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Strategic Behavior and the Emergence of New Political Parties in Western Democracies
New political parties have regularly appeared in developed democracies around the world. In some countries issues focusing on the environment, immigration, economic decline, and regional concerns have been brought to the forefront by new political parties. In other countries these issues have been addressed by established parties, and new issue-driven parties have failed to form. Most current research is unable to explain why under certain circumstances new issues or neglected old ones lead to the formation of new parties. Based on a novel theoretical framework, this study demonstrates the crucial interplay between established parties and possible newcomers to explain the emergence of new political parties. Deriving stable hypotheses from a simple theoretical model, the book proceeds to a study of party formation in twenty-two developed democracies. New or neglected issues still appear as a driving force in explaining the emergence of new parties, but their effect is partially mediated by institutional factors, such as access to the ballot, public support for parties, and the electoral system. The hypotheses in part support existing theoretical work, but in part present new insights. The theoretical model also pinpoints problems of research design that are hardly addressed in the comparative literature on new political parties. These insights from the theoretical model lead to empirical tests that improve on those employed in the literature and allow for a much-enhanced understanding of the formation and the success of new parties. Simon Hug is Lecturer in Political Science, University of Geneva.
The Politics of Congressional Elections Across Time
In Ambition, Competition, and Electoral Reform, Jamie L. Carson and Jason M. Roberts present an original study of U.S. congressional elections and electoral institutions for 1872-1944 from a contemporary political science perspective. Using data on late
Threats to Liberal Self-Government in an Age of Uncertainty
America at Risk gathers original essays by a distinguished and bipartisan group of writers and intellectuals to address a question that matters to Americans of every political persuasion: what are some of the greatest dangers facing America today? The answers, which range from dwindling political participation to rising poverty, and religion to empire, add up to a valuable and timely portrait of a particular moment in the history of American ideas. While the opinions are many, there is a central theme in the book: the corrosion of the liberal constitutional order that has long guided the country at home and abroad. The authors write about the demonstrably important dangers the United States faces while also breaking the usual academic boundaries: there are chapters on the family, religious polarization, immigration, and the economy, as well as on governmental and partisan issues. America at Risk is required reading for all Americans alarmed about the future of their country. Contributors • Traci Burch • James W. Ceaser • Robert Faulkner • Niall Ferguson • William A. Galston • Hugh Heclo • Pierre Manent • Harvey C. Mansfield • Peter Rodriguez • Kay Lehman Schlozman • Susan Shell • Peter Skerry • James Q. Wilson • Alan Wolfe Robert Faulkner is Professor of Political Science at Boston College. Susan Shell is Professor of Political Science at Boston College. "America at Risk goes well beyond the usual diagnoses of issues debated in public life like immigration, war, and debt, to consider the Republic’s founding principles, and the ways in which they have been displaced by newer thoughts and habits in contemporary America. A critical book for understanding our present condition." —Francis Fukuyama, Bernard L. Schwartz Professor of International Political Economy, Johns Hopkins School of Advanced International Studies "In this penetrating book, the nation’s finest social and political thinkers from across the spectrum take a careful and no-holds-barred look at the dangers facing the American political system. The conclusions are more unsettling than reassuring---but that is because they are honest and real." —Norm Ornstein, Resident Scholar, American Enterprise Institute "In the midst of overwrought pundits, irate soccer moms, and outraged bloggers, it is difficult to distinguish genuine dangers from false alarms and special pleading. This book enables us to do so, in a way that helps us to actually think about, not just feel anxious about, threats to those features of American society that are worth cherishing. The authors range in ideology and expertise, but they are uniformly judicious, incisive, and informative. This is a fascinating book about issues that the political system usually ignores or exaggerates." —Jennifer L. Hochschild, Henry LaBarre Jayne Professor of Government and Professor of African and African American Studies, Harvard University
Cultural Mobility and Exchange in New York, 1952-2011
America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.
