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Vol. 14 (2007) through current issue
Buildings & Landscapes examines the built world-houses and cities, farmsteads and alleys—churches and courthouses, subdivisions and shopping malls—that make up the spaces that most people experience every day. Strongly based on fieldwork and archival work that views buildings as windows into human life and culture, articles are written by historians, preservationists, architects, cultural and urban geographers, cultural anthropologists, and others whose work involves the documentation, analysis and interpretation of the built world. Formerly titled Perspectives in Vernacular Architecture, Buildings & Landscapes is presently an annual publication that will begin publishing two issues a year beginning in 2009.
After the international success of his collection of World War II newspaper articles, German Autumn—a book that solidified his status as the most promising and exciting writer in Sweden—Stig Dagerman was sent to France with an assignment to produce more in this journalistic style. But he could not write the much-awaited follow-up. Instead, he holed up in a small French village and in the summer of 1948 created what would be his most personal, poignant, and shocking novel: A Burnt Child.
Set in a working-class neighborhood in Stockholm, the story revolves around a young man named Bengt who falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers his father had a mistress. But as Bengt swears revenge on behalf of his mother’s memory, he also finds himself drawn into a fevered and conflicted relationship with this woman—a turn that causes him to question his previous faith in morality, virtue, and fidelity.
Written in a taut and beautifully naturalistic tone, Dagerman illuminates the rich atmospheres of Bengt’s life, both internal and eternal: from his heartache and fury to the moody streets of Stockholm and the Hitchcockian shadows of tension and threat in the woods and waters of Sweden’s remote islands. A Burnt Child remains Dagerman’s most widely read novel, both in Sweden and worldwide, and is one of the crowning works of his short but celebrated career.
Lake Minnetonka is renowned for its natural beauty as well as the prominent people it has attracted to its shores as a historic site of grand hotels, steamboats, and wealthy visitors from around the world, and as the home of the legendary Excelsior Amusement Park. But did you know that early European settlers to the region faced conditions so dire that they named an outlet of the lake “Purgatory Creek”? Or that a ginseng boom brought slaves to Wayzata to harvest the plant’s roots? Many know that Frank Lloyd Wright designed famous homes around the lake, but few are aware he was also arrested there for living with his mistress and sent to the Hennepin County jail for “white slavery.”
By the Waters of Minnetonka uncovers remarkable and hidden facts about the lake and those who have lived on its shores, from the region’s original Dakota inhabitants to the present. Nineteenth-century plantation owners made Minnetonka into a summer vacation playground for the wealthy, and Prohibition-era battles led teetotalers to hoax Minneapolis newspapers about bloody clashes between preachers and saloon owners.
Eric Dregni, who grew up in Minnetonka, sheds light on intriguing, if at times unsettling, aspects of the lake’s history, challenging myths and revisiting elements of the past that have been forgotten or glossed over. He also relates—and sometimes pokes fun at—the opulent, glamorous, and sometimes raucous moments that have made Lake Minnetonka an icon of splendid resort living in Minnesota.
Radio Dragnets and the Technology of Policing
Crime and Governance in the Divided City
The Literature of Latin America's Export Age
Between 1870 and 1930, Latin American countries were incorporated into global capitalist networks like never before, mainly as exporters of raw materials and importers of manufactured goods. During this Export Age, entire regions were given over to the cultivation of export commodities such as coffee and bananas, capital and labor were relocated to new production centers, and barriers to foreign investment were removed. Capital Fictions investigates the key role played by literature in imagining and interpreting the rapid transformations unleashed by Latin America’s first major wave of capitalist modernization.
Using an innovative blend of literary and economic analysis and drawing from a rich interdisciplinary archive, Ericka Beckman provides the first extended evaluation of Export Age literary production. She traces the emergence of a distinct set of fictions, fantasies, and illusions that accompanied the rise of export-led, dependent capitalism. These “capital fictions” range from promotional pamphlets for Guatemalan coffee and advertisements for French fashions, to novels about stock market collapse in Argentina and rubber extraction in the Amazon.
Beckman explores how Export Age literature anticipated some of the key contradictions faced by contemporary capitalist societies, including extreme financial volatility, vast social inequality, and ever-more-intense means of exploitation. Questioning the opposition between culture and economics in Latin America and elsewhere, Capital Fictions shows that literature operated as a powerful form of political economy during this period.
