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Confederate Commander in the Shenandoah
" John D. Imboden is an important but often overlooked figure in Civil War history. With only limited militia training, the Virginia lawyer and politician rose to the rank of brigadier general in the Confederate Army and commanded the Shenandoah Valley District, which had been created for Stonewall Jackson. Imboden organized and led the Staunton Artillery in the capture of the U.S. arsenal at Harper’s Ferry. He participated in the First Battle of Bull Run/Manassas and organized a cavalry command that fought alongside Stonewall Jackson in his Shenandoah Valley Campaign. The Jones/Imboden Raid into West Virginia cut the Baltimore & Ohio Railroad and ravaged the Kanawha Valley petroleum fields. Imboden covered the Confederate withdrawal from Gettysburg and later led cavalry accompanying Jubal Early in his operations against Philip Sheridan in Sheridan’s Shenandoah Valley Campaign. Imboden completed his war service in command of Confederate prisons in Georgia, Alabama, and Mississippi. Spencer C. Tucker fully examines the life of this Confederate cavalry commander, including analysis of Imboden’s own post-war writing, and explores overlooked facets of his life, such as his involvement in the Confederate prison system, his later efforts to restore the economic life of his home state of Virginia by developing its natural resources, and his founding of the city of Damascus, which he hoped to make into a new iron and steel center. Spencer C. Tucker, John Biggs Professor of Military History at the Virginia Military Institute, is the author of Vietnam and the author or editor of several other books on military and naval history. He lives in Lexington, Virginia.
The Journey of York
" Winner of the 35th Annual Lillian Smith Book Award, 2004 A BookSense 76 Spring 2004 Top 10 Poetry Book! Read an excerpt from the book Listen to Frank X Walker reading on NPR's ""This I Believe"" segment of Morning Edition. This collection of persona poems tells the story of the infamous Lewis & Clark expedition from the point of view of Clark's personal slave, York. The poems form a narrative of York's inner and outer journey, before, during and after the expedition--a journey from slavery to freedom, from the plantation to the great northwest, from servant to soul yearning to be free. Over the course of the saga and through the poems, we are treated to subtle and overt commentaries on literacy, slavery, native Americans, buffalo, the environment, and more. Though Buffalo Dance purposely references historic accounts and facts, it is fictionalized poetry, and Frank X Walker's rare blend of history and art breathes life into an important but overlooked historical figure. Frank X Walker is the author of Affrilachia and the soon to be released Black Box , two collections of poetry. He teaches in the department of English & Theatre and is the interim Director of the African/African American Studies Program at Eastern Kentucky University. He is also a visiting professor in Pan African Studies department at the University of Louisville. A 2004 recipient of the Lillian Smith Book Award, he lives in Lexington, KY. Click here for Frank Walker's website.
Kentucky Tobacco in a New Century
Once iconic American symbols, tobacco farms are gradually disappearing. It is difficult for many people to lament the loss of a crop that has come to symbolize addiction, disease, and corporate deception; yet, in Kentucky, the plant has played an important role in economic development and prosperity. Burley tobacco -- a light, air-cured variety used in cigarette production -- has long been the Commonwealth's largest cash crop and an important aspect of regional identity, along with bourbon, bluegrass music, and Thoroughbred horses.
In Burley: Kentucky Tobacco in a New Century, Ann K. Ferrell investigates the rapidly transforming process of raising and selling tobacco by chronicling her conversations with the farmers who know the crop best. She demonstrates that although the 2004 "buyout" ending the federal tobacco program is commonly perceived to be the most significant change that growers have had to negotiate, it is, in reality, only one new factor among many. Burley reveals the tangible and intangible challenges tobacco farmers face today, from the logistics of cultivation to the growing stigma against the crop.
Ferrell uses ethnography, archival research, and rhetorical analysis to tell the complex story of burley tobacco production in twenty-first-century Kentucky. Not only does she give a voice to the farmers who persevere in this embattled industry, but she also sheds light on their futures, contesting the widely held assumption that they can easily replace the crop by diversifying their opera-tions with alternative crops. As tobacco fades from both the physical and economic landscapes, this nuanced volume documents and explores the culture and practices of burley production today.
