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The University Press of Kentucky

The University Press of Kentucky

Website: http://www.kentuckypress.com/index.php

The University Press of Kentucky (UPK) is the scholarly publisher for the Commonwealth of Kentucky, and was organized in 1969 as successor to the University of Kentucky Press. The university had sponsored scholarly publication since 1943. In 1949 the press was established as a separate academic agency under the university president, and the following year Bruce F. Denbo, then of Louisiana State University Press was appointed as the first full-time professional director. Denbo served as director of UPK until his retirement in 1978, building a small but distinguished list of scholarly books with emphasis on American history and literary criticism.

Since its reorganization, the Press has represented a consortium that now includes all of Kentucky's state universities, five of its private colleges, and two historical societies. Each constituent institution is represented on a statewide editorial board, which determines editorial policy.

UPK's editorial program focuses on the humanities and the social sciences. Its commitment to film and military studies has earned it a national reputation in recent years. Since the formation of the consortium, the press has broadened its appeal to readers in Kentucky and Appalachia with publications of special regional interest. In the 1970s it produced the Kentucky Nature Series and the forty-seven-volume Kentucky Bicentennial Bookshelf. The press publishes classic novels by Kentucky authors including Harriet Arnow, Janice Holt Giles, John Fox, Jr., James Still, and Jesse Stuart. More recent publications include The Kentucky Encyclopedia (1992), A New History of Kentucky (1997), Atlas of Kentucky (1998), and Encyclopedia of Louisville (2000).


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The University Press of Kentucky

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Camera Clues Cover

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Camera Clues

A Handbook for Photographic Investigation

Joe Nickell

In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.

Camp Colt to Desert Storm Cover

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Camp Colt to Desert Storm

The History of U.S. Armored Forces

edited by George F. Hofmann and Donn A. Starry

The tank revolutionized the battlefield in World War II. In the years since, additional technological developments--including nuclear weapons, ballistic missiles, computer assisted firing, and satellite navigation--have continued to transform the face of combat. The only complete history of U.S. armed forces from the advent of the tank in battle during World War I to the campaign to drive Iraq out of Kuwait in 1991, Camp Colt to Desert Storm traces the development of doctrine for operations at the tactical and operational levels of war and translates this fighting doctrine into the development of equipment.

Carl Theodor Dreyer and Ordet Cover

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Carl Theodor Dreyer and Ordet

My Summer with the Danish Filmmaker

Jan Wahl

Regarded by many filmmakers and critics as one of the greatest directors in cinema history, Carl Theodor Dreyer (1889--1968) achieved worldwide acclaim after the debut of his masterpiece, The Passion of Joan of Arc (1928), which was named the most influential film of all time at the 2010 Toronto International Film Festival. In 1955 Dreyer granted twenty-three-year-old American student Jan Wahl the extraordinary opportunity to spend a unique and unforgettable summer with him during the filming of Ordet (The Word [1955]).

Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker is a captivating account of Wahl's time with the director, based on Wahl's daily journal accounts and transcriptions of his conversations with Dreyer. Offering a glimpse into the filmmaker's world, Wahl fashions a portrait of Dreyer as a man, mentor, friend, and director. Wahl's unique and charming account is supplemented by exquisite photos of the filming and by selections from Dreyer's papers, including his notes on film style, his introduction for the actors before the filming of Ordet, and a visionary lecture he delivered at Edinburgh. Carl Theodor Dreyer and Ordet details one student's remarkable experiences with a legendary director and the unlikely bond formed over a summer.

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Cecelia and Fanny

The Remarkable Friendship Between an Escaped Slave and Her Former Mistress

Brad Asher

Cecelia was a fifteen-year-old slave when she accompanied her mistress, Frances “Fanny” Thruston Ballard, on a holiday trip to Niagara Falls. During their stay, Cecelia crossed the Niagara River and joined the free black population of Canada. Although documented relationships between freed or escaped slaves and their former owners are rare, the discovery of a cache of letters from the former slave owner to her escaped slave confirms this extraordinary link between two urban families over several decades. Cecelia and Fanny: The Remarkable Friendship between an Escaped Slave and Her Former Mistress is a fascinating look at race relations in mid-nineteenth-century Louisville, Kentucky, focusing on the experiences of these two families during the seismic social upheaval wrought by the emancipation of four million African Americans. Far more than the story of two families, Cecelia and Fanny delves into the history of Civil War–era Louisville. Author Brad Asher details the cultural roles assigned to the two women and provides a unique view of slavery in an urban context, as opposed to the rural plantations more often examined by historians.

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Cecil B. DeMille's Hollywood

Robert S. Birchard

" ""Far and away the best film book published so far this year.""--National Board of Review Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood's Golden Age. Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille's legendary persona. In his forty-five-year career DeMille's box-office record was unsurpassed, and his swaggering style established the public image for movie directors. DeMille had a profound impact on the way movies tell stories and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic "chamber dramas," and a series of daring and highly influential social comedies. He set the standard for Hollywood filmmakers and demanded absolute devotion to his creative vision from his writers, artists, actors, and technicians.

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Chinaberry

James Still

Celebrated as the “Dean of Appalachian Literature,” James Still has won the appreciation of audiences in Appalachia and beyond for more than seventy years. The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still’s friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still’s last and perhaps greatest contribution to American literature. Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still’s entrancing narrative centers on the boy’s experience at the ranch under Anson’s watchful eye and Lurie’s doting care, highlighting the importance of home, whether it is defined by people or a place. In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still’s mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.

