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University of Nebraska Press

University of Nebraska Press

Website: http://www.nebraskapress.unl.edu

Founded in 1941, the University of Nebraska Press is a nonprofit scholarly and general interest press that publishes 160 new and reprint titles annually under the Nebraska and Bison Books imprints respectively, along with 20 journals. As the largest and most diversified university press between Chicago and California, with nearly 3,000 books in print, the University of Nebraska Press is best known for publishing works in Indigenous studies, history and literature of the American West, translated literature, and sports history


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University of Nebraska Press

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Black Elk Speaks Cover

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Black Elk Speaks

The Complete Edition

John G. Neihardt

Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.

 

Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind.

 

This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.

 

Black Gun, Silver Star Cover

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Black Gun, Silver Star

The Life and Legend of Frontier Marshal Bass Reeves

Art T. Burton

In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as one of “eight notable Oklahomans,” the “most feared U.S. marshal in the Indian country.” That Reeves was also an African American who had spent his early life as a slave in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star tells Bass Reeves's story for the first time, sifting through fact and legend to discover the truth about one of the most outstanding peace officers in late-nineteenth-century America—and perhaps the greatest lawman of the Wild West era. 

Bucking the odds (“I’m sorry, we didn’t keep black people’s history,” a clerk at one of Oklahoma’s local historical societies answered to a query), Art T. Burton traces Reeves from his days of slavery to his soldiering in the Civil War battles of the Trans-Mississippi Theater to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, beginning in 1875 when he worked under “Hanging Judge” Isaac C. Parker. Fluent in Creek and other southern Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. Black Gun, Silver Star restores this remarkable figure to his rightful place in the history of the American West.

Black Mayors, White Majorities Cover

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Black Mayors, White Majorities

The Balancing Act of Racial Politics

Ravi Perry

Recent years have seen an increase in the number of African Americans elected to political office in cities where the majority of their constituents are not black. In the past, the leadership of black politicians was characterized as either “deracialized” or “racialized”—that is, as either focusing on politics that transcend race or as making black issues central to their agenda. Today many African American politicians elected to offices in non-majority-black cities are adopting a strategy that universalizes black interests as intrinsically relevant to the needs of their entire constituency.

In Black Mayors, White Majorities Ravi K. Perry explores the conditions in which black mayors of majority-white cities are able to represent black interests and whether blacks’ historically high expectations for black mayors are being realized. Perry uses Toledo and Dayton, Ohio, as case studies, and his analysis draws on interviews with mayors and other city officials, business leaders, and heads of civic organizations, in addition to official city and campaign documents and newspapers. Perry also analyzes mayoral speeches, the 2001 ward-level election results, and city demographics. Black Mayors, White Majorities encourages readers to think beyond the black-white dyad and instead to envision policies that can serve constituencies with the greatest needs as well as the general public.

Black Officer in a Buffalo Soldier Regiment Cover

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Black Officer in a Buffalo Soldier Regiment

The Military Career of Charles Young

Brian G. Shellum

An unheralded military hero, Charles Young (1864–1922) was the third black graduate of West Point, the first African American national park superintendent, the first black U.S. military attaché, the first African American officer to command a Regular Army regiment, and the highest-ranking black officer in the Regular Army until his death. Black Officer in a Buffalo Soldier Regiment tells the story of the man who—willingly or not—served as a standard-bearer for his race in the officer corps for nearly thirty years, and who, if not for racial prejudice, would have become the first African American general. Brian G. Shellum describes how, during his remarkable army career, Young was shuffled among the few assignments deemed suitable for a black officer in a white man’s army—the Buffalo Soldier regiments, an African American college, and diplomatic posts in black republics such as Liberia. Nonetheless, he used his experience to establish himself as an exceptional cavalry officer. He was a colonel on the eve of the United States’ entry into World War I, when serious medical problems and racial intolerance denied him command and ended his career. Shellum’s book seeks to restore a hero to the ranks of military history; at the same time, it informs our understanding of the role of race in the history of the American military.

