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The Spanish Civil War created a conflict for Americans who preferred that the United States remain uninvolved in foreign affairs. Despite the country's isolationist tendencies, opposition to the rise of fascism across Europe convinced many Americans that they had to act in support of the Spanish Republic. While much has been written about the war itself and its international volunteers, little attention has been paid to those who coordinated these relief efforts at home.
American Relief Aid and the Spanish Civil War tells the story of the political campaigns to raise aid for the Spanish Republic as activists pushed the limits of isolationist thinking. Those concerned with Spain’s fate held a range of political convictions (including anarchists, socialists, liberals, and communists) with very different understandings of what fascism was. Yet they all agreed that fascism’s advance must be halted. With labor strikes, fund-raising parties, and ambulance tours, defenders of Spain in the United States sought to shift the political discussion away from isolation of Spain’s elected government and toward active assistance for the faltering Republic.
Examining the American political organizations affiliated with this relief effort and the political repression that resulted as many of Spain’s supporters faced the early incarnations of McCarthyism’s trials, Smith provides new understanding of American politics during the crucial years leading up to World War II. By also focusing on the impact the Spanish Civil War had on those of Spanish ethnicity in the United States, Smith shows how close to home the seemingly distant war really hit.
A Story of Civil War Draft Resistance
<a href="http://press.umsystem.edu/pages/TheFishingCreekConfederacy.aspx">Media Kit
Governor Andrew Gregg Curtin of Pennsylvania was a staunch supporter of the Lincoln administration. The commonwealth supplied more than 360,000 white soldiers and 9,000 black soldiers during the conflict. However, there was sustained opposition to the war throughout the state, much of it fanned by the pens of Democratic newspaper editors. Though most opposition was disorganized and spontaneous, other aspects of the antiwar sentiment in the state occasionally erupted as major incidents.
Sauers and Tomasak describe the draft in Pennsylvania and consider how Columbia County fit into the overall draft process. Subsequent chapters take the reader through the events of the summer of 1864, including the interaction of soldiers and civilians in the county, the prison experiences of the men, and the trials. Later chapters cover the August 1865 Democratic rally at Nob Mountain and the effects of the draft episode after the war was over, including its influence on the 1872 election for governor, the 1891 murder trial, and the formation of the official Democratic version of the events, which has been used by historians ever since.
Discoveries in an American Region
Ozarks in Missouri History: Discoveries in an American Region gathers fifteen essays, many of them pioneering efforts in the field, that originally appeared in the Missouri Historical Review, the journal of the State Historical Society.
Interest in scholarly study of the Ozarks has increased markedly in recent years, and this collection of old and new essays will be welcomed by the growing number of readers seeking work on the history, culture, and geography of the region. In his introduction, editor Lynn Morrow gives the reader background on the interest in and the study of the Ozarks. Essays in the collection explore a diverse list of topics, among them the fur trade, slavery, the Civil War and image-making, and the New Deal and mining; agriculture and constant change; the chaotic modernization brought by railroads, rivalries, scandal, and labor unions in Springfield; the sometimes-conflicting influences exerted by St. Louis and Kansas City, and the struggle by federal, state, and local governments to define conservation and the future of Current River.
Historians and Ozark enthusiasts alike will find these micro-studies an enjoyable read.
A Pilot's Reflections on Flying and the Grace of Altitude
“It’s almost like ballet. Preflight. Starting. Warm-up. The voices from the control tower—the instructions. Taxiing. The rush down the runway. Airborne. There are names for every move. The run-up. Position and hold. Every move needs to be learned, practiced, made so familiar you feel the patterns in every other thing you do. It’s technical, yes. But there is a grace to getting metal and bone into the sky.”
Prairie Sky is a celebration of curiosity and a book for explorers. In this collection of contemplative essays, Scott Olsen invites readers to view the world from a pilot’s seat, demonstrating how, with just a little bit of altitude, the world changes, new relationships become visible, and new questions seem to rise up from the ground.
Whether searching for the still-evident shores of ancient lakes, the dustbowl-era shelterbelt supposed to run the length of the country, or the even more elusive understandings of physics and theology, Olsen shares the unique perspective and insight allowed to pilots.
Prairie Sky explores the reality as well as the metaphor of flight: notions of ceaseless time and boundless space, personal interior and exterior vision, social history, meteorology, and geology. Olsen takes readers along as he chases a new way of looking at the physical world and wonders aloud about how the whole planet moves in interconnected ways not visible from the ground. While the northern prairie may call to mind images of golden harvests and summer twilight such images do not define the region. The land bears marks left by gut-shaking thunderstorms, hard-frozen rivers, sweeping floods, and hurricane-size storms. Olsen takes to the midwestern sky to confront the ordinary world and reveals the magic--the wondrous and unique sights visible from the pilot’s seat of a Cessna.
Like Antoine de Saint-Exupery’s classic work Wind, Sand and Stars, Olsen’s Prairie Sky reveals the heart of what it means to fly. In the grand romantic tradition of the travel essay, it opens the dramatic paradoxes of self and collective, linear and circular, the heart and the border.