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Out-doors in Old Kentucky
" ""Serving as tour guide, Fox invites his audience to go with him log rafting down the Kentucky River, bass fishing in the Cumberland Mountains, rabbit hunting in the Bluegrass, and chasing outlaws in the border country of Kentucky and Virginia. Along the route we meet Old South colonels and their ladies, lawless moonshiners and their shy daughters, bloodthirsty preachers, and educated young gentlemen visitors who explore the southern mountains for fun and profit. These sketches offer a delightful blend of macho adventure and sage observation by an erudite young writer who had lived in the two worlds that provide his subject matter-the elegant society of the Bluegrass aristocracy and the hardscrabble feuding clans of mountaineers.""
The History and Culture of Central Kentucky, 1792-1852
Originally established in 1775 the town of Lexington, Kentucky grew quickly into a national cultural center amongst the rolling green hills of the Bluegrass Region. Nicknamed the "Athens of the West," Lexington and the surrounding area became a leader in higher education, visual arts, architecture, and music, and the center of the horse breeding and racing industries. The national impact of the Bluegrass was further confirmed by prominent Kentucky figures such as Henry Clay and John C. Breckinridge.
The Idea of the Athens of the West: Central Kentucky in American Culture, 1792-1852, chronicles Lexington's development as one of the most important educational and cultural centers in America during the first half of the nineteenth century. Editors Daniel Rowland and James C. Klotter gather leading scholars to examine the successes and failures of Central Kentuckians from statehood to the death of Henry Clay, in an investigation of the area's cultural and economic development and national influence. The Idea of the Athens of the West is an interdisciplinary study of the evolution of Lexington's status as antebellum Kentucky's cultural metropolis.
African Americans and the Union Navy
One of the lesser known stories of the Civil War is the role played by escaped slaves in the Union blockade along the Atlantic coast. From the beginning of the war, many African American refugees sought avenues of escape to the North. Due to their sheer numbers, those who reached Union forces presented a problem for the military. The problem was partially resolved by the First Confiscation Act of 1861, which permitted the seizure of property used in support of the South’s war effort, including slaves. Eventually regarded as contraband of war, the runaways became known as contrabands. In Bluejackets and Contrabands, Barbara Brooks Tomblin examines the relationship between the Union Navy and the contrabands. The navy established colonies for the former slaves and, in return, some contrabands served as crewmen on navy ships and gunboats and as river pilots, spies, and guides. Tomblin presents a rare picture of the contrabands and casts light on the vital contributions of African Americans to the Union Navy and the Union cause.
Planning for War in Central Europe, 1948-1968
While scholarship abounds on the diplomatic and security aspects of the Cold War, very little attention has been paid to military planning at the operational level. In Blueprints for Battle, experts from Russia, the United States, and Europe address this dearth by closely examining the military planning of NATO and Warsaw Pact member nations from the end of World War II to the beginning of d?tente. Informed by material from recently opened archives, this collection investigates the perceptions and actions of the rival coalitions, exploring the challenges presented by nuclear technology, examining how military commanders' perceptions changed from the 1950s to the 1960s, and discussing logistical coordination among allied states. The result is a detailed study that offers much-needed new perspectives on the military aspects of the early Cold War.
Radical Theories of Folk and Fairy Tales
This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.