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Civil Rights in the Gateway to the South

Louisville, Kentucky, 1945-1980

Tracy K'Meyer

Situated on the banks of the Ohio River, Louisville, Kentucky, represents a cultural and geographical intersection of North and South. Throughout its history, Louisville has simultaneously displayed northern and southern characteristics in its race relations. In their struggles against racial injustice in the mid-twentieth century, activists in Louisville crossed racial, economic, and political dividing lines to form a wide array of alliances not seen in other cities of its size. In Civil Rights in the Gateway to the South: Louisville, Kentucky, 1945–1980, noted historian Tracy E. K’Meyer provides the first comprehensive look at the distinctive elements of Louisville’s civil rights movement. K’Meyer frames her groundbreaking analysis by defining a border as a space where historical patterns and social concerns overlap. From this vantage point, she argues that broad coalitions of Louisvillians waged long-term, interconnected battles during the city’s civil rights movement. K’Meyer shows that Louisville’s border city dynamics influenced both its racial tensions and its citizens’ approaches to change. Unlike African Americans in southern cities, Louisville’s black citizens did not face entrenched restrictions against voting and other forms of civic engagement. Louisville schools were integrated relatively peacefully in 1956, long before their counterparts in the Deep South. However, the city bore the marks of Jim Crow segregation in public accommodations until the 1960s. Louisville joined other southern cities that were feeling the heat of racial tensions, primarily during open housing and busing conflicts (more commonly seen in the North) in the late 1960s and 1970s. In response to Louisville’s unique blend of racial problems, activists employed northern models of voter mobilization and lobbying, as well as methods of civil disobedience usually seen in the South. They crossed traditional barriers between the movements for racial and economic justice to unite in common action. Borrowing tactics from their neighbors to the north and south, Louisville citizens merged their concerns and consolidated their efforts to increase justice and fairness in their border city. By examining this unique convergence of activist methods, Civil Rights in the Gateway to the South provides a better understanding of the circumstances that unified the movement across regional boundaries.

The Civil War in Kentucky Cover

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The Civil War in Kentucky

Lowell Harrison

" The Civil War scene in Kentucky, site of few full-scale battles, was one of crossroad skirmishes and guerrilla terror, of quick incursions against specific targets and equally quick withdrawals. Yet Kentucky was crucial to the military strategy of the war. For either side, a Kentucky held secure against the adversary would have meant easing of supply problems and an immeasurably stronger base of operations. The state, along with many of its institutions and many of its families, was hopelessly divided against itself. The fiercest partisans of the South tended to be doubtful about the wisdom of secession, and the staunchest Union men questioned the legality of many government measures. What this division meant militarily is made clear as Lowell H. Harrison traces the movement of troops and the outbreaks of violence. What it meant to the social and economic fabric of Kentucky and to its postwar political stance is another theme of this book. And not forgotten is the life of the ordinary citizen in the midst of such dissension and uncertainty.

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The Civil War in Popular Culture

Memory and Meaning

edited by Lawrence A. Kreiser Jr. and Randal Allred

Dividing the nation for four years, the American Civil War resulted in 750,000 casualties and forever changed the country's destiny. The conflict continues to resonate in our collective memory, and U.S. economic, cultural, and social structures still suffer the aftershocks of the nation's largest and most devastating war. Nearly 150 years later, portrayals of the war in books, songs, cinema, and other cultural media continue to draw widespread attention and controversy.

In The Civil War in Popular Culture: Memory and Meaning, editors Lawrence A. Kreiser Jr. and Randal Allred analyze American depictions of the war across a variety of mediums, from books and film, to monuments and battlefield reunions, to reenactments and board games. This collection examines how battle strategies, famous generals, and the nuances of Civil War politics translate into contemporary popular culture. This unique analysis assesses the intersection of the Civil War and popular culture by recognizing how memories and commemorations of the war have changed since it ended in 1865.

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Clark Clifford

The Wise Man of Washington

John Acacia

One of the most renowned Washington insiders of the twentieth century, Clark Clifford (1906–1998) was a top advisor to four Democratic presidents. As a powerful corporate attorney, he advised Harry S. Truman, John F. Kennedy, Lyndon Johnson, and Jimmy Carter. As special counsel to Truman, Clifford helped to articulate the Truman Doctrine, grant recognition to Israel, create the Marshall Plan, and build the North Atlantic Treaty Organization (NATO). After winning the 1960 Democratic presidential nomination, Kennedy asked Clifford to analyze the problems he would face in taking over the executive branch and later appointed him chairman of the Foreign Intelligence Advisory Board. Johnson named Clifford secretary of defense in 1968, but their warm relationship was strained when Clifford concluded that there was no plan for victory in the Vietnam War and that the United States was in a “bottomless pit.” Even Carter, who kept his distance from Washington insiders, turned to Clifford for help. In Clark Clifford: The Wise Man of Washington, John Acacia chronicles Clifford’s rise from midwestern lawyer to Washington power broker and presidential confidant. He covers the breadth and span of Clifford’s involvement in numerous pivotal moments of American history, providing a window to the inner workings of the executive office. Drawing from a wealth of sources, the author reveals Clifford’s role as one of the most trusted advisors in American history and as a primary architect of cold war foreign policy.

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