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Life As a Forensic Anthropologist
“On the first day of the search, I failed to find the body.” So writes forensic anthropologist and bioarchaeologist Mary H. Manhein—or “the bone lady” as law enforcement personnel call her. In this, one of dozens of stories recollected in her powerful memoir, Manhein and the state police eventually unearth a black plastic bag buried in the banks of the Mississippi River containing the body of a man who has been missing for five years. After the painstaking process of examining the remains, confirming the victim’s identity, and preparing a formal report for the police, Manhein testifies for the prosecution at the murder trial. The defendant is convicted (due in no small part to Manhein), and the bone lady has helped solve yet another mystery. As director of the Forensic Anthropology and Computer Enhancement Services (FACES) Laboratory at Louisiana State University, Manhein unravels mysteries of life and death every day. In The Bone Lady, she shares, with the compassion and humor of a born storyteller, many fascinating cases that include the science underlying her analyses as well as the human stories behind the remains. Manhein, an expert on the human skeleton, assists law enforcement by providing profiles of remains that narrow the identification process when the traditional means used by medical examiners or coroners to conduct autopsies are no longer applicable—simply put, when bones are all that are left to tell the story. She assesses age, sex, race, height, signs of trauma, and time since death, and creates clay facial reconstructions. The case studies Manhein includes in The Bone Lady highlight the diversity of the field of forensic anthropology. She presents some of her more lighthearted cases, such as that instigated by the suburban man who discovers a box of bones buried in his backyard labeled “Patsy Lou Bates—Sis.” A coroner, police investigators, and swarms of media are present when Manhein identifies Patsy Lou as a dearly departed family pet. One of her most chilling cases concerns a husband who murdered his wife, buried her in their yard, planted a rose garden over her grave, and continued to garden there for eight years until his deed was discovered. Manhein’s involvement in historic cases includes her participation in the exhumation of Dr. Carl Weiss, the alleged assassin of Huey P. Long. Although Manhein enjoys solving high-profile cases, her personal crusade is identifying the John and Jane Does who wait in her lab. Manhein’s own words perfectly characterize her mission: “Identifying a victim can bring peace of mind to the family and can help them to go on with their lives. Some-times, peace of mind is the only gift that I can give.”
Cold Cases in Forensic Anthropology
Over the past thirty years, forensic anthropologist Mary H. Manhein has helped authorities to identify hundreds of deceased persons throughout Louisiana and beyond. In Bone Remains, she offers details of twenty riveting cases from her files -- many of them involving facial reconstructions where only bones offered clues to an individual's story.
Manhein takes readers into the field, inside her lab, and through DNA databases and government bureaucracies as she and her team tirelessly work to identify and seek justice for those who can no longer speak for themselves. From a two-thousand-year-old mummy, to Civil War sailors, to graves disturbed by Hurricane Isaac, Manhein presents both modern and historic cases. Her conversational accounts provide a fascinating look into the stories behind the headlines as well as sometimes heart-wrenching details of people lost and found.
Manhein shows how each case came to her team, how they used scientific analysis to unravel the secrets the bones had to tell, and how facial reconstructions and a special database for missing and unidentified people assisted in closing cold cases long believed to be unsolvable. She also discusses several mysteries that still elude her, further reflecting the determination and passion central to Manhein's career for over three decades.
Purporting to be a "lost" seventeenth book of the 16-volume Anthologia Graeca, Book Seventeen uses the themes and images of ancient mythology to conjure a new way of looking at our modern world. Gods of all types line the pages of this collection, from those deities that only operate in our personal spaces-the poet's companion, the demigod Solitude, as well as the elusive god of Complicity-to more familiar divinities in unfamiliar roles, such as Helios shopping in an outdoor market in Paris, or an aging Aphrodite in a short skirt chatting with visitors to an unfamiliar city.
Pithy and humorous, reverential and impudent, Greg Delanty's poems showcase the author's keen eye for the mythologies on which we depend to make sense of our messy, bewildering lives.
New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella's comprehensive cultural history spans from the street's inception during the colonial period through three tu-multuous centuries, arriving at the world-famous entertainment strip of today.
Clearly written and carefully researched, Campanella's book interweaves world events -- from the Louisiana Purchase to World War II to Hurricane Katrina -- with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intri-guing and singular artifact, uniquely informative of both New Orleans's history and American society.
While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other.
An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battle-ground for a fund-amental dispute over cultural authenticity and commodification.
