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The Harvard International Journal of Press/Politics analyzes the interaction of the press, politics, and public policy-making. Committed to reflecting a broad spectrum of intellectual disciplines and practitioner experience, Press/Politics bridges the gap between research in the social sciences and the broader world of journalists, broadcasters, and public policymakers.
"A serious and good philosophical work could be written consisting entirely of jokes." -- Ludwig WittgensteinThe good news is that this book offers an entertaining but enlightening compilation of iekisms. Unlike any other book by Slavoj iek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. iek's Jokes contains the set-ups and punch lines -- as well as the offenses and insults -- that iek is famous for, all in less than 200 pages. So what's the bad news? There is no bad news. There's just the inimitable Slavoj iek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, "There is an old Jewish joke, loved by Derrida..." For iek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the "Not tonight, dear, I have a headache" classic: first the wife claims a migraine; then the husband does; then the wife exclaims, "Darling, I have a terrible migraine, so let's have some sex to refresh me!" A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a "truly obscene" version of the famous "aristocrats" joke has the family offering a short course in Hegelian thought rather than a display of unspeakables. iek's Jokes contains every joke cited, paraphrased, or narrated in iek's work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to iek's seriousness.
Transnational Histories of MRI in the United States, Britain, and India
The origin of modern science is often located in Europe and the West. This Euro/West-centrism relegates emergent practices elsewhere to the periphery, undergirding analyses of contemporary transnational science and technology with traditional but now untenable hierarchical categories. In this book, Amit Prasad examines features of transnationality in science and technology through a study of MRI research and development in the United States, Britain, and India. In an analysis that is both theoretically nuanced and empirically robust, Prasad unravels the entangled genealogies of MRI research, practice, and culture in these three countries. Prasad follows sociotechnical trails in relation to five aspects of MRI research: invention, industrial development, market, history, and culture. He first examines the well-known dispute between American scientists Paul Lauterbur and Raymond Damadian over the invention of MRI, then describes the post-invention emergence of the technology, as the center of MRI research shifted from Britain to the U.S; the marketing of the MRI and the transformation of MRI research into a corporate-powered "Big Science"; and MRI research in India, beginning with work in India's nuclear magnetic resonance (NMR) laboratories in the 1940s. Finally, he explores the different dominant technocultures in each of the three countries, analyzing scientific cultures as shifting products of transnational histories rather than static products of national scientific identities and cultures. Prasad's analysis offers not only an innovative contribution to current debates within science and technology studies but also an original postcolonial perspective on the history of cutting-edge medical technology.
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