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Life As a Forensic Anthropologist
“On the first day of the search, I failed to find the body.” So writes forensic anthropologist and bioarchaeologist Mary H. Manhein—or “the bone lady” as law enforcement personnel call her. In this, one of dozens of stories recollected in her powerful memoir, Manhein and the state police eventually unearth a black plastic bag buried in the banks of the Mississippi River containing the body of a man who has been missing for five years. After the painstaking process of examining the remains, confirming the victim’s identity, and preparing a formal report for the police, Manhein testifies for the prosecution at the murder trial. The defendant is convicted (due in no small part to Manhein), and the bone lady has helped solve yet another mystery. As director of the Forensic Anthropology and Computer Enhancement Services (FACES) Laboratory at Louisiana State University, Manhein unravels mysteries of life and death every day. In The Bone Lady, she shares, with the compassion and humor of a born storyteller, many fascinating cases that include the science underlying her analyses as well as the human stories behind the remains. Manhein, an expert on the human skeleton, assists law enforcement by providing profiles of remains that narrow the identification process when the traditional means used by medical examiners or coroners to conduct autopsies are no longer applicable—simply put, when bones are all that are left to tell the story. She assesses age, sex, race, height, signs of trauma, and time since death, and creates clay facial reconstructions. The case studies Manhein includes in The Bone Lady highlight the diversity of the field of forensic anthropology. She presents some of her more lighthearted cases, such as that instigated by the suburban man who discovers a box of bones buried in his backyard labeled “Patsy Lou Bates—Sis.” A coroner, police investigators, and swarms of media are present when Manhein identifies Patsy Lou as a dearly departed family pet. One of her most chilling cases concerns a husband who murdered his wife, buried her in their yard, planted a rose garden over her grave, and continued to garden there for eight years until his deed was discovered. Manhein’s involvement in historic cases includes her participation in the exhumation of Dr. Carl Weiss, the alleged assassin of Huey P. Long. Although Manhein enjoys solving high-profile cases, her personal crusade is identifying the John and Jane Does who wait in her lab. Manhein’s own words perfectly characterize her mission: “Identifying a victim can bring peace of mind to the family and can help them to go on with their lives. Some-times, peace of mind is the only gift that I can give.”
Cold Cases in Forensic Anthropology
Over the past thirty years, forensic anthropologist Mary H. Manhein has helped authorities to identify hundreds of deceased persons throughout Louisiana and beyond. In Bone Remains, she offers details of twenty riveting cases from her files -- many of them involving facial reconstructions where only bones offered clues to an individual's story.
Manhein takes readers into the field, inside her lab, and through DNA databases and government bureaucracies as she and her team tirelessly work to identify and seek justice for those who can no longer speak for themselves. From a two-thousand-year-old mummy, to Civil War sailors, to graves disturbed by Hurricane Isaac, Manhein presents both modern and historic cases. Her conversational accounts provide a fascinating look into the stories behind the headlines as well as sometimes heart-wrenching details of people lost and found.
Manhein shows how each case came to her team, how they used scientific analysis to unravel the secrets the bones had to tell, and how facial reconstructions and a special database for missing and unidentified people assisted in closing cold cases long believed to be unsolvable. She also discusses several mysteries that still elude her, further reflecting the determination and passion central to Manhein's career for over three decades.
New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella's comprehensive cultural history spans from the street's inception during the colonial period through three tu-multuous centuries, arriving at the world-famous entertainment strip of today.
Clearly written and carefully researched, Campanella's book interweaves world events -- from the Louisiana Purchase to World War II to Hurricane Katrina -- with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intri-guing and singular artifact, uniquely informative of both New Orleans's history and American society.
While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other.
An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battle-ground for a fund-amental dispute over cultural authenticity and commodification.