Confederate Commander in the Shenandoah
" John D. Imboden is an important but often overlooked figure in Civil War history. With only limited militia training, the Virginia lawyer and politician rose to the rank of brigadier general in the Confederate Army and commanded the Shenandoah Valley District, which had been created for Stonewall Jackson. Imboden organized and led the Staunton Artillery in the capture of the U.S. arsenal at Harper’s Ferry. He participated in the First Battle of Bull Run/Manassas and organized a cavalry command that fought alongside Stonewall Jackson in his Shenandoah Valley Campaign. The Jones/Imboden Raid into West Virginia cut the Baltimore & Ohio Railroad and ravaged the Kanawha Valley petroleum fields. Imboden covered the Confederate withdrawal from Gettysburg and later led cavalry accompanying Jubal Early in his operations against Philip Sheridan in Sheridan’s Shenandoah Valley Campaign. Imboden completed his war service in command of Confederate prisons in Georgia, Alabama, and Mississippi. Spencer C. Tucker fully examines the life of this Confederate cavalry commander, including analysis of Imboden’s own post-war writing, and explores overlooked facets of his life, such as his involvement in the Confederate prison system, his later efforts to restore the economic life of his home state of Virginia by developing its natural resources, and his founding of the city of Damascus, which he hoped to make into a new iron and steel center. Spencer C. Tucker, John Biggs Professor of Military History at the Virginia Military Institute, is the author of Vietnam and the author or editor of several other books on military and naval history. He lives in Lexington, Virginia.
The Journey of York
" Winner of the 35th Annual Lillian Smith Book Award, 2004 A BookSense 76 Spring 2004 Top 10 Poetry Book! Read an excerpt from the book Listen to Frank X Walker reading on NPR's ""This I Believe"" segment of Morning Edition. This collection of persona poems tells the story of the infamous Lewis & Clark expedition from the point of view of Clark's personal slave, York. The poems form a narrative of York's inner and outer journey, before, during and after the expedition--a journey from slavery to freedom, from the plantation to the great northwest, from servant to soul yearning to be free. Over the course of the saga and through the poems, we are treated to subtle and overt commentaries on literacy, slavery, native Americans, buffalo, the environment, and more. Though Buffalo Dance purposely references historic accounts and facts, it is fictionalized poetry, and Frank X Walker's rare blend of history and art breathes life into an important but overlooked historical figure. Frank X Walker is the author of Affrilachia and the soon to be released Black Box , two collections of poetry. He teaches in the department of English & Theatre and is the interim Director of the African/African American Studies Program at Eastern Kentucky University. He is also a visiting professor in Pan African Studies department at the University of Louisville. A 2004 recipient of the Lillian Smith Book Award, he lives in Lexington, KY. Click here for Frank Walker's website.
Kentucky Tobacco in a New Century
Once iconic American symbols, tobacco farms are gradually disappearing. It is difficult for many people to lament the loss of a crop that has come to symbolize addiction, disease, and corporate deception; yet, in Kentucky, the plant has played an important role in economic development and prosperity. Burley tobacco -- a light, air-cured variety used in cigarette production -- has long been the Commonwealth's largest cash crop and an important aspect of regional identity, along with bourbon, bluegrass music, and Thoroughbred horses.
In Burley: Kentucky Tobacco in a New Century, Ann K. Ferrell investigates the rapidly transforming process of raising and selling tobacco by chronicling her conversations with the farmers who know the crop best. She demonstrates that although the 2004 "buyout" ending the federal tobacco program is commonly perceived to be the most significant change that growers have had to negotiate, it is, in reality, only one new factor among many. Burley reveals the tangible and intangible challenges tobacco farmers face today, from the logistics of cultivation to the growing stigma against the crop.
Ferrell uses ethnography, archival research, and rhetorical analysis to tell the complex story of burley tobacco production in twenty-first-century Kentucky. Not only does she give a voice to the farmers who persevere in this embattled industry, but she also sheds light on their futures, contesting the widely held assumption that they can easily replace the crop by diversifying their opera-tions with alternative crops. As tobacco fades from both the physical and economic landscapes, this nuanced volume documents and explores the culture and practices of burley production today.
The Life and Art of Busby Berkeley
Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley’s unique artistry is as recognizable and striking as ever. From his years on Broadway to the director’s chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley’s life remains a mystery. Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous “parade of faces” technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before. Jeffrey Spivak’s meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley’s private memoirs, Spivak unveils the colorful life of one of cinema’s greatest artists.
A Handbook for Photographic Investigation
In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.