The Life and Art of Busby Berkeley
Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley’s unique artistry is as recognizable and striking as ever. From his years on Broadway to the director’s chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley’s life remains a mystery. Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous “parade of faces” technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before. Jeffrey Spivak’s meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley’s private memoirs, Spivak unveils the colorful life of one of cinema’s greatest artists.
A Handbook for Photographic Investigation
In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.
The History of U.S. Armored Forces
The tank revolutionized the battlefield in World War II. In the years since, additional technological developments--including nuclear weapons, ballistic missiles, computer assisted firing, and satellite navigation--have continued to transform the face of combat. The only complete history of U.S. armed forces from the advent of the tank in battle during World War I to the campaign to drive Iraq out of Kuwait in 1991, Camp Colt to Desert Storm traces the development of doctrine for operations at the tactical and operational levels of war and translates this fighting doctrine into the development of equipment.
My Summer with the Danish Filmmaker
Regarded by many filmmakers and critics as one of the greatest directors in cinema history, Carl Theodor Dreyer (1889--1968) achieved worldwide acclaim after the debut of his masterpiece, The Passion of Joan of Arc (1928), which was named the most influential film of all time at the 2010 Toronto International Film Festival. In 1955 Dreyer granted twenty-three-year-old American student Jan Wahl the extraordinary opportunity to spend a unique and unforgettable summer with him during the filming of Ordet (The Word ).
Carl Theodor Dreyer and Ordet: My Summer with the Danish Filmmaker is a captivating account of Wahl's time with the director, based on Wahl's daily journal accounts and transcriptions of his conversations with Dreyer. Offering a glimpse into the filmmaker's world, Wahl fashions a portrait of Dreyer as a man, mentor, friend, and director. Wahl's unique and charming account is supplemented by exquisite photos of the filming and by selections from Dreyer's papers, including his notes on film style, his introduction for the actors before the filming of Ordet, and a visionary lecture he delivered at Edinburgh. Carl Theodor Dreyer and Ordet details one student's remarkable experiences with a legendary director and the unlikely bond formed over a summer.
The Remarkable Friendship Between an Escaped Slave and Her Former Mistress
Cecelia was a fifteen-year-old slave when she accompanied her mistress, Frances “Fanny” Thruston Ballard, on a holiday trip to Niagara Falls. During their stay, Cecelia crossed the Niagara River and joined the free black population of Canada. Although documented relationships between freed or escaped slaves and their former owners are rare, the discovery of a cache of letters from the former slave owner to her escaped slave confirms this extraordinary link between two urban families over several decades. Cecelia and Fanny: The Remarkable Friendship between an Escaped Slave and Her Former Mistress is a fascinating look at race relations in mid-nineteenth-century Louisville, Kentucky, focusing on the experiences of these two families during the seismic social upheaval wrought by the emancipation of four million African Americans. Far more than the story of two families, Cecelia and Fanny delves into the history of Civil War–era Louisville. Author Brad Asher details the cultural roles assigned to the two women and provides a unique view of slavery in an urban context, as opposed to the rural plantations more often examined by historians.
" ""Far and away the best film book published so far this year.""--National Board of Review Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood's Golden Age. Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille's legendary persona. In his forty-five-year career DeMille's box-office record was unsurpassed, and his swaggering style established the public image for movie directors. DeMille had a profound impact on the way movies tell stories and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic "chamber dramas," and a series of daring and highly influential social comedies. He set the standard for Hollywood filmmakers and demanded absolute devotion to his creative vision from his writers, artists, actors, and technicians.
Celebrated as the “Dean of Appalachian Literature,” James Still has won the appreciation of audiences in Appalachia and beyond for more than seventy years. The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still’s friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still’s last and perhaps greatest contribution to American literature. Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still’s entrancing narrative centers on the boy’s experience at the ranch under Anson’s watchful eye and Lurie’s doting care, highlighting the importance of home, whether it is defined by people or a place. In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still’s mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.