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Results 61-70 of 168

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The Genesis of Missouri Cover

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The Genesis of Missouri

From Wilderness Outpost to Statehood

William E. Foley

The story of the blending of diverse cultures in a land rich in resources and beauty is an extraordinary one. In this account, the pioneer hunters, trappers, and traders who roamed the Ozark hills and the boatmen who traded on the Missouri and Mississippi Rivers take their place beside the small coterie of St. Louisans whose wealth and influence enabled them to dominate the region politically and economically. Especially appealing for many readers will be the attention Foley gives to common Missourians, to the status of women and blacks, and to Indian-white relations.

George Washington Carver Cover

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George Washington Carver

In His Own Words

Edited by Gary R. Kremer

A black man praised by white America-George Washington Carver (1864-1943) was an anomaly in his own time.  Now available in paperback, this choice selection of Carver's writings reveals the human side of the famous black scientist, as well as the forces that shaped his creative genius.

Gibson's Last Stand Cover

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Gibson's Last Stand

The Rise, Fall, and Near Misses of the St. Louis Cardinals, 1969-1975

Doug Feldmann

 
During star-pitcher Bob Gibson’s most brilliant season, the turbulent summer of 1968, he started thirty-four games and pitched every inning in twenty-eight of them, shutting out the opponents in almost half of those complete games. After their record-breaking season, Gibson and his teammates were stunned to lose the 1968 World Series to the Detroit Tigers. For the next six years, as Bob Gibson struggled to maintain his pitching excellence at the end of his career, changes in American culture ultimately changed the St. Louis Cardinals and the business and pastime of baseball itself.

 

Set against the backdrop of American history and popular culture, from the protests of the Vietnam War to the breakup of the Beatles, the story of the Cardinals takes on new meaning as another aspect of the changes happening at that time. In the late 1960s, exorbitant salaries and free agency was threatening to change America’s game forever and negatively impact the smaller-market teams in Major League Baseball. As the Cardinals’ owner August A. Busch Jr. and manager Albert “Red” Schoendienst attempted to reinvent the team, restore its cohesiveness, and bring new blood in to propel the team back to contention for the pennant, Gibson remained the one constant on the team.

 

In looking back on his career, Gibson mourned the end of the Golden Era of baseball and believed that the changes in the game would be partially blamed on him, as his pitching success caused team owners to believe that cash-paying customers only wanted base hits and home runs. Yet, he contended, the shrinking of the strike zone, the lowering of the mound, and the softening of the traditional rancor between the hitter and pitcher forever changed the role of the pitcher in the game and created a more politically correct version of the sport.

 

Throughout Gibson’s Last Stand, Doug Feldmann captivates readers with the action of the game, both on and off the field, and interjects interesting and detailed tidbits on players’ backgrounds that often tie them to famous players of the past, current stars, and well-known contemporary places. Feldmann also entwines the teams history with Missouri history: President Truman and the funeral procession for President Eisenhower through St. Louis; Missouri sports legends Dizzy Dean, Mark McGwire, and Stan “the Man” Musial; and legendary announcers Harry Caray and Jack Buck. Additionally, a helpful appendix provides National League East standings from 1969 to 1975.

 

Bob Gibson remains one of the most unique, complex, and beloved players in Cardinals history. In this story of one of the least examined parts of his career—his final years on the team—Feldmann takes readers into the heart of his complexity and the changes that swirled around him.

Gilbert and Gubar's The Madwoman in the Attic after Thirty Years Cover

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Gilbert and Gubar's The Madwoman in the Attic after Thirty Years

Annette R. Federico, ed.

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia.

 

 

These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.

 

 

The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers.

 

 

In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.

 

Going Solo Cover

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Going Solo

Doing Videojournalism in the 21st Century

G. Stuart Smith

 

The traditional model of video news reporting has always had two separate roles: reporting and videography. For years, however, small-market news outlets have relied on “one-man bands”—individual reporters who shoot and edit their own video—for stories and footage. Lately, as the journalism landscape has evolved, this controversial practice has grown more and more popular. With the use of video constantly expanding, many large-market TV stations, networks, and newspaper Web sites are relying on one person to carry out a job formerly executed by two. News outlets now call these contributors VJs, digital journalists, backpack journalists, or mobile journalists. But no matter what they are called, there’s no denying the growing significance of solo videojournalists to the media landscape.
            Going Solo: Doing Videojournalism in the 21st Century details the controversy, history, and rise of this news genre, but its main objective is to show aspiring videojournalists how to learn the craft. While other textbooks depict the conventional reporter-and-videographer model, Going Solo innovates by teaching readers how to successfully juggle the skills traditionally required of two different people.
            Award-winning journalist G. Stuart Smith begins by describing how and why the media’s use of solo videojournalists is growing, then delves into the controversy over whether one person can cover a story as well as two. He illuminates how, together, the downsizing of the media, downturn in the economy, and growth of video on the Web have led to the rise of the solo videojournalist model. Going Solo profiles TV stations and newspaper Web operations across the country that are using the model and offers helpful advice from VJs in the field. The book presents useful guidelines on how to multitask as a reporter-videographer: conducting interviews, shooting cover video, and writing and editing a good video story. Readers will also learn how to produce non-narrated stories and market themselves in a competitive field.
            Smith, who started his career as a “one-man band,” insightfully covers an area of journalism that, despite its growing market demand, has received little academic attention. Going Solo: Doing Videojournalism in the 21st Century is useful for students learning the basics and those already in the field who need to upgrade their skills. By presenting industry know-how and valuable tips, this unique guidebook can help any enterprising videojournalist create a niche for him- or herself in the increasingly fragmented news media market.