Toward a Black Male Feminist Criticism
Can black males offer useful insights on black women and patriarchy? Many black feminists are doubtful. Their skepticism derives in part from a history of explosive encounters with black men who blamed feminism for stigmatizing black men and undermining racial solidarity and in part from a perception that black male feminists are opportunists capitalizing on the current popularity of black women's writing and criticism. In Breaking the Silence, David Ikard goes boldly to the crux of this debate through a series of provocative readings of key African American texts that demonstrate the possibility and value of a viable black male feminist perspective. Seeking to advance the primary objectives of black feminism, Ikard provides literary models from Chester Himes's If He Hollers Let Him Go, James Baldwin's Go Tell It on the Mountain, Toni Morrison's Paradise, Toni Cade Bambara's The Salt Eaters, and Walter Mosley's Always Outnumbered, Always Outgunned and Walkin' the Dog that consciously wrestle with the concept of victim status for black men and women. He looks at how complicity across gender lines, far from rooting out patriarchy in the black community, has allowed it to thrive. This complicity, Ikard explains, is a process by which victimized groups invest in victim status to the point that they unintentionally concede power to their victimizers and engage in patterns of behavior that are perceived as revolutionary but actually reinforce the status quo. While black feminism has fostered important and necessary discussions regarding the problems of patriarchy within the black community, little attention has been paid to the intersecting dynamics of complicity. By laying bare the nexus between victim status and complicity in oppression, Breaking the Silence charts a new direction for conceptualizing black women's complex humanity and provides the foundations for more expansive feminist approaches to resolving intraracial gender conflicts.
An Interdisciplinary Approach
A panorama of past and contemporary southern society are captured in Bridging Southern Cultures by some of the South’s leading historians, anthropologists, literary critics, musicologists, and folklorists. Crossing the chasms of demographics, academic disciplines, art forms, and culture, this exciting collection reaches aspects of southern heritage that previous approaches have long obscured. Virtually every dimension of southern identity receives attention here. William Andrews,Thadious Davis, Sue Bridwell Beckham, Richard Megraw, and Joyce Marie Jackson offer engaging reflections on art, age, race, and gender. Bertram Wyatt-Brown delivers a startling reading of Faulkner, revealing the tangled history of southern modernism. Daniel C. Littlefield, Henry Shapiro, and Charles Reagan Wilson provide important assessments of Africanisms in southern culture, Appalachian studies, and the blessing and burden of southern culture. John Shelton Reed probes the humorous and awkward aspects of the South’s midlife crisis. John Lowe shows how the myth of the biracial southern family complicated plantation-school narratives for both white and black writers. Showcasing the thought of preeminent southern intellectuals, Bridging Southern Cultures is a timely assessment of the state of contemporary southern studies.
The Journal of Kate Stone, 1861–1868
This journal records the Civil War experiences of a sensitive, well-educated, young southern woman. Kate Stone was twenty when the war began, living with her widowed mother, five brothers, and younger sister at Brokenburn, their plantation home in northeastern Louisiana. When Grant moved against Vicksburg, the family fled before the invading armies, eventually found refuge in Texas, and finally returned to a devastated home. Kate began her journal in May, 1861, and made regular entries up to November, 1865. She included briefer sketches in 1867 and 1868. In chronicling her everyday activities, Kate reveals much about a way of life that is no more: books read, plantation management and crops, maintaining slaves in the antebellum period, the attitude and conduct of slaves during the war, the fate of refugees, and civilian morale. Without pretense and with almost photographic clarity, she portrays the South during its darkest hours.
