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Northwestern University Press

Northwestern University Press

Website: http://www.nupress.northwestern.edu/

The mission of Northwestern University Press is the publication of books that disseminate knowledge and further understanding of cultural, political, social, and community issues. Since its inception in 1893, Northwestern University Press has produced important scholarly works in various disciplines as well as quality regional and Chicago books, fiction, poetry, literature in translation, literary criticism, and books on drama and the performing arts. Northwestern University Press authors have been the recipients of numerous prizes, including the Nobel Prize for Literature, the National Book Award, and the Tony Award. For more information and a complete list of Northwestern University Press titles, please visit www.nupress.northwestern.edu


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Northwestern University Press

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Letters on God and Letters to a Young Woman Cover

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Letters on God and Letters to a Young Woman

Rainer Maria Rilke, Translated from the German by Annemarie S. Kidder

Rainer Maria Rilke (1875–1926) was an avid letter writer, and more than seven thousand of his letters have survived. The best-known collection today is Rilke’s Letters to a Young Poet, first published in 1929. Two other letter collections appeared around the same time and gained high acclaim among readers yet are virtually unknown today. They are Letters to a Young Woman (1930) and Letters on God (1933).

Literary Animal Cover

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Literary Animal

Evolution and the Nature of Narrative

Gottschall, Jonathan, and David Sloan Wilson

In recent years, articles in major periodicals from the New York Times Magazine to the Times Literary Supplement have heralded the arrival of a new school of literary studies that promises or threatens to profoundly shift the current paradigm. This revolutionary approach, known as Darwinian literary studies, is based on a few simple premises: evolution has produced a universal landscape of the human mind that can be scientifically mapped; these universal tendencies are reflected in the composition, reception, and interpretation of literary works; and an understanding of the evolutionary foundations of human behavior, psychology, and culture will enable literary scholars to gain powerful new perspectives on the elements, form, and nature of storytelling.

The Literary Kierkegaard Cover

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The Literary Kierkegaard

Eric Ziolkowski

Eric Ziolkowski is Charles A. Dana Professor of Religious Studies at Lafayette Colege in Easton, Pennsylvania.

Literature and Human Equality Cover

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Literature and Human Equality

Justman, Stewart

When Achilles dons his armor, gods and readers alike know the outcome, as does the hero himself. But when the commoner becomes the hero, when, as Dr. Johnson remarked in 1750, the heroes of modern fiction are "leveled with the rest of the world" now that's a different story. In this ambitious work, Stewart Justman ranges across Western literature from the Iliad and the Odyssey through Cervantes and Shakespeare to Dickens, Tolstoy, and Dostoevsky to show how such a leveling not only changed the appearance of literature, but made possible new ways of constructing a tale.

The Living Moment Cover

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The Living Moment

Modernism in a Broken World

Jeffrey Hart

In the spirit of Lionel Trilling, Edmund Wilson, and Susan Sontag, the renowned literary critic Jeffrey Hart writes The Living Moment, a close reading of literature as it intersects with the political. Hart’s book is an even-handed guide for anyone toddling into the mists of the modernist moment, effortlessly moving between such modernist monuments as Eliot’s “The Waste Land,” Hemingway’s A Farewell to Arms, Mann’s Doctor Faustus, and Fitzgerald’s The Great Gatsby. Hart’s most stunning achievement is his brilliant inclusion of Marilynne Robinson’s Gilead as a modernist text, for the way the novel teaches us to see more, to hear more, to feel more. Hart’s dazzling study is an examination of important works of literature as they explore the experience of living in a broken world with thought and sometimes with examples of resolve that possess permanent validity. The Living Moment is for anyone who is wearied by so much of today’s trendy, narrow, and ideologically driven criticism.

 

Making Modernism Soviet Cover

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Making Modernism Soviet

The Russian Avant-Garde in the Early Soviet Era, 1918-1928

Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.

Merleau-Ponty’s Philosophy of Nature Cover

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Merleau-Ponty’s Philosophy of Nature

Ted Toadvine

Montaigne and the Origins of Modern Philosophy Cover

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Montaigne and the Origins of Modern Philosophy

Montaigne’s Essays are rightfully studied as giving birth to the literary form of that name. Ann Hartle’s Montaigne and the Origins of Modern Philosophy argues that the essay is actually the perfect expression of Montaigne as what he called "a new figure: an unpremeditated and accidental philosopher." Unpremeditated philosophy is philosophy made sociable—brought down from the heavens to the street, where it might be engaged in by a wider audience. In the same philosophical act, Montaigne both transforms philosophy and invents "society," a distinctly modern form of association. Through this transformation, a new, modern character emerges: the individual, who is neither master nor slave and who possesses the new virtues of integrity and generosity. In Montaigne’s radically new philosophical project, Hartle finds intimations of both modern epistemology and modern political philosophy.

Moral Emotions Cover

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Moral Emotions

Reclaiming the Evidence of the Heart

Moral Emotions builds upon the philosophical theory of persons begun in Phenomenology and Mysticism and marks a new stage of phenomenology. Author Anthony J. Steinbock finds personhood analyzing key emotions, called moral emotions. Moral Emotions offers a systematic account of the moral emotions, described here as pride, shame, and guilt as emotions of self-givenness; repentance, hope, and despair as emotions of possibility; and trusting, loving, and humility as emotions of otherness.
 
The author argues these reveal basic structures of interpersonal experience. By exhibiting their own kind of cognition and evidence, the moral emotions not only help to clarify the meaning of person, they reveal novel concepts of freedom, critique, and normativity. As such, they are able to engage our contemporary social imaginaries at the impasse of modernity and postmodernity.

Multi-Mediated Dostoevsky Cover

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Multi-Mediated Dostoevsky

Transposing Novels into Opera, Film, and Drama

Alexander

Since their publication, the works of Dostoevsky have provided rich fodder for adaptations to opera, film, and drama. While Dostoevsky gave his blessing to the idea of adapting his work to other forms, he believed that "each art form corresponds to a series of poetic thoughts, so that one idea cannot be expressed in another non-corresponding form."

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