Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.
In Dostoevsky’s Dialectics and the Problem of Sin, Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky’s dialectics—distinct from Hegelian dialectics—as a philosophy of “compatible contradictions.”
Reading Against the Grain
When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts the text of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand.
On Critical Practice Under Historical Conditions
Effective History presents its reader with a thorough explanation and evaluation of H.-G. Gadamer’s concept of “effective history,” not only as it pertains to the broader range of hermeneutic and postmodern thinkers working in the wake of Kantian philosophy, but first and foremost as a careful and measured consideration of the practice of effective history as a critical method for philosophy in our current times.
From the Body to the Body Politic
How does the body politic reflect the nature of human embodiment? To pursue this question in a new and productive way, James Mensch employs a methodology consistent with the fact of our embodiment; he uses Merleau Ponty’s concept of "intertwining"—the presence of one’s self in the world and of the world in one’s self—to understand the ideas that define political life.
Sots Art Literature and Soviet Grand Style
Sots art, the mock use of the Soviet ideological clichés of mass culture, originated in Soviet nonconformist art of the early 1970s. An original and provocative guide, Endquote: Sots Art Literature and Soviet Grand Style examines the conceptual aspect of sots art, sots art poetry, and sots art prose, and discusses where these still vital intellectual currents may lead.
V. S. Soloviev on Paganism, Asian Civilizations, and Islam
As cultural conflicts roil the world, the idea of a “clash of civilizations” has lately taken hold, with commentators from both East and West weighing the religious and political disparities that affect global unity. For all its present currency and urgency, the idea is nothing new. In various contexts V. S. Soloviev (1853–1900), the most distinguished representative of nineteenth century Russian religious philosophy, anticipated our current global dilemma by more than a hundred years. These essays, presented together for the first time in English, consider from a number of perspectives how a future clash of cultures between East and West threatens human progress toward the harmonic unity that, for Soloviev, represented the ultimate human telos.
Logos and the Russian Word
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
Jacques Derrida and the Development of Deconstruction
However widely and differently Jacques Derrida may be viewed as a "foundational" French thinker, the most basic questions concerning his work still remain unanswered: Is Derrida a friend of reason, or philosophy, or rather the most radical of skeptics? Are language related themes writing, semiosis his central concern, or does he really write about something else? And does his thought form a system of its own, or does it primarily consist of commentaries on individual texts? This book seeks to address these questions by returning to what it claims is essential history: the development of Derrida's core thought through his engagement with Husserlian phenomenology. Joshua Kates recasts what has come to be known as the Derrida/Husserl debate, by approaching Derrida's thought historically, through its development. Based on this developmental work, Essential History culminates by offering discrete interpretations of Derrida's two book length 1967 texts, interpretations that elucidate the until now largely opaque relation of Derrida's interest in language to his focus on philosophical concerns.
Plato and Levinas on Relations to the Other