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A Passion for Cinema
Laruelle and Nonhuman Philosophy
All Thoughts Are Equal is both an introduction to the work of French philosopher François Laruelle and an exercise in nonhuman thinking. For Laruelle, standard forms of philosophy continue to dominate our models of what counts as exemplary thought and knowledge. By contrast, what Laruelle calls his “non-standard” approach attempts to bring democracy into thought, because all forms of thinking—including the nonhuman—are equal.
John Ó Maoilearca examines how philosophy might appear when viewed with non-philosophical and nonhuman eyes. He does so by refusing to explain Laruelle through orthodox philosophy, opting instead to follow the structure of a film (Lars von Trier’s documentary The Five Obstructions) as an example of the non-standard method. Von Trier’s film is a meditation on the creative limits set by film, both technologically and aesthetically, and how these limits can push our experience of film—and of ourselves—beyond what is normally deemed “the perfect human.”
All Thoughts Are Equal adopts film’s constraints in its own experiment by showing how Laruelle’s radically new style of philosophy is best presented through our most nonhuman form of thought—that found in cinema.
Aesthetics and Politics in Modern Brazilian Cinema
University of Minnesota Pamphlets on American Writers
Allen Tate - American Writers 39 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Allen Tate and His Work was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate's work and his life. Poet, critic, novelist -- Tate is all of these, and the selections, reflecting these various aspects of his career, are arranged in sections entitled "The Man," "The Essayist," "The Novelist," and "The Poet." As Professor Squires points out, the last three divisions take cognizance of the astounding diversity of Tate's achievement. "But in a last analysis," he continues, "the divisions are an Aristotelian nicety, an arbitrary convenience. His work is really all of a piece. It has all derived from the same energy, the same insights. It has all had a single aim."
What is that aim? Squires compares it to a simple physics experiment in which students are taught the principles of pressure, and he goes on to explain: "The synergy of Allen Tate's poetry, fiction, and essays has had the aim of applying pressure—think of the embossed, bitterly stressed lines, his textured metaphors—until it brings up before our eyes a blanched parody of the human figure, which is our evil, the world's evil, so that we begin to long for God. That has seemed to him a worthwhile task to perform for modern man threatened by such fatal narcissism, such autotelic pride that he is in danger of disappearing into a glassy fantasy of his own concoction. We shall need his help for a long time to come."
The selections were first published in a variety of periodicals and books over the years. The volume includes a substantial bibliography.
Immigration And The Politics Of Race
Alms for Oblivion was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume makes available in book form a collection of seventeen essays by Edward Dahlberg, who has been called one of the great unrecognized writers of our time. Some of the selections have never been published before; others have appeared previously only in magazines of limited circulation. There is a foreword by Sir Herbert Read.
The individual essays are on a wide range of subjects: literary, historical, philosophical, personal. The longest is a discussion of Herman Melville's work entitled "Moby-Dick - A Hamitic Dream." The fate of authors at the hands of reviewers is the subject of the essay called "For Sale." In "No Love and No Thanks" the author draws a characterization of our time. He presents a critique of the poet William Carlos Williams in "Word-Sick and Place- Crazy," and a discussion of F. Scott Fitzgerald in "Peopleless Fiction." In "My Friends Stieglitz, Anderson, and Dreiser" he discusses not only Alfred Stieglitz, Sherwood Anderson, and Theodore Dreiser but other personalities as well. He also writes of Sherwood Anderson in "Midwestern Fable." In "Cutpurse Philosopher" the subject is William James. "Florentine Codex" is about the conquistadores. Other essays in the collection are the following: "Randolph Bourne," "Our Vanishing Cooperative Colonies," "Chivers and Poe," "Domestic Manners of Americans," "Robert McAlmon: A Memoir," "The Expatriates: A Memoir," and an essay on Allen Tate.
Intellectual Disability and Sexual Agency
Why is the sexuality of people with intellectual disabilities often deemed “risky” or “inappropriate” by teachers, parents, support staff, medical professionals, judges, and the media? Should sexual citizenship depend on IQ? Confronting such questions head-on, Already Doing It exposes the “sexual ableism” that denies the reality of individuals who, despite the restrictions they face, actively make decisions about their sexual lives.
Tracing the history of efforts in the United States to limit the sexual freedoms of such persons⎯using methods such as forced sterilization, invasive birth control, and gender-segregated living arrangements—Michael Gill demonstrates that these widespread practices stemmed from dominant views of disabled sexuality, not least the notion that intellectually disabled women are excessively sexual and fertile while their male counterparts are sexually predatory. Analyzing legal discourses, sex education materials, and news stories going back to the 1970s, he shows, for example, that the intense focus on “stranger danger” in sex education for intellectually disabled individuals disregards their ability to independently choose activities and sexual partners—including nonheterosexual ones, who are frequently treated with heightened suspicion. He also examines ethical issues surrounding masturbation training that aims to regulate individuals’ sexual lives, challenges the perception that those whose sexuality is controlled (or rejected) should not reproduce, and proposes recognition of the right to become parents for adults with intellectual disabilities.
A powerfully argued call for sexual and reproductive justice for people with intellectual disabilities, Already Doing It urges a shift away from the compulsion to manage “deviance” (better known today as harm reduction) because the right to pleasure and intellectual disability are not mutually exclusive. In so doing, it represents a vital new contribution to the ongoing debate over who, in the United States, should be allowed to have sex, reproduce, marry, and raise children.
Antiblackness and the Critique of Multiracialism
Despite being heralded as the answer to racial conflict in the post–civil rights United States, the principal political effect of multiracialism is neither a challenge to the ideology of white supremacy nor a defiance of sexual racism. More accurately, Jared Sexton argues in Amalgamation Schemes, multiculturalism displaces both by evoking long-standing tenets of antiblackness and prescriptions for normative sexuality.
In this timely and penetrating analysis, Sexton pursues a critique of contemporary multiracialism, from the splintered political initiatives of the multiracial movement to the academic field of multiracial studies, to the melodramatic media declarations about “the browning of America.” He contests the rationales of colorblindness and multiracial exceptionalism and the promotion of a repackaged family values platform in order to demonstrate that the true target of multiracialism is the singularity of blackness as a social identity, a political organizing principle, and an object of desire. From this vantage, Sexton interrogates the trivialization of sexual violence under chattel slavery and the convoluted relationship between racial and sexual politics in the new multiracial consciousness.
An original and challenging intervention, Amalgamation Schemes posits that multiracialism stems from the conservative and reactionary forces determined to undo the gains of the modern civil rights movement and dismantle radical black and feminist politics.
Jared Sexton is assistant professor of African American studies and film and media studies at the University of California, Irvine.
Race, Performance, and the Ruses of Memory