism is as long and varied as the history of the United States.

In this multidisciplinary collection, seventeen leading thinkers provide substance and depth to the recent outburst of fast talk on the topic of anti-Americanism by analyzing its history and currency in five key global regions: the Middle East, Latin America, Europe, East Asia, and the United States. The commentary draws from social science as well as the humanities for an in-depth study of anti-American opinion and sentiment in different cultures.

The questions raised by these essays force us to explore the new ways America must interact with the world after 9/11 and the war against Iraq.

Contributors: Greg Grandin, Mary Louise Pratt, Ana Maria Dopico, George Yudice, Timothy Mitchell, Ella Shohat, Mary Nolan, Patrick Deer, Vangelis Calotychos, Harry Harootunian, Hyun Ok Park, Rebecca E. Karl, Moss Roberts, Linda Gordon, and John Kuo Wei Tchen.

Anxious Parents Cover

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Anxious Parents

A History of Modern Childrearing in America

Peter Stearns

The nineteenth and twentieth centuries saw a dramatic shift in the role of children in American society and families. No longer necessary for labor, children became economic liabilities and twentieth-century parents exhibited a new level of anxiety concerning the welfare of their children and their own ability to parent effectively. What caused this shift in the ways parenting and childhood were experienced and perceived? Why, at a time of relative ease and prosperity, do parents continue to grapple with uncertainty and with unreasonable expectations of both themselves and their children?

Peter N. Stearns explains this phenomenon by examining the new issues the twentieth century brought to bear on families. Surveying popular media, *#8220;expert” childrearing manuals, and newspapers and journals published throughout the century, Stearns shows how schooling, physical and emotional vulnerability, and the rise in influence of commercialism became primary concerns for parents. The result, Stearns shows, is that contemporary parents have come to believe that they are participating in a culture of neglect and diminishing standards. Anxious Parents: A Modern History of Childrearing in America shows the reasons for this belief through an historic examination of modern parenting.

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