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Groping Toward Democracy

African American Social Welfare Reform in St. Louis, 1910-1949

Priscilla A. Dowden-White

 

Decades before the 1960s, social reformers began planting the seeds for the Modern Civil Rights era. During the period spanning World Wars I and II, St. Louis, Missouri, was home to a dynamic group of African American social welfare reformers. The city’s history and culture were shaped both by those who would construct it as a southern city and by the heirs of New England abolitionism. Allying with white liberals to promote the era’s new emphasis on “the common good,” black reformers confronted racial segregation and its consequences of inequality and, in doing so, helped to determine the gradual change in public policy that led to a more inclusive social order.

 

In Groping toward Democracy: African American Social Welfare Reform in St. Louis, 1910–1949, historian Priscilla A. Dowden-White presents an on-the-ground view of local institution building and community organizing campaigns initiated by African American social welfare reformers. Through extensive research, the author places African American social welfare reform efforts within the vanguard of interwar community and neighborhood organization, reaching beyond the “racial uplift” and “behavior” models of the studies preceding hers. She explores one of the era’s chief organizing principles, the “community as a whole” idea, and deliberates on its relationship to segregation and the St. Louis black community’s methods of reform. Groping toward Democracy depicts the dilemmas organizers faced in this segregated time, explaining how they pursued the goal of full, uncontested black citizenship while still seeking to maximize the benefits available to African Americans in segregated institutions. The book’s nuanced mapping of the terrain of social welfare offers an unparalleled view of the progress brought forth by the early-twentieth-century crusade for democracy and equality.

 

By delving into interrelated developments in health care, education, labor, and city planning, Dowden-White deftly examines St. Louis’s African American interwar history. Her in-depth archival research fills a void in the scholarship of St. Louis’s social development, and her compelling arguments will be of great interest to scholars and teachers of American urban studies and social welfare history.

Harry S. Truman Cover

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Harry S. Truman

A Life

Robert H. Ferrell

Harry S. Truman versus the Medical Lobby Cover

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Harry S. Truman versus the Medical Lobby

The Genesis of Medicare

Monte M. Poen

The Home Fronts of Iowa, 1939-1945 Cover

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The Home Fronts of Iowa, 1939-1945

Lisa L. Ossian

As Americans geared up for World War II, each state responded according to its economy and circumstances—as well as the disposition of its citizens. This book considers the war years in Iowa by looking at activity on different home fronts and analyzing the resilience of Iowans in answering the call to support the war effort.
            With its location in the center of the country, far from potentially threatened coasts, Iowa was also the center of American isolationism—historically Republican and resistant to involvement in another European war. Yet Iowans were quick to step up, and Lisa Ossian draws on historical archives as well as on artifacts of popular culture to record the rhetoric and emotion of their support.
Ossian shows how Iowans quickly moved from skepticism to overwhelming enthusiasm for the war and answered the call on four fronts: farms, factories, communities, and kitchens. Iowa’s farmers faced labor and machinery shortages, yet produced record amounts of crops and animals—even at the expense of valuable topsoil. Ordnance plants turned out bombs and machine gun bullets. Meanwhile, communities supported war bond and scrap drives, while housewives coped with rationing, raised Victory gardens, and turned to home canning.
            The Home Fronts of Iowa, 1939–1945 depicts real people and their concerns, showing the price paid in physical and mental exhaustion and notes the heavy toll exacted on Iowa’s sons who fell in battle. Ossian also considers the relevance of such issues as race, class, and gender—particularly the role of women on the home front and the recruitment of both women and blacks for factory work—taking into account a prevalent suspicion of ethnic groups by the state’s largely homogeneous population.
            The fact that Iowans could become loyal citizen soldiers—forming an Industrial and Defense Commission even before Pearl Harbor—speaks not only to the patriotism of these sturdy midwesterners but also to the overall resilience of Americans. In unraveling how Iowans could so overwhelmingly support the war, Ossian digs deep into history to show us the power of emotion—and to help us better understand why World War II is consistently remembered as “the Good War.”

The Improbable First Century of Cosmopolitan Magazine Cover

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The Improbable First Century of Cosmopolitan Magazine

James Landers

 

Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research.

 

            When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives.

 

            The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.

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