Literary Essays North and South
One of the foremost critics in contemporary American letters, Christopher Benfey has long been known for his brilliant and incisive essays. Appearing in such publications as the New York Review of Books, the New Republic, and the Times Literary Supplement, Benfey's writings have helped us reimagine the American literary canon. In American Audacity, Benfey gathers his finest writings on eminent American authors (including Emerson, Dickinson, Whitman, Millay, Faulkner, Frost, and Welty), bringing to his subjects---as the New York Times Book Review has said of his earlier work---"a scholar's thoroughness, a critic's astuteness and a storyteller's sense of drama." Although Benfey's interests range from art to literature to social history, this collection focuses on particular American writers and the various ways in which an American identity and culture inform their work. Broken into three sections, "Northerners,""Southerners," and "The Union Reconsidered," American Audacity explores a variety of canonical works, old (Emerson, Dickinson, Millay, Whitman), modern (Faulkner, Dos Passos), and more contemporary (Gary Snyder, E. L. Doctorow). Christopher Benfey is the author of numerous highly regarded books, including Emily Dickinson: Lives of a Poet; The Double Life of Stephen Crane; Degas in New Orleans: Encounters in the Creole World of Kate Chopin and George Washington Cable; and, most recently, The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan. Benfey's poems have appeared in the Paris Review, Pequod, and Ploughshares. He has held fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. Currently he is Mellon Professor of English at Mount Holyoke College. "In its vigorous and original criticism of American writers, Christopher Benfey's American Audacity displays its own audacities on every page." ---William H. Pritchard
Displays the full range of informed, thoughtful opinion on the place of Jews in the American politics of identity. ---David A. Hollinger, Preston Hotchkis Professor of American History, University of California, Berkeley "A fascinating anthology whose essays crystallize the most salient features of American Jewish life in the second half of the twentieth century." ---Beth S. Wenger, Katz Family Associate Professor of American Jewish History and Director of the Jewish Studies Program, University of Pennsylvania Written by scholars who grew up after World War II and the Holocaust who participated in political struggles in the 1960s and 1970s and who articulated many of the formative concepts of modern Jewish studies, this anthology provides a window into an era of social change. These men and women are among the leading scholars of Jewish history, society and culture. The volume is organized around contested themes in American Jewish life: the Holocaust and World War II, religious pluralism and authenticity, intermarriage and Jewish continuity. Thus, it offers one of the few opportunities for students to learn about these debates from participant scholars. Contributors: Hasia R. Diner Arnold M. Eisen Sylvia Barack Fishman Arthur Green Jeffrey Gurock Paula E. Hyman Egon Mayer Alvin H. Rosenfeld Jonathan D. Sarna Stephen J. Whitfield Deborah Dash Moore is Director of the Jean and Samuel Frankel Center for Judaic Studies and Frederick G. L. Huetwell Professor of History at the University of Michigan.
From Walt Whitman to Hip Hop
American Performance Poetry is the first book to trace a comprehensive history of performance poetry in America from Whitman through the rap-meets-poetry scene and to show how the performance of poetry is bound up with the performance of identity and nationality in the modern period. This book will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page. Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. In doing so, American Performance Poetry explores public poets’ confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness.
The Life and Work of Carey McWilliams
A long-overdue book on the brilliant life and career of one of our greatest public intellectuals, American Prophet will introduce Carey McWilliams to a new generation of readers. Peter Richardson's absorbing and elegantly paced book reveals a figure thoroughly engaged with the issues of his time. Deftly interweaving correspondence, diary notes, published writings, and McWilliams's own and others' observations on a colorful and influential cast of characters from Hollywood, New York, Washington, DC, and the American West, Richardson maps the evolution of McWilliams's personal and professional life. Among those making an appearance are H. L. Mencken (McWilliams's mentor and role model), Louis Adamic, John Fante, Robert Towne, Richard Nixon, Studs Terkel, J. Edgar Hoover, Arthur Schlesinger, Jr., and Joseph McCarthy. American Prophet illustrates the arc of McWilliams's life and career from his early literary journalism through his legal and political activism, his stint in state government, and his two decades as editor of the Nation. This book makes the case for McWilliams's place in the Olympian realm of our most influential and prescient political writers. Peter Richardson is the editorial director at PoliPointPress in Sausalito, California. He is the author or editor of numerous works on language, literature, and California public policy. He holds a Ph.D. in English from the University of California Berkeley.