Black Print with a White Carnation Cover

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Black Print with a White Carnation

Mildred Brown and the Omaha Star Newspaper, 1938-1989

Amy Helene Forss

Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star, the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal.

Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.

 

Blackout Cover

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Blackout

The Untold Story of Jackie Robinson's First Spring Training

Chris Lamb

In the spring of 1946, following the defeat of Hitler’s Germany, America found itself still struggling with the subtler but no less insidious tyrannies of racism and segregation at home. In the midst of it all, Jackie Robinson, a full year away from breaking major league baseball’s color barrier with the Brooklyn Dodgers, was undergoing a harrowing dress rehearsal for integration—his first spring training as a minor league prospect with the Montreal Royals, Brooklyn’s AAA team. In Blackout, Chris Lamb tells what happened during these six weeks in segregated Florida—six weeks that would become a critical juncture for the national pastime and for an American society on the threshold of a civil rights revolution.

Blackout chronicles Robinson’s tremendous ordeal during that crucial spring training—how he struggled on the field and off. The restaurants and hotels that welcomed his white teammates were closed to him, and in one city after another he was prohibited from taking the field. Steeping his story in its complex cultural context, Lamb describes Robinson’s determination and anxiety, the reaction of the black and white communities to his appearance, and the unique and influential role of the press—mainstream reporting, the alternative black weeklies, and the Communist Daily Worker—in the integration of baseball. Told here in detail for the first time, this story brilliantly encapsulates the larger history of a man, a sport, and a nation on the verge of great and enduring change.

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The Blind Man and the Loon

The Story of a Tale

Craig Mishler

The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations.

In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story’s emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story’s variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.

Blinking Red Cover

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Blinking Red

Crisis and Compromise in American Intelligence after 9/11

Allen, Michael

After the September 11 attacks, the 9/11 Commission argued that the United States needed a powerful leader, a spymaster, to forge the scattered intelligence bureaucracies into a singular enterprise to vanquish AmericaÆs new enemiesùstateless international terrorists. In the midst of the 2004 presidential election, Congress and the president remade the postûWorld War II national security infrastructure in less than five months, creating the Office of the Director of National Intelligence (DNI) and a National Counterterrorism Center (NCTC).

Blinking Red illuminates the complicated history of the bureaucratic efforts to reform AmericaÆs national security after the intelligence failures of 9/11 and IraqÆs missing weapons of mass destruction, explaining how the NSC and Congress shaped the U.S. response to the 9/11 attacks. Michael Allen asserts that the process of creating the DNI position and the NCTC is a case study in power politics and institutional reform. By bringing to light the legislative transactions and political wrangling during the reform of the intelligence community, Allen helps us understand why the effectiveness of these institutional changes is still in question.

The Blue Tattoo Cover

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The Blue Tattoo

The Life of Olive Oatman

Margot Mifflin

In 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.

Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois—including the massacre, her captivity, and her return to white society—to her later years as a wealthy banker’s wife in Texas.

Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.
 

Blurring the Boundaries Cover

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Blurring the Boundaries

Explorations to the Fringes of Nonfiction

B.J. Hollars

Contemporary discussions on nonfiction are often riddled with questions about the boundaries between truth and memory, honesty and artifice, facts and lies.  Just how much truth is in nonfiction?  How much is a lie? Blurring the Boundaries sets out to answer such questions while simultaneously exploring the limits of the form.

 This collection features twenty genre-bending essays from today’s most renowned teachers and writers—including original work from Michael Martone, Marcia Aldrich, Dinty W. Moore, Lia Purpura, and Robin Hemley, among others. These essays experiment with structure, style, and subject matter, and each is accompanied by the writer’s personal reflection on the work itself, illuminating his or her struggles along the way. As these innovative writers stretch the limits of genre, they take us with them, offering readers a front-row seat to an ever-evolving form.

Readers also receive a practical approach to craft thanks to the unique writing exercises provided by the writers themselves. Part groundbreaking nonfiction collection, part writing reference, Blurring the Boundaries serves as the ideal book for literary lovers and practitioners of the craft. 

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