Illegal Sex in Antebellum New Orleans
Winner of the 2009 Gulf South Historical Association Book Award When a priest suggested to one of the first governors of Louisiana that he banish all disreputable women to raise the colony’s moral tone, the governor responded, “If I send away all the loose females, there will be no women left here at all.” Primitive, mosquito infested, and disease ridden, early French colonial New Orleans offered few attractions to entice respectable women as residents. King Louis XIV of France solved the population problem in 1721 by emptying Paris’s La Salpêtrière prison of many of its most notorious prostitutes and convicts and sending them to Louisiana. Many of these women continued to ply their trade in New Orleans. In Brothels, Depravity, and Abandoned Women, Judith Kelleher Schafer examines case histories from the First District Court of New Orleans and tells the engrossing story of prostitution in the city prior to the Civil War. Louisiana law did not criminalize the selling of sex until the Progressive Era, although the law forbade keeping a brothel. Police arrested individual public women on vague charges, for being “lewd and abandoned” or vagrants. The city’s wealthy and influential landlords, some of whom made huge profits by renting their property as brothels, wanted their tenants back on the streets as soon as possible, and they often hired the best criminal attorneys to help release the women from jail. The courts, in turn, often treated these “public women” leniently, exacting small fines or sending them to the city’s workhouse for a few months. As a result, prosecutors dropped almost all prostitution cases before trial. Relying on previously unexamined court records and newly available newspaper articles, Schafer ably details the brutal and often harrowing lives of the women and young girls who engaged in prostitution. Some watched as gangs of rowdy men smashed their furniture; some endured beatings by their customers or other public women enraged by fits of jealousy; others were murdered. Schafer discusses the sexual exploitation of children, sex across the color line, violence among and against public women, and the city’s feeble attempts to suppress the trade. She also profiles several infamous New Orleans sex workers, including Delia Swift, alias Bridget Fury, a flaming redhead with a fondness for stabbing men, and Emily Eubanks and her daughter Elisabeth, free women of color known for assaulting white women. Although scholars have written much about prostitution in New Orleans’ Storyville era, few historical studies on prostitution in antebellum New Orleans exist. Schafer’s rich analysis fills this gap and offers insight into an intriguing period in the history of the “oldest profession” in the Crescent City.
Esprit de Corps in a Civil War Regiment
During the Civil War, the regiment was the fundamental component of armies both North and South, its reliability and effectiveness crucial to military success. Soldiers' devotion to their regiment—their esprit de corps—encouraged unit cohesion and motivated the individual soldier to march into battle and endure the hardships of military life. In Brothers One and All, Mark H. Dunkelman identifies the characteristics of Civil War esprit de corps and charts its development from recruitment and combat to the end of the war and beyond through the experiences of a single regiment, the 154th New York Volunteer Infantry. Dunkelman offers a unique psychological portrait of a front-line unit that fought with distinction at Chancellorsville, Gettysburg, Lookout Valley, Rocky Face Ridge, and other engagements. He traces the evolution of natural camaraderie among friends and neighbors into a more profound sense of pride, enthusiasm, and loyalty forged as much in the shared unpleasantness of day-to-day army life as in the terrifying ordeal of battle.
Creating Safe and Happy Places for Children
We accomplish extraordinary things when we do ordinary things together. This heartfelt and hopeful conviction led LSU professor Marybeth Lima to begin the LSU Community Playground Project in an attempt to involve her students in the larger Baton Rouge community. Fifteen years and over seven hundred students later, Building Playgrounds, Engaging Communities tells the story of the Playground Project’s ongoing partnership with area public schools to build safe, fun, accessible, kid-designed playgrounds. Lima’s experiences with the Playground Project range from outright failures to hard-won victories. Overcoming the challenges of working with scarce resources, Lima persevered despite many setbacks. Her accounts brim with hope, humor, and dedication. Building Playgrounds, Engaging Communities emphasizes the major impact people can have when they work together for the common good—whether by building playgrounds, establishing neighborhood gardens, or having honest, respectful conversations. To this end, Lima provides an appendix with practical advice for local engagement. People wanting to get involved in their communities can use this book as a road map; those active in long-term endeavors can draw on it for ideas and inspiration.
C. Vann Woodward's The Burden of Southern History remains one of the essential history texts of our time. In it Woodward brilliantly addresses the interrelated themes of southern identity, southern distinctiveness, and the strains of irony that characterize much of the South's historical experience. First published in 1960, the book quickly became a touchstone for generations of students. This updated third edition contains a chapter, "Look Away, Look Away," in which Woodward finds a plethora of additional ironies in the South's experience. It also includes previously uncollected appreciations of Robert Penn Warren, to whom the book was originally dedicated, and William Faulkner. This edition also features a new foreword by historian William E. Leuchtenburg in which he recounts the events that led up to Woodward's writing The Burden of Southern History, and reflects on the book's—and Woodward's—place in the study of southern history. The Burden of Southern History is quintessential Woodward—wise, witty, ruminative, daring, and as alive in the twenty-first century as when it was written.