We exist. We try to lead good, thoughtful lives. And while we all try our best, we can’t avoid the startling moments, or we make mistakes and experience little shocks and embarrassments—our lesser horrors—that make us wince and come back to haunt us again and again.
For Peter Smith—whose weekly essays for Minnesota Public Radio have endeared him to thousands of listeners and readers—these awkward times are not without their humor, and a healthy dose at that. We all know the circumstances and places the lesser horrors are likely to await—sibling rivalries, high school gym class, job successes and failures, raising children. In this series of funny, honest, and moving pieces, Smith explores a few messy episodes from his own life: growing up Catholic on the south side of Chicago, seeing his tricycle stolen before his eyes, and onward to American life in the ’50s and ’60s, Vietnam, and a career in advertising, where bosses feed employees anxieties to increase creativity. Along the way, Smith discovers how these moments not only help define what it is to be human but are also a major source of our inspiration and imagination.
So cover your eyes, peek through your fingers. Life is a cavalcade of lesser horrors. They may not be the easiest memories to relive, but they are often among the funniest. And by facing them squarely and perhaps even with a smile, Smith finds himself uncovering a simple reassurance, an uneasy truth we should take to heart: we’re all on this wild ride together.
The Triumph of Charlie Parker
Within days of Charlie “Bird” Parker’s death at the age of thirty-four, a scrawled legend began appearing on walls around New York City: Bird Lives. Gone was one of the most outstanding jazz musicians of any era, the troubled genius who brought modernism to jazz and became a defining cultural force for musicians, writers, and artists of every stripe. Arguably the most significant musician in the country at the time of his death, Parker set the standard many musicians strove to reach—though he never enjoyed the same popular success that greeted many of his imitators. Today, the power of Parker’s inventions resonates undiminished; and his influence continues to expand.
Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins, whom Esquire called “the best jazz writer in America today.” Richly illustrated and drawing primarily from original sources, Giddins overturns many of the myths that have grown up around Parker. He cuts a fascinating portrait of the period, from Parker’s apprentice days in the 1930s in his hometown of Kansas City to the often difficult years playing clubs in New York and Los Angeles, and reveals how Parker came to embody not only musical innovation and brilliance but the rage and exhilaration of an entire generation.
Fully revised and with a new introduction by the author, Celebrating Bird is a classic of jazz writing that the Village Voice heralded as “a celebration of the highest order”—a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz’s most commanding and remarkable figures.
Fame in Contemporary Culture
Simultaneously celebrated and denigrated, celebrities represent not only the embodiment of success, but also the ultimate construction of false value. Celebrity and Power questions the impulse to become embroiled with the construction and collapse of the famous, exploring the concept of the new public intimacy: a product of social media in which celebrities from Lady Gaga to Barack Obama are expected to continuously campaign for audiences in new ways. In a new Introduction for this edition, P. David Marshall investigates the viewing public’s desire to associate with celebrity and addresses the explosion of instant access to celebrity culture, bringing famous people and their admirers closer than ever before.
Remapping Race in Suburban California
U.S. suburbs are typically imagined to be predominantly white communities, but this is increasingly untrue in many parts of the country. Examining a multiracial suburb that is decidedly nonwhite, Wendy Cheng unpacks questions of how identity—especially racial identity—is shaped by place. She offers an in-depth portrait, enriched by nearly seventy interviews, of the San Gabriel Valley, not far from downtown Los Angeles, where approximately 60 percent of residents are Asian American and more than 30 percent are Latino. At first glance, the cities of the San Gabriel Valley look like stereotypical suburbs, but almost no one who lives there is white.
The Changs Next Door to the Díazes reveals how a distinct culture is being fashioned in, and simultaneously reshaping, an environment of strip malls, multifamily housing, and faux Mediterranean tract homes. Informed by her interviews as well as extensive analysis of three episodic case studies, Cheng argues that people’s daily experiences—in neighborhoods, schools, civic organizations, and public space—deeply influence their racial consciousness. In the San Gabriel Valley, racial ideologies are being reformulated by these encounters. Cheng views everyday landscapes as crucial terrains through which racial hierarchies are learned, instantiated, and transformed. She terms the process “regional racial formation,” through which locally accepted racial orders and hierarchies complicate and often challenge prevailing notions of race.
There is a place-specific state of mind here, Cheng finds. Understanding the processes of racial formation in the San Gabriel Valley in the contemporary moment is important in itself but also has larger value as a model for considering the spatial dimensions of racial formation and the significant demographic shifts taking place across the national landscape.