Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
An oracle was reported to have said, "No one is wiser than Socrates." And in fact it was Socrates’ life’s work to interpret these words, which demanded and defined the practice of philosophy. Each of these original essays attends carefully to the specifics of the Apology, looking to its dramatic details, its philosophic teaching, and its complexity as a work of writing to bring into focus the "Socrates" of the Apology.
Seven Tales of Jewish Life Before, During, and After Nazi Occupation
New Series 38 (2010) through current Issue
Renaissance Drama is an annual publication dedicated to the investigation of traditional canons of drama, as well as to the exploration of the significance of performance, broadly construed, in early modern cultures. Each volume presents essays that question or apply newer forms of interpretation on the study of early modern plays, theater, and performance. Articles also address works written in traditions other than the English, the discourses that shaped and were shaped by the varied institutions of drama across Europe and beyond its borders within which it was produced, and manifestations of performance and performativity both on and off the theatrical stage.
The Russian Joke in Cultural Context
In his original new study, Seth Graham analyzes a rich and forgotten vein of humor in an otherwise bleak environment. The late Soviet period (1961–1986) hardly seems fertile ground for humor, but Russian jokes (anekdoty) about life in the Soviet Union were ubiquitous. The cultural and political relaxation in the decade following Stalin’s death produced considerable optimism among Soviet citizens. The anekdot exploited and exposed what Graham calls "Soviet diglossia" (official Sovietese vs. Russian everyday language) and emphasized the distance between official myths and quotidian reality. Jokes engaged a range of official and popular culture genres and also worked meta textually, referring to the political consequences of jokes. While the dissidents of this period, who stressed the heroic and opposed everything Soviet, have been much written about, Graham’s work on the anekdoty—written in the third person, ironic, and engaged with everything Soviet—fills a hole that has been overlooked in cultural history.
On the Emergence of the Political
In a radical reconsideration of political theory and politics, Paul Eisenstein and Todd McGowan explore the notion of rupture or radical tearing apart in both history and theory through the sweep of Western philosophy from Plato to Kierkegaard and beyond. The authors use contemporary literature and film to elucidate political theory, examining works by such writers are Dave Eggers, John Irving, and Toni Morrison, as well as films by directors from Sergei Eisenstein to David Fincher.Paul Eisenstein and Todd McGowan find that a rupture or radical break is repeatedly invoked at the beginning of every philosophical system. In this rupture, many of our most cherished political values—equality, solidarity, and the idea of freedom—emerge. But the lack of a sustained commitment to this radical tearing apart has repeatedly foreshortened, distorted, or perverted those same values. Most political philosophy may have marginalized these radical breaks with the past. But Eisenstein and McGowan demonstrate that Alain Badiou, Giorgio Agamben, and Slavoj Žižek have consistently brought rupture to the fore as an organizing principle for political thought. This insight holds great pertinence to our current world situation. Seeing the possibilities for an extended dialogue and sustained political change, Eisenstein and McGowan argue for a more systematic engagement with these theorists.
History and Literature
Throughout the development of modern Russian society, the memoir, with its dual agendas of individualized expression and reliable reportage, has maintained a popular and abiding national genre "contract" between Russian writers and readers. The essays in The Russian Memoir: History and Literature seek to appreciate the literary construction of this much read, yet little analyzed, form and to explore its functions as interpretive history, social modelling, and political expression in Russian culture.
Hunting Stories, Letters from Exile, and Military Memoirs
Of a noble and distinguished family disenfranchised by the Bolshevik revolution, Vladimir Trubetskoi (1892 1937) alone remained in Russia, and suffered the consequences of his decision. His life and experiences are well documented in this remarkable volume, a selection of his writings that reflects his comfortable prewar existence and his post revolutionary poverty, uncertainty, and displacement, all conveyed with humor and ironic detachment.
On the Particularity and Generality of Nazi Myth
This is an extremely exciting manuscript—path-breaking, bold, and comprehensive—that could be received in the intellectual world as a major theoretical statement, while also representing an insightful treatment of a specific cultural historical moment (Nazi Germany) but also key intellectual lineages that surround it. There's a lot at stake here, in the big picture (the question of sacrifice and the interpretation of Germany) as well as in the many rich building blocks of the argument (the treatments of Kant, Nietzsche, Adorno, Bataille, Girard, etc.).
W illiam Olsen is Assistant Professor of Creative Writing at Western Michigan University. He is the author of four books of poetry, including Avenue of Vanishing, Trouble Lights, and Vision of a Storm Cloud, all published by Northwestern University Press/TriQuarterly Books.
Harold Bloom and Deconstruction
Harold Bloom is our greatest living literary critic. His wide-ranging critical writings have plumbed the depths of Romanticism (The Visionary Company), explored the anxiety caused by the influence of one generation of poets on another (Agon, The Anxiety of Influence), wrestled with the idea of a literary canon (The Western Canon), introduced Jacques Derrida and deconstruction to America (Deconstruction and Criticism), and explored the relationship between religion, especially Judaism, and literature (Kabbalah and Criticism, The Book of J).