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Northern Illinois University Press
The Man Whose Ideas Delivered Russia from Communism
Yakovlev’s life provides a unique instance of a leading figure in the Soviet government who evolved from a dedicated Communist and Stalinist into an equally ardent foe of everything the Leninist-Stalinist regime stood for. He quit government service in 1991 and lived until 2005, becoming toward the end of his life a classical western liberal who shared none of the traditional Russian values.
Pipes’s illuminating study consists of two parts: a biography of Yakovlev and Pipes’s translation of two important articles by Yakovlev. It will appeal to specialists and students of Soviet and post-Soviet studies, government officials involved with foreign policy, and general readers interested in the history of Russia and the Soviet Union.
The Shared Lives and Art of Anton Chekhov and Isaac Levitan
In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan’s paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan’s “landscapes of mood” have much in common with the way that Chekhov’s characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists’ similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow’s leading cultural figures; and the influence of Levitan’s personal life on Chekhov’s stories and plays. He emphasizes the facts of Levitan’s life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements.
Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.
Ruins and Historical Conciousness in Modern Russia
Despite attempts to promote the aesthetics of ruins in Russia—from Catherine the Great’s construction of fake ruins in imperial parks to Josef Brodsky’s elegiac meditations—ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. Architecture of Oblivion examines the role of ruins in the development of Russia’s historical consciousness from the 18th century to the present. Investigating the meaning and functions ruins have acquired in Russian culture, Schönle looks at ideological reasons for the current disregard for the value of ruins and historical buildings, in particular by political authorities, and reveals how ruins have often become a site of resistance to official ideology and an invitation to map out alternative visions of history and of statehood. An interdisciplinary study of Russia’s response to ruins has never been attempted, although the topic of ruins has garnered considerable interest in Western Europe and in the U.S. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
No city but Florence contains such an intense concentration of art produced in such a short span of time. The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal.
Anarchism, Socialism, and Political Culture in Imperial Germany
Beautiful Twentysomethings is a vivid firsthand account of the life of Marek Hlasko, a young writer whose iconoclastic way of life became an inspiration in 1950s Poland. Detailing relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski, this memoir recounts his adventures and misadventures abroad in the postwar era. When he was recalled to Poland in 1958, Hlasko refused to return and was stripped of his Polish citizenship. He spent the rest of his life working in exile. A fascinating portrait from the short-lived rebel generation, Ross Ufberg deftly renders Hlasko's wry and passionate voice with grit and a morbid humor
In Neom the laws of physics are lax and everyone still gets high. The city squares do it so they can keep working nonstop. The hipsters do it so they can accept things as they are and not long for how they want them to be. And, for a thousand years, Alison has done it to cope with the burdens of immortality. If you can’t die, she says, at least you can be as stoned as the living dead.