Toward a Black Male Feminist Criticism
Can black males offer useful insights on black women and patriarchy? Many black feminists are doubtful. Their skepticism derives in part from a history of explosive encounters with black men who blamed feminism for stigmatizing black men and undermining racial solidarity and in part from a perception that black male feminists are opportunists capitalizing on the current popularity of black women's writing and criticism. In Breaking the Silence, David Ikard goes boldly to the crux of this debate through a series of provocative readings of key African American texts that demonstrate the possibility and value of a viable black male feminist perspective. Seeking to advance the primary objectives of black feminism, Ikard provides literary models from Chester Himes's If He Hollers Let Him Go, James Baldwin's Go Tell It on the Mountain, Toni Morrison's Paradise, Toni Cade Bambara's The Salt Eaters, and Walter Mosley's Always Outnumbered, Always Outgunned and Walkin' the Dog that consciously wrestle with the concept of victim status for black men and women. He looks at how complicity across gender lines, far from rooting out patriarchy in the black community, has allowed it to thrive. This complicity, Ikard explains, is a process by which victimized groups invest in victim status to the point that they unintentionally concede power to their victimizers and engage in patterns of behavior that are perceived as revolutionary but actually reinforce the status quo. While black feminism has fostered important and necessary discussions regarding the problems of patriarchy within the black community, little attention has been paid to the intersecting dynamics of complicity. By laying bare the nexus between victim status and complicity in oppression, Breaking the Silence charts a new direction for conceptualizing black women's complex humanity and provides the foundations for more expansive feminist approaches to resolving intraracial gender conflicts.
An Interdisciplinary Approach
A panorama of past and contemporary southern society are captured in Bridging Southern Cultures by some of the South’s leading historians, anthropologists, literary critics, musicologists, and folklorists. Crossing the chasms of demographics, academic disciplines, art forms, and culture, this exciting collection reaches aspects of southern heritage that previous approaches have long obscured. Virtually every dimension of southern identity receives attention here. William Andrews,Thadious Davis, Sue Bridwell Beckham, Richard Megraw, and Joyce Marie Jackson offer engaging reflections on art, age, race, and gender. Bertram Wyatt-Brown delivers a startling reading of Faulkner, revealing the tangled history of southern modernism. Daniel C. Littlefield, Henry Shapiro, and Charles Reagan Wilson provide important assessments of Africanisms in southern culture, Appalachian studies, and the blessing and burden of southern culture. John Shelton Reed probes the humorous and awkward aspects of the South’s midlife crisis. John Lowe shows how the myth of the biracial southern family complicated plantation-school narratives for both white and black writers. Showcasing the thought of preeminent southern intellectuals, Bridging Southern Cultures is a timely assessment of the state of contemporary southern studies.
Agriculture and Sectional Antagonism in North America
Drawing on the history of the British gentry to explain the contrasting sentiments of American small farmers and plantation owners, James L. Huston's expansive analysis offers a new understanding of the socioeconomic factors that fueled sectionalism and ignited the American Civil War. This groundbreaking study of agriculture's role in the war defies long-held notions that northern industrialization and urbanization led to clashes between North and South. Rather, Huston argues that the ideological chasm between plantation owners in the South and family farmers in the North led to the political eruption of 1854-56 and the birth of a sectionalized party system.
Huston shows that over 70 percent of the northern population-by far the dominant economic and social element-had close ties to agriculture. More invested in egalitarianism and personal competency than in capitalism, small farmers in the North operated under a free labor ideology that emphasized the ideals of independence and mastery over oneself. The ideology of the plantation, by contrast, reflected the conservative ethos of the British aristocracy, which was the product of immense landed inequality and the assertion of mastery over others.
By examining the dominant populations in northern and southern congressional districts, Huston reveals that economic interests pitted the plantation South against the small-farm North. The northern shift toward Republicanism depended on farmers, not industrialists: While Democrats won the majority of northern farm congressional districts from 1842 to 1853, they suffered a major defection of these districts from 1854 to 1856, to the antislavery organizations that would soon coalesce into the Republican Party. Utilizing extensive historical research and close examination of the voting patterns in congressional districts across the country, James Huston provides a remarkable new context for the origins of the Civil War.
Broken Cup brings breathtaking eloquence to what Margaret Gibson describes as "traveling the Way of Alzheimer's" with her husband, poet David McKain. After his initial and tentative diagnosis, Gibson suspended her writing for two years; but then poetry returned, and the creative process became the lightning rod that grounded her and presented a path forward. The poems in Broken Cup bear witness to how Alzheimer's erodes memory and cognitive function, but they never forget to see what is present and to ask what may remain of the self. Moving and unflinchingly honest in the acknowledgment of pain, frustration, and grief, the poems uncover, time and time again, the grace of abiding love. Gibson gives heart as well as voice to an experience that is deeply personal, yet shared by all too many.