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Northwestern University Press

Northwestern University Press

Website: http://www.nupress.northwestern.edu/

The mission of Northwestern University Press is the publication of books that disseminate knowledge and further understanding of cultural, political, social, and community issues. Since its inception in 1893, Northwestern University Press has produced important scholarly works in various disciplines as well as quality regional and Chicago books, fiction, poetry, literature in translation, literary criticism, and books on drama and the performing arts. Northwestern University Press authors have been the recipients of numerous prizes, including the Nobel Prize for Literature, the National Book Award, and the Tony Award. For more information and a complete list of Northwestern University Press titles, please visit www.nupress.northwestern.edu


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Belmour

A Modern Edition

Anne Damer, Edited and with an Introduction by Jonathan David Gross

Jonathan David Gross is a professor of English at DePaul University and the director of the DePaul Humanities Center. He previously edited The Sylph (Northwestern, 2007) and Emma; or, The Unfortunate Attachment (2004), both by Lady Georgiana, Duchess of Devonshire. He is the author of Byron: The Erotic Liberal (2001), and edited Byron’s "Corbeau Blanc": The Life and Letters of Lady Melbourne (1997).

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Binding Words

Conscience and Rhetoric in Hobbes, Hegel, and Heidegger

Feldman, Karen S.

In a work that brings a new field altering perspective as well as new tools to the history of philosophy, Karen S. Feldman offers a powerful and elegantly written account of how philosophical language appears to "produce" the very thing here, "conscience" that it seems to be discovering or describing. Conscience, as Binding Words convincingly argues, can only ever be understood, interpreted, and made effective through tropes and figures of language. The question this raises, and the one that interests Feldman here is: If conscience has no tangible, literal referent to which we can apply, then where does it get its "binding force?"

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The Birth of Theater from the Spirit of Philosophy

Nietzsche and the Modern Drama

Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature.

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Birthplace with Buried Stones

Poems

With their intense lyricism, Meena Alexander’s poems convey the fragmented experience of the traveler, for whom home is both nowhere and everywhere. The landscapes she evokes, whether reading Bashō in the Himalayas, or walking a city street, hold echoes of otherness. Place becomes a palimpsest, composed of layer upon layer of memory, dream, and desire. There are poems of love and poems of war—we see the rippling effects of violence and dislocation, of love and its aftermath. The poems in Birthplace with Buried Stones range widely over time and place, from Alexander’s native India to New York City. We see traces of mythology, ritual, and other languages. Uniquely attuned to life in a globalized world, Alexander’s poetry is an apt guide, bringing us face to face with the power of a single moment and its capacity to evoke the unseen and unheard.

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Boarding Out

Inhabiting the American Urban Literary Imagination, 1840-1860

David Faflik

Modernity in its American, nineteenth-century, early industrial incarnation meant movement, not stasis; noise, not silence; anxiety, not equanimity; diversity, not uniformity.

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Bodily Desire, Desired Bodies

Gender and Desire in Early Twentieth-Century German and Austrian Novels and Paintings

Bodily Desire, Desired Bodies examines the diverse ways that literary works and paintings can be read as screens onto which new images of masculinity and femininity are cast. Esther Bauer focuses on German and Austrian writers and artists from the 1910s and 1920s —specifically authors Franz Kafka, Vicki Baum, and Thomas Mann, and painters Otto Dix, Christian Schad, and Egon Schiele—who gave spectacular expression to shifting trends in male and female social roles and the organization of physical desire and the sexual body.

Bauer’s comparative approach reveals the ways in which artists and writers echoed one another in undermining the gender duality and highlighting sexuality and the body. As she points out, as sites of negotiation and innovation, these works reconfigured bodies of desire against prevailing notions of sexual difference and physical attraction and thus became instruments of social transformation.

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Bombay Modern

Arun Kolatkar and Bilingual Literary Culture

Anjali Nerlekar's Bombay Modern is a close reading of Arun Kolatkar's canonical poetic works that relocates the genre of poetry to the center of both Indian literary modernist studies and postcolonial Indian studies. Nerlekar shows how a bilingual, materialist reading of Kolatkar's texts uncovers a uniquely resistant sense of the "local" that defies the monolinguistic cultural pressures of the post-1960 years and straddles the boundaries of English and Marathi writing.
Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to "Bombay" and to the "post-1960" (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local.

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The Book of Job and the Immanent Genesis of Transcendence

Davis Hankins

Recent philosophical reexaminations of sacred texts have focused almost exclusively on the Christian New Testament, and Paul in particular. The Book of Job and the Immanent Genesis of Transcendence revives the enduring philosophical relevance and political urgency of the book of Job and thus contributes to the recent “turn toward religion” among philosophers such as Slavoj Žižek and Alain Badiou. Job is often understood to be a trite folktale about human limitation in the face of confounding and absolute transcendence; on the contrary, Hankins demonstrates that Job is a drama about the struggle to create a just and viable life in a material world that is ontologically incomplete and consequently open to radical, unpredictable transformation. Job’s abiding legacy for any future materialist theology becomes clear as Hankins analyzes Job’s dramatizations of a transcendence that is not externally opposed to but that emerges from an ontologically incomplete material world.

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Charlie Chaplin, Director

Charlie Chaplin was one of the cinema’s consummate comic performers, yet he has long been criticized as a lackluster film director. In this groundbreaking work—the first to analyze Chaplin’s directorial style—Donna Kornhaber radically recasts his status as a filmmaker. Spanning Chaplin’s career, Kornhaber discovers a sophisticated "Chaplinesque" visual style that draws from early cinema and slapstick and stands markedly apart from later, "classical" stylistic conventions. His is a manner of filmmaking that values space over time and simultaneity over sequence, crafting narrative and meaning through careful arrangement within the frame rather than cuts between frames. Opening up aesthetic possibilities beyond the typical boundaries of the classical Hollywood film, Chaplin’s filmmaking would profoundly influence directors from Fellini to Truffaut. To view Chaplin seriously as a director is to re-understand him as an artist and to reconsider the nature and breadth of his legacy.

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The Child as Natural Phenomenologist

Primal and Primary Experience in Merleau-Ponty's Psychology

Maurice Merleau-Ponty (1908–1961) is well known for his work in phenomenology, but his lectures in child psychology and pedagogy have received little attention, probably because Talia Welsh translated the lectures in their entirety only in 2010. The Child as Natural Phenomenologist summarizes Merleau-Ponty’s work in child psychology, shows its relationship to his philosophical work, and argues for its continued relevance in contemporary theory and practice.

Welsh demonstrates Merleau-Ponty’s unique conception of the child’s development as inherently organized, meaningful, and engaged with the world, contrary to views that see the child as largely internally preoccupied and driven by instinctual demands. Welsh finds that Merleau-Ponty’s ideas about human psychology remain relevant in today’s growing field of child studies and that they provide important insights for philosophers, sociologists, and psychologists to better understand the human condition.

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