The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this “great wave,” as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it.

 

Cora Du Bois’s historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber’s larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II

One of the more problematic sport spectacles in American history took place at the 1904 World’s Fair in St. Louis, which included the third modern Olympic Games. Associated with the Games was a curious event known as Anthropology Days organized by William J. McGee and James Sullivan, at that time the leading figures in American anthropology and sports, respectively. McGee recruited Natives who were participating in the fair’s ethnic displays to compete in sports events, with the “scientific” goal of measuring the physical prowess of “savages” as compared with “civilized men.” This interdisciplinary collection of essays assesses the ideas about race, imperialism, and Western civilization manifested in the 1904 World’s Fair and Olympic Games and shows how they are still relevant.

A turning point in both the history of the Olympics and the development of modern anthropology, these games expressed the conflict between the Old World emphasis on culture and New World emphasis on utilitarianism. Marked by Franz Boas’s paper at the Scientific Congress, the events in St. Louis witnessed the beginning of the shift in anthropological research from nineteenth-century evolutionary racial models to the cultural relativist paradigm that is now a cornerstone of modern American anthropology. Racist pseudoscience nonetheless reappears to this day in the realm of sports.

Affirmative Action and the University is the only full-length study to examine the impact of affirmative action on all higher education hiring practices. Drawing on data provided by the Equal Employment Opportunity Commission and the U.S. Department of Education’s National Center for Education Statistics, the authors summarize, track, and evaluate changes in the gender and ethnic makeup of academic and nonacademic employees at private and public colleges and universities from the late 1970s through the mid-1990s. Separate chapters assess changes in employment opportunities for white women, blacks, Asians, Hispanics, and Native Americans.

The authors look at the extent to which a two-tier employment system exists. In such a system minorities and women are more likely to make their greatest gains in non-elite positions rather than in faculty and administrative positions. The authors also examine differences in hiring practices between public and private colleges and universities.

Until recently, histories of the American West gave little evidence of the presence—let alone importance—of African Americans in the unfolding of the western frontier. There might have been a mention of Estevan, slavery, or the Dred Scott decision, but the rich and varied experience of African Americans on the Great Plains went largely unnoted. This book, the first of its kind, supplies that critical missing chapter in American history.

 

Originally published over the span of twenty-five years in Great Plains Quarterly, the essays collected here describe the part African Americans played in the frontier army and as homesteaders, community builders, and activists. The authors address race relations, discrimination, and violence. They tell of the struggle for civil rights and against Jim Crow, and they examine African American cultural growth and contributions as well as economic and political aspects of black life on the Great Plains. From individuals such as “Pap” Singleton, Era Bell Thompson, Aaron Douglas, and Alphonso Trent; to incidents at Fort Hays, Brownsville, and Topeka; to defining moments in government, education, and the arts—this collection offers the first comprehensive overview of the black experience on the Plains.

As much a storyteller as an ethnographer, Lydia Cabrera was captivated by a strange and magical new world revealed to her by her Afro-Cuban friends in early twentieth-century Havana. In Afro-Cuban Tales this world comes to teeming life, introducing English-speaking readers to a realm of tenuous boundaries between the natural and the supernatural, deities and mortals, the spiritual and the seemingly inanimate.

Here readers will find a vibrant, imaginative record of African culture transplanted to Cuba and transformed over time, a passionate and subversive alternative to the dominant Western culture of the Americas. In this charmed realm of myth and legend, imaginative flights, and hard realities, Cabrera shows us a world turned upside down. In this domain guinea hens can make dour Asturians and the king of Spain dance; little fat cooking pots might prepare their own meals; the pope can send encyclicals about pumpkins; and officials can be defeated by the shrewdness of turtles. The first English translation of one of the most important writers on African culture in the Americas, the collection provides a fascinating view of how African traditions, myths, stories, and religions traveled to the New World—of how, in their tales, Africans in the Americas created a New World all their own.

