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Imperial Historicism and American Military Rule in the Philippines' Muslim South
Making Moros offers a unique look at the colonization of Muslim subjects during the early years of American rule in the southern Philippines. Hawkins argues that the ethnological discovery, organization, and subsequent colonial engineering of Moros was highly contingent on developing notions of time, history, and evolution, which ultimately superseded simplistic notions about race. He also argues that this process was highly collaborative, with Moros participating, informing, guiding, and even investing in their configuration as modern subjects. Drawing on a wealth of archival sources from both the United States and the Philippines, Making Moros presents a series of compelling episodes and gripping evidence to demonstrate its thesis. Readers will find themselves with an uncommon understanding of the Philippines’ Muslim South beyond its usual tangential place as a mere subset of American empire.
Haunted by the larger-than-life shadow of his father, a scientist who may have helped develop the atomic bomb, twenty-nine-year-old Eliot Barnes, Jr., is an apple that’s fallen far from the tree. Saddled with a useless degree in literature, caged in a rundown apartment he can’t afford, and embittered by his failure to live up to the future’s promise, Barnes, who dreams of a corner office—an aerie roost high above the city, working with the higher-ups—begrudgingly accepts a job as an elevator man in a downtown Chicago skyscraper. Thus begins a profound but comedic meditation on failure in this life, how one comes to terms with not achieving one’s dreams, the nature and origin of such dreams, and, fittingly, the meaning of the American dream itself.
In an abridged translation that retains the grace and passion of the original, Klots and Ufberg present the stunning memoir of a young woman who became an actress in the Gulag. Tamara Petkevich had a relatively privileged childhood in the beautiful, impoverished Petrograd of the Soviet regime’s early years, but when her father—a fervent believer in the Communist ideal-was arrested, 17-year- old Tamara was branded a “daughter of the enemy of the people.” She kept up a search for her father while struggling to support her mother and two sisters, finish school, and enter university. Shortly before the Russian outbreak of World War II, Petkevich was forced to quit school, and against her better judgment, she married an exiled man whom she had met in the lines at the information bureau of the NKVD (People’s Commissariat of Internal Affairs). Her mother and one sister perished in the Nazi siege of Leningrad, and Petkevich was herself arrested. With cinematic detail, Petkevich relates her attempts to defend herself against absurd charges of having a connection to the Leningrad terrorist center, counter-revolutionary propaganda, and anti-Semitism that resulted in a sentence of seven years’ hard labor in the Gulag. While Petkevich became a professional actress in her own right years after her release from the Gulag, she learned her craft on the stages of the camps scattered across the northern Komi Republic. The existence of prisoner theaters and troupes of political prisoners such as the one Petkevich joined is a little-known fact of Gulag life. Petkevich’s depiction not only provides a unique firsthand account of this world-within-a-world but also testifies to the power of art to literally save lives. As Petkevich moves from one form of hardship to another, she retains her desire to live and her ability to love. More than a firsthand record of atrocities committed in Stalinist Russia, Memoir of a Gulag Actress is an invaluable source of information on the daily life and culture of the Soviet Union at the time. Russian literature about the Gulag remains vastly underrepresented in the United States, and Petkevich’s unforgettable memoir will go a long way toward filling this gap. Supplemented with photographs from the author’s personal archive, Petkevich’s story will be of great interest to general readers while providing an important resource for historians, political scientists, and students of Russian culture and history.
French Military Justice and the Aeronoult-Rousset Affair
On February 11, 1912, an estimated 120,000 people in Paris participated in a ceremony that was at once moving and macabre: a public procession to Père Lachaise cemetery, where the remains of a soldier named Albert Aernoult were incinerated following a series of angry speeches denouncing the circumstances of his death. This ceremony occurred at a pivotal point in the “Aernoult-Rousset Afair,” a tumultuous, three-year agitation over the practice of French military justice labeled by contemporaries a “proletarian Dreyfus Affair.” Aernoult had died on July 2, 1909, in one of the French Army’s Algerian penal camps, allegedly at the hands of his officers. His death came to the attention of the public through the intervention of a fellow prisoner, a career criminal named Émile Rousset, who had provoked prosecution in a military court in order to launch his own “J’Accuse” against camp officers. Rousset’s charges had seemed to be bearing fruit, until he himself was indicted for murder in September 1911. At that point, the entire Affair took on a new intensity—an intensity reflected in the massive turnout at Aernoult’s funeral. Military prosecutors, convinced that Rousset was a predator with a genius for gaming France’s military-justice system, built a powerful case against him. His supporters, for their part, campaigned in the legislature, in the press, in court, and on the street, using the interlocked Aernoult and Rousset cases to shine a very public light on the “judicial minotaur” that was, in their view, the military jurisdiction. Cerullo’s lively, suspenseful account of this dramatic story, which has never been fully told, will become the standard. Minotaur will interest historians of modern France; military historians; students of military justice; legal scholars; and general readers of modern European history.
Modern Occultism in Late Imperial Russia traces the history of occult thought and practice from its origins in private salons to its popularity in turn-of-the-century mass culture. In lucid prose, Julia Mannherz examines the ferocious public debates of the 1870s on higher dimensional mathematics and the workings of séance phenomena, discusses the world of cheap instruction manuals and popular occult journals, and looks at haunted houses, which brought together the rural settings and the urban masses that obsessed over them. In addition, Mannherz looks at reactions of Russian Orthodox theologians to the occult.
The United States, the United Nations, and Human Rights, 1941-1953