Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
An Anthology of Moravian Writings from Mosquitia and Eastern Nicaragua, 1849-1899
Willa Cather and William Faulkner
Alcohol and the Sovereignty of the Cherokee Nation
Empires, Trade Wars, and Globalization
A History of Outlaws and Cultural Struggle in Mexico, 1810-1920
Bandit Nation is the first complete analysis of the cultural impact that banditry had on Mexico from the time of its independence to the Mexican Revolution. Chris Frazer focuses on the nature and role of foreign travel accounts, novels, and popular ballads, known as corridos, to analyze how and why Mexicans and Anglo-Saxon travelers created and used images of banditry to influence state formation, hegemony, and national identity. Narratives about banditry are linked to a social and political debate about “mexican-ness” and the nature of justice. Although considered a relic of the past, the Mexican bandit continues to cast a long shadow over the present, in the form of narco-traffickers, taxicab hijackers, and Zapatista guerrillas. Bandit Nation is an important contribution to the cultural and the general histories of postcolonial Mexico.
The International Pastime
Organized by region—Asia, the Americas, Europe, and the Pacific—and written by journalists, historians, anthropologists, and English professors, these original essays reflect diverse perspectives and range across a refreshingly wide array of subjects: from high school baseball in Japan and Little League in Taiwan to fan behavior in Cuba and the politics of baseball in China and Korea.
Language Ideologies, Literacy Practices, and the F
Making an Ethnic Identity in the Appalachian South
Appalachian legend describes a mysterious, multiethnic population of exotic, dark-skinned rogues called Melungeons who rejected the outside world and lived in the remote, rugged mountains in the farthest corner of northeast Tennessee. The allegedly unknown origins of these Melungeons are part of what drove this legend and generated myriad exotic origin theories. Though nobody self-identified as Melungeon before the 1960s, by the 1990s “Melungeonness” had become a full-fledged cultural phenomenon, resulting in a zealous online community and annual meetings where self-identified Melungeons gathered to discuss shared genealogy and history. Although today Melungeons are commonly identified as the descendants of underclass whites, freed African Americans, and Native Americans, this ethnic identity is still largely a social construction based on local tradition, myth, and media.
In Becoming Melungeon, Melissa Schrift examines the ways in which the Melungeon ethnic identity has been socially constructed over time by various regional and national media, plays, and other forms of popular culture. Schrift explores how the social construction of this legend evolved into a fervent movement of a self-identified ethnicity in the 1990s. This illuminating and insightful work examines these shifting social constructions of race, ethnicity, and identity both in the local context of the Melungeons and more broadly in an attempt to understand the formation of ethnic groups and identity in the modern world.
Gay Identity and Social Acceptance in Indian Country
The Two-Spirit men who appear in Gilley’s book speak frankly of homophobia within their communities, a persistent prejudice that is largely misunderstood or misrepresented by outsiders. Gilley gives detailed accounts of the ways in which these men modify gay and Native identity as a means of dealing with their alienation from tribal communities and families. With these compromises, he suggests, they construct an identity that challenges their alienation while at the same time situating themselves within contemporary notions of American Indian identity. He also shows how their creativity is reflected in the communities they build with one another, the development of their own social practices, and a national network of individuals linked in their search for self and social acceptance.
Stories of Culture and Identity in the Cowboy State
In the Cowboy State (also known as Wyoming), the Wild West has never died. The West has long been the favored repository of the East’s cultural fantasies, and in the late nineteenth and twentieth centuries, Eastern expectations and demands largely shaped Wyoming's image in this role. Becoming Western shows how the myth of the “American West” has acted as a force both in history and in individual lives.
Liza J. Nicholas interrogates the creation of Western lore by looking at five stories that focus on, respectively, Jack Flagg, a Wyoming legend and the supposed model for Owen Wister’s Virginian; an equestrian statue of Buffalo Bill sculpted by Gertrude Vanderbilt Whitney; the dude ranch; the creation of the American studies program at Yale; and a campaign for the U.S. Senate. Each story reveals the ways in which the East consciously imagined and manipulated the West and how Wyomingites in turn interpreted this identity, manipulated it, and put it to work for themselves. Becoming Western is a fascinating study of how invented traditions can become potent cultural and political ideology on a local as well as a national level.