By developing the concept of critical space, After Utopia presents a new genealogy of twentieth-century American fiction. Nicholas Spencer argues that the radical American fiction of Jack London, Upton Sinclair, John Dos Passos, and Josephine Herbst reimagines the spatial concerns of late nineteenth-century utopian American texts. Instead of fully imagined utopian societies, such fiction depicts localized utopian spaces that provide essential support for the models of history on which these authors focus. In the midcentury novels of Mary McCarthy and Paul Goodman and the late twentieth-century fiction of Thomas Pynchon, William Gaddis, Joan Didion, and Don DeLillo, narratives of social space become decreasingly utopian and increasingly critical. The highly varied "critical space" of such texts attains a position similar to that enjoyed by representations of historical transformation in early twentieth-century radical American fiction. After Utopia finds that central aspects of postmodern American novels derive from the overtly political narratives of London, Sinclair, Dos Passos, and Herbst.

Spencer focuses on distinct moments in the rise of critical space during the past century and relates them to the writing of Georg Lukács, Ernst Bloch, Antonio Gramsci, Hannah Arendt, Henri Lefebvre, Gilles Deleuze and Félix Guattari, and Paul Virilio. The systematic and genealogical encounter between critical theory and American fiction reveals close parallels between and original analyses of these two areas of twentieth-century cultural discourse.

In more than twenty powerful films, Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America.

 

Incorporating history, politics, and film theory into a compelling narrative, Randolph Lewis explores the life and work of a multifaceted woman whose career was flourishing long before Native films such as Smoke Signals reached the screen. He traces Obomsawin’s path from an impoverished Abenaki reserve in the 1930s to bohemian Montreal in the 1960s, where she first found fame as a traditional storyteller and singer. Lewis follows her career as a celebrated documentary filmmaker, citing her courage in covering, at great personal risk, the 1991 Oka Crisis between Mohawk warriors and Canadian soldiers. We see how, since the late 1960s, Obomsawin has transformed documentary film, reshaping it for the first time into a crucial forum for sharing indigenous perspectives. Through a careful examination of her work, Lewis proposes a new vision for indigenous media around the globe: a “cinema of sovereignty” based on what Obomsawin has accomplished.

Alexander Joy Cartwright Jr. (1820–92) was present during the organization of the Knickerbocker Base Ball Club of New York in the mid-1800s. That much is certain. Since that time, and especially with his induction into the Baseball Hall of Fame in 1938, Cartwright has been celebrated as the founder of our national pastime, much like Abner Doubleday. As with Doubleday, Cartwright’s claim to fame has caused all sorts of conjecture and controversy. His complex life, not just the mythography surrounding him, comes clearly into focus in Monica Nucciarone’s biography of the incomparable Cartwright.

 

Through journal entries, letters, and newspaper clippings, Nucciarone traces Cartwright’s path from Elysian Fields in New Jersey to a gold-rush adventure in California, and on to Honolulu, where he became involved in the movement to annex Hawaii to the United States. Beginning with the widely held notion that Cartwright created the game of baseball as we know it today, then spread it across North America to Hawaii like a Johnny Appleseed, Nucciarone’s book separates fact from speculation. Although the picture that emerges may not be the Alexander Cartwright of legend, it shows us a man as colorful, complicated, and immense in character—and as worthy of the history books—as any legend he inspired.

When Europeans first arrived on this continent, Algonquian languages were spoken from the northeastern seaboard through the Great Lakes region, across much of Canada, and even in scattered communities of the American West. The rich and varied oral tradition of this Native language family, one of the farthest-flung in North America, comes brilliantly to life in this remarkably broad sampling of Algonquian songs and stories from across the centuries. Ranging from the speech of an early unknown Algonquian to the famous Walam Olum hoax, from retranslations of “classic” stories to texts appearing here for the first time, these are tales written or told by Native storytellers, today as in the past, as well as oratory, oral history, and songs sung to this day.

 

An essential introduction and captivating guide to Native literary traditions still thriving in many parts of North America, Algonquian Spirit contains vital background information and new translations of songs and stories reaching back to the seventeenth century. Drawing from Arapaho, Blackfeet, Cheyenne, Cree, Delaware, Maliseet, Menominee, Meskwaki, Miami-Illinois, Mi'kmaq, Naskapi, Ojibwe, Passamaquoddy, Potawatomi, and Shawnee, the collection gathers a host of respected and talented singers, storytellers, historians, anthropologists, linguists, and tribal educators, both Native and non-Native, from the United States and Canada—all working together to orchestrate a single, complex performance of the